Title from item., Sheet trimmed within plate mark., Below imprint: 6d. plain, 1s. colour'd., Four images, each with six lines of verse below. A horizontal line bisects the design to make 8 compartments., Verse below first image from left: The royal chaser here you view, a monarch and a sportsman too ..., Verse below second image from left: The clown is ordered by his master to keep the house, oh! sad disaster ..., Verse below third image from left: Here Harlequin with Columbine is telling of his whole design ..., Verse below fourth image from left: The old man from his information the subject treats with speculation ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Columbine -- Pantaloon as a Turkish magician -- Chemical equipment -- Hunting horns, 1772 -- Tuning fork -- Turkish magician, 1772 -- Animals: stuffed animals., and Watermark: initials HB in circle.
Publisher:
Publish'd as the act directs, Marh. [the] 23rd 1772 by Robt. Sayer, Map & Printseller, No. 53 in Fleet Street
Subject (Name):
Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790
Humphrey, William, approximately 1740-approximately 1810, printmaker
Published / Created:
1st Jany. 1772.
Call Number:
772.01.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed young maid sitting in an ornate armchair by a round table with an almost empty wine bottle and glasses on it, is being embraced by a black manservant sitting on a stool in front of her. Another black servant is sitting sideways on a chair near them. He is tipping it perilously as he tries with a great effort to play a horn. An open book lies on the floor in the foreground and a painting on the wall in the background is partially covered by an ornate curtain
Alternative Title:
Mungo addressing himself to my lady's maid
Description:
Title from item., The printmaker's name from other prints signed by William Humphrey as 'Umfrey' and published by Sayer., Plate numbered '207' in lower right corner., One line of text below title: For wine inspires us, and fires us, with courage, love and joy, &c., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Black manservants -- Musical instruments: horn -- Furniture: round table -- Chairs -- Furnishings: curtain -- Painting -- Effects of wine., and Numbered in contemporary hand in upper right corner '155.'
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, as the act directs
Subject (Topic):
Blacks, Draperies, Musical instruments, Servants, and Women domestics
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dancing lessons -- Costume: female child's costume -- Furniture -- Trades: dancing masters -- Expressions of speech: tol lol de rol., and Imprint partially altered: publication day changed from '2' to '1' in contemporary hand. '91' in 1791 also appears to have been changed.
Publisher:
Publish'd by W. Fores, 1 April 1791, No. 3 Piccadilly
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull capers on one leg, arms raised, looking down delightedly at little capering creatures at his feet whose bodies are composed of food or drink. These have human arms and legs (as in British Museum Satires no. 9851) and are flanked by two similar figures on a larger scale: a joint of beef (left), inscribed 'Sir Loin for ever' and decorated with sprigs of holly, sits on a flight of steps holding 'O the roast Beef of Old England', the tune to which they dance. On the extreme right sack inscribed 'Genuine Flour, No Adulteration' dances with heavy dignity. Two musicians are on the left: a frothing tankard of 'Old Stout', decorated with the Royal Arms as in BMSat 9851, plays a fiddle; a loaf of 'The Best Wheaten Bread' plays a pipe. The dancers are: 'Mutton 3d 1/2 Pr Pound'; 'Prime Hops, no Quashee'; 'Double Gloucester'; 'Jamaica Rum'; 'Old Port', and 'Coniac'. On a smaller scale in the foreground are 'Peace and Mealy Potatoes' and 'Excellent Fresh Butter', the last like a ballerina with petticoats extended."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull and his friends commemorating the peace
Description:
Title etched below image., Probably a reissue by Tegg, published ca. 1807 for Caricature magazine, of a print originally issued in 1802(?) with the imprint: London, Pubd. by P. Roberts, 28 Middle-Row, Holborn. See page 600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., For earlier state with Roberts's imprint and without plate number, see no. 9850 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "239" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Sheet trimmed within plate mark with possible loss of imprint from bottom edge., and Watermark: Smith & Allnutt 1819.
Publisher:
Thomas Tegg?
