Title engraved below images on second and third sheets., Text below title: This plate, from an original drawing by Samuel Collings Esq., is dedicated with permission to the Right Honorable Philip Stanhope ..., Thirteen designs on four plates, each individually captioned., Sheets trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Mockery of etiquette -- Carving knife and fork -- Fiddle -- Cello -- French horn., and Sheets mounted on a secondary support, rolled and stored in a box.
Publisher:
Publish'd Novr. 16, 1790, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773.
Subject (Topic):
Board games, Clothing & dress, Clocks & watches, Cooking utensils, Military uniforms, British, Musical instruments, and Playing cards
Manuscript, on paper, in several unidentified hands, containing a collection of 30 astronomical treatises and instructions for the creation of musical and matematical instruments, such as the organ, clavichord, Turkish instrument, cylindrical clocks, sundial, astrolabe, etc. Texts include treatises by Franco de Polonia, (Pseudo-)Bede, Johannes Symonis de Zalandria, Johannes de Lineriis, Petrus Peregrinus of Maricourt, and Gerardus Cremonensis. Number 2 of 4 titles bound together
Alternative Title:
Manuscripts, composed of astronomical and mathematical texts and instructions for making musical instruments written down by two different scribes [i.e. Yale Medical Historical Library Manuscript 25]
Description:
In Latin., Title devised by cataloger., Script: Gothic cursiva., Decoration: Ample rubricated mathematical tables and diagrams. Two- to four-line capital letters in red ink. Rubrication., Layout: 1 column of 35 lines., Binding: 16th-century red blind-tooled leather on wooden boards. Rebacked in the 19th century. Two clasps closing on the top cover., Locally also referred to as Manuscript 25., Foliation in modern ink; starting at f. 1., and Also available on microfilm.
Subject (Topic):
Astronomical Instruments, Astronomy, Mathematics, and Musical instruments
A group of cats look at book opened to a musical score, on the right and images of mice on the left. Some of the cats are singing while one plays a trumpet; one of the cats wears spectacles. In the foreground are several other musical instruments including a violin and other volumes. The book is propped against a birdhouse from which emerges a mouse; a cloth has been draped over the birdhouse
Description:
Title from caption below image., "Vol. 3 No. 18"., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
R. Ackermann's Lithography
Subject (Topic):
Animals in human situations, Cats, Mice, Musical instruments, Musicians, and Singers
Copy of a concert ticket with a group of eleven musicians playing various instruments in an interior with a Venetian window and curtains behind; with a blank oval at the lower edge of design, presumably intended for a manuscript ticket number. Below image within a single-ruled line, above title: on the left "Mary's Chappel' and on the right "Five at night". After Hogarth
Description:
Title from caption below image., Sheet trimmed to plate mark., and Illustration for: Ireland, S. Graphic illustrations of Hogarth.
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and drypoint on laid paper ; plate mark 30.1 x 40.6 cm, on sheet 32.3 x 43.3 cm., and Mounted on leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 45.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d March 1773.
Call Number:
Bunbury 773.03.23.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"Three men playing musical instruments: A fat man (left) sitting in a chair plays a viol da gamba, perhaps a portrait of Abel, see British Museum Satires No. 5163. A thin man in profile to the left plays a flute. He wears a bag-wig, laced coat, ruffled shirt and sword. A piece of music protrudes from his coat pocket. Behind, a stout man plays a horn."--British Museum online catalogue
Description:
Title from text below image., Artist attribution to Bunbury from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Abel, Karl Friedrich, 1723-1787, Fischer, Johann Christian, 1733-1800, and Punto, Giovanni, 1746-1803
Title from item., Publication place from that of the periodical for which this plate was engraved., Publication date from British Museum catalogue: 1 May 1773., Sequel to: Cupid turn'd auctioneer. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 5066., Two lines of verse below image: [The] maids, dames, courtesans, now lend your ears, folly and love beat up for volunteers!, Plate from: Westminster magazine. London : Printed for W. Goldsmith, v.1(1772-3), p. 237., and Temporary local subject terms: Mythology: Cupid as drummer -- Kettle-drums -- Fashion -- Cupid as auctioneer -- Flags: folly -- Caps: cap with bells -- Recruiting party: beating up for volunteers -- Female dress: macaroni dress, 1773 -- Buildings: gateway of St. James's Palace -- Allusion to Adrien Louis de Bonnieres, comte de Guines, 1735-1806, French ambassador in London.
Publisher:
publisher not identified
Subject (Name):
Cornelys, Teresa, 1723-1797
Subject (Topic):
Auctioneers, Crowds, Dandies, British, Musical instruments, and Musicians
A couple dance together under a lush tree with large fruit hanging from its branches. They are accompanied by two men playing instruments, a drum and tambourine as one woman claps along to the music. Others, including a small girl, stand and converse
Alternative Title:
Negroes dance in the Island of St. Dominica
Description:
Titles engraved below image, in French and English., Approximate date of publication from dealer's description. A slightly later date in the 1780s is suggested by the active dates and street address information listed for the publisher Depeuille in the British Museum online catalogue., Sheet trimmed within plate mark., and Dedication engraved beneath titles: ... is humbly dedicated to the Honble. Charles O'Hara, Brigadier General of His Majesty's Army in America ... by his most obedt. & dutiful servt., A. Brunias.
Publisher:
Chez Depeuille, rue St. Denis, la boutique attenant St. Jacques l'Hopital, et au Palais Royal au Pavillon près le bassin
Subject (Geographic):
Haiti.
Subject (Topic):
Black people, Dance, Indigenous peoples, and Musical instruments