Subject (Geographic):
England
Subject (Topic):
Alcoholic beverages, Musical instruments, Pipes (Smoking), and Satires (Visual works)
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull capers on one leg, arms raised, looking down delightedly at little capering creatures at his feet whose bodies are composed of food or drink. These have human arms and legs (as in British Museum Satires no. 9851) and are flanked by two similar figures on a larger scale: a joint of beef (left), inscribed 'Sir Loin for ever' and decorated with sprigs of holly, sits on a flight of steps holding 'O the roast Beef of Old England', the tune to which they dance. On the extreme right sack inscribed 'Genuine Flour, No Adulteration' dances with heavy dignity. Two musicians are on the left: a frothing tankard of 'Old Stout', decorated with the Royal Arms as in BMSat 9851, plays a fiddle; a loaf of 'The Best Wheaten Bread' plays a pipe. The dancers are: 'Mutton 3d 1/2 Pr Pound'; 'Prime Hops, no Quashee'; 'Double Gloucester'; 'Jamaica Rum'; 'Old Port', and 'Coniac'. On a smaller scale in the foreground are 'Peace and Mealy Potatoes' and 'Excellent Fresh Butter', the last like a ballerina with petticoats extended."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull and his friends commemorating the peace
Description:
Title etched below image., Probably a reissue by Tegg, published ca. 1807 for Caricature magazine, of a print originally issued in 1802(?) with the imprint: London, Pubd. by P. Roberts, 28 Middle-Row, Holborn. See page 600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., For earlier state with Roberts's imprint and without plate number, see no. 9850 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "239" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Sheet trimmed within plate mark with possible loss of imprint from bottom edge., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Imperfect; sheet trimmed within plate mark on top and bottom edges, with partial loss of title and possible loss of imprint from bottom edge., and Leaf 15 in volume 4.
Publisher:
Thomas Tegg?
Subject (Geographic):
England
Subject (Topic):
Alcoholic beverages, Musical instruments, Pipes (Smoking), and Satires (Visual works)
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A magistrate, identified as 'the Hon. Sir Thomas McKenny', Mayor of Dublin, sits at a table on a small dais, giving instructions to constables. On the wall behind is a crowned Irish harp. Beside him sits a clerk, pen in hand. Two ladies watch the proceedings, seated by the table. The two constables have large bludgeons; their clothes are patched and ragged, but they have a sanctimonious air. One says: "Plaise your Worship it's a scandalous shame that honest Women can't take a bit of a walk near the Royal Canal but they must shut their eyes! as the place is full of Naked blackguards; cooling themselves this hot weather." The other adds: "Upon my Soul your Honor it's all true they are standing all about the place your worship!" One woman, whose breasts are immodestly exposed, says: "What a Shame!!" The other: "What they say is very true I've seen it myself, it's a great shame." The Mayor rests one gouty foot on a stool; before him is an open book, 'Burns Justice'; its right page is inscribed: '20 pence is 1s.8d--6 & 4 is 10'. He answers with a startled expression: "Cooling themselves by J--!! in the Royal Canal too!!! the Devil burn 'em!!--I'll cool the Vagabonds-- Paddy O' Shaughnessy. I give you & Old O' Calahan the thanks of the Corporation for your Modesty, go to the canal tomorrow & take away all their cloaths, I'll teach the rascals Decency!" The clerk says: "By the Powers! we'll commit them." Two men, barelegged and ragged, look in at the door (left). One says: "Sure we are only diverting ourselves your Worship becase we have no dinner"; the other: "Faith & sure & the'll never lave us to go home Naked!" A dandy stands against the wall looking with quizzical amusement at the Mayor."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "364" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Magistrates -- Irish harp -- Clerks -- Constables -- Weapons: Bludgeons., and Leaf 74 in volume 5.
Publisher:
Pubd. August 25, 1819, by T. Tegg, 111 Cheapside, London
"John Bull (left) capers clumsily to a tune played by Pitt, Dundas, and two others. He has a drink-bloated profile, wears a round hat and old-fashioned buckled shoes. He says: "Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I knows the March to Paris by heart, - and as for Indemnity for the Past, and Security for the future, they are as easy to me as my A-B-C - I want something stilish, and grand." Pitt, seated, plays a large 'cello incorrectly drawn and having a rose under the strings which suggests the viol da gamba. He looks up at John Bull jauntily, saying, "I will endeavour to please you if I can, what do you think of this - it is a grand serious-movement called the Deliverance of Europe or Union with Ireland". Dundas (right), wearing kilt and feathered bonnet with legal wig and bands, stands in profile to the left, impassively playing the bagpipes. Two background figures dejectedly play wind-instruments; one is probably Grenville."--British Museum online catalogue
Description:
Title from item., Printmaker from Krumbhaar. Attributed to Sansom in the British Museum Catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily.
Publisher:
Pub March 21, 1799, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Bagpipes, Dance, Musical instruments, and Violoncellos
publish's according to act of Parliament, July 15th, [1749]
Call Number:
749.07.15.01+ Impression 1
Image Count:
1
Resource Type:
still image
Alternative Title:
Mars on his knees
Description:
Title etched below image., Sheet trimmed within plate mark., 'Price 6d.'--Lower right corner., Two lines of verse below title: Musick hath charms to soothe the savage breast! / To soften rocks, and bend the knotted oak. Congrave [sic]., and Temporary local subject terms: Savoyards -- Mythology: allusion to Mars -- Buildings: Eton College -- Peasants -- Royal Arms -- 'The great fat hog to be seen alive' -- Literature: quotation from The mourning bride by William Congreve, 1670-1729.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Musical instruments, Organ grinders, and Signs (Notices)
"Eight groups or couples display different dances, the names of which are in the lower margin. On the extreme left stands [1] a 'Dancing Master', thin, dandified, stooping, arms dropped, fiddle and bow in left hand, feet turned out. [2] 'Country Dance'. Three couples, 'hands across'. [3] 'Scots Reel' A man in Highland dress dances between two women in a six-hand reel. [4] 'Irish Jig'. Three bandy-legged peasants jig: man (holding up a 'Whiskey' bottle), woman, and small boy who drinks from a glass and holds a large shillelagh. [5] The centre-piece: 'La Minuet'. A very slim man in court-dress, with powdered queue, dances with a lady who holds up the train of a limp gown. Behind them is the musicians' gallery supported on two palm-tree pillars, round which serpents are twined from whose mouths gas-flames issue. A life-like 'Terpsichore' supports the drapery of the box, which is inscribed 'On the light fantastic toe'. The front of the box is decorated with fantastic dancing figures, including a Red Indian, a Harlequin, a Punch; some are in lines and dots (cf. No. 12955). The instruments are flutes, bagpipes, harp, violins, 'cello, oboe, French horn. On the right: [6] 'German Waltz', an ugly couple, her hands on his shoulders, his on her waist. [7] 'French Quadrille'. One man and three ladies face three men and one lady. [8] 'Spanish Boliero'. A couple dance, clicking castanets, the man wears slashed doublet with knee-breeches. [9] 'Ballet Italienne'. Two dancers, each poised on a toe, leg extended, holding between them a long garland of roses. Beside them dances a little Italian greyhound. The wall which forms a background is covered with pictures, flanking the gallery. 'Dancing Dogs': a man with a whip directs five dressed-up dogs on their hind-legs. 'Dancing Bear'. A man holds the muzzled bear on a chain; a dressed-up monkey capers on the bear's head; a boy plays pipe and tabor. 'Dancing Horse'. On the stage of an equestrian theatre a man in light horse uniform, a clown behind him, directs the movements of a horse. 'Rope Dancing'. A woman ascends a slanting tight-rope, while rockets explode around her. 'St Vitus's Dance'. A fat doctor, smelling his cane, holds the pulse of a capering and emaciated invalid. 'Dancing Mad'. Two men leap or prance frantically in rage or despair, while a third capers at the end of a rope by which he hangs from a gibbet."--British Museum online catalogue
Alternative Title:
Sketches of characteristic dancing
Description:
Title from caption below image. and Watermark: John Hall 1814.
Publisher:
Pubd. August 31st, 1817, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Balls (Parties), Couples, Dance, Musical instruments, Orchestras, and Trained animals
Title from text below image., Date of publication from unverified data in local card catalog record., and Description based on imperfect impression; sheet trimmed at bottom with loss of imprint.
