publish'd according to act of Parliament Sepbr. 30th 1747.
Call Number:
Sotheby 45 Box 100
Collection Title:
Plate 45. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Francis Goodchild shares the hymn book of his master's daughter as they sing the psalm at a service in a large church (St. Martin's-in-the-Fields) filled with pews; to the left, an elderly woman, the pew-opener, sits on a pile of hassocks. The minister stands in the three-decker pulpit; the reader and clerk are at their desks. The chandelier is decorated with a crown; the organ is shown in the background. The right of the frame is decorated with a scourge, manacles, and a hangman's rope; on the left frame, are the mace of the City of London, the alderman's gold chain, and a sword of state
Alternative Title:
Industrious apprentice performing the duty of a Christian
Description:
Title engraved above image., State and publisher from Paulson., Second plate in the series of twelve: Industry and idleness., "Plate 2"--Below image., Caption in decoration in lower edge of frame: "Psalm CXIX Ver. 97. O! How I love thy law it is my meditation all the day.", and On laid paper.
Publisher:
Wm. Hogarth
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Subject (Topic):
Chandeliers, Couples, Courtship, Churches, Clergy, Parables, Pews, Pulpits, Rake's progress, Religious services, Singing, and Women
publish'd according to act of Parliament Sepbr. 30th 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 45. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Francis Goodchild shares the hymn book of his master's daughter as they sing the psalm at a service in a large church (St. Martin's-in-the-Fields) filled with pews; to the left, an elderly woman, the pew-opener, sits on a pile of hassocks. The minister stands in the three-decker pulpit; the reader and clerk are at their desks. The chandelier is decorated with a crown; the organ is shown in the background. The right of the frame is decorated with a scourge, manacles, and a hangman's rope; on the left frame, are the mace of the City of London, the alderman's gold chain, and a sword of state
Alternative Title:
Industrious apprentice performing the duty of a Christian
Description:
Title engraved above image., State and publisher from Paulson., Second plate in the series of twelve: Industry and idleness., "Plate 2"--Below image., Caption in decoration in lower edge of frame: "Psalm CXIX Ver. 97. O! How I love thy law it is my meditation all the day.", and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
Publisher:
Wm. Hogarth
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Subject (Topic):
Chandeliers, Couples, Courtship, Churches, Clergy, Parables, Pews, Pulpits, Rake's progress, Religious services, Singing, and Women
publish'd according to act of Parliament Sepbr. 30th 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 45. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Francis Goodchild shares the hymn book of his master's daughter as they sing the psalm at a service in a large church (St. Martin's-in-the-Fields) filled with pews; to the left, an elderly woman, the pew-opener, sits on a pile of hassocks. The minister stands in the three-decker pulpit; the reader and clerk are at their desks. The chandelier is decorated with a crown; the organ is shown in the background. The right of the frame is decorated with a scourge, manacles, and a hangman's rope; on the left frame, are the mace of the City of London, the alderman's gold chain, and a sword of state
Alternative Title:
Industrious apprentice performing the duty of a Christian
Description:
Title engraved above image., State and publisher from Paulson., Second plate in the series of twelve: Industry and idleness., "Plate 2"--Below image., Caption in decoration in lower edge of frame: "Psalm CXIX Ver. 97. O! How I love thy law it is my meditation all the day.", and On page 132 in volume 2. Sheet trimmed within plate mark to: 26.4 x 34.6 cm.
Publisher:
Wm. Hogarth
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Subject (Topic):
Chandeliers, Couples, Courtship, Churches, Clergy, Parables, Pews, Pulpits, Rake's progress, Religious services, Singing, and Women
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys. The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 4"--Below frame, centered., Caption in decoration centered in lower edge of frame, quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.5 cm, on sheet 26.8 x 41 cm., and Mounted on leaf 41 in: Album of William Hogarth prints.
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys. The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 4"--Below frame, centered., Caption in decoration centered in lower edge of frame, quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., Sheet trimmed within plate mark., and On page 134 in volume 2. Sheet trimmed within plate mark to: 26.4 x 34.6 cm.
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Kinnaird 46K(b) Box 215
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys. The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 4"--Below frame, centered., Caption in decoration centered in lower edge of frame, quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., and Sheet trimmed within plate mark.
"Six scenes from the parable: 'The Prodigal Son Receives his Patrimony'; 'The Prodigal Son Taking Leave'; 'The Prodigal Son in Excess'; 'The Prodigal Son in Misery'; 'The Prodigal Son Returns Reclaim'd'; 'The Prodigal Son Feasted on his Return'."--British Museum online catalogue
Description:
Title from text engraved above images., Six images in two rows on one plate, each with caption., Plate numbered(?) in lower right corner., Temporary local subject terms: Bible: parables, Prodigal son, St. Luke, XV -- Clergymen -- Domestic service -- Food: meat -- Farms -- Feeding pigs -- Clarinet -- viola -- Violin -- Furniture -- Table settings -- Chippendale mirror -- Pictures amplifying subject -- Architectural details -- Carpets -- Wall paneling -- Bags of money -- Patrimony -- Valises -- Money chests -- Female costume, 1776 -- Male costume, 1776., and Watermark: Strasburg bend on the right side of sheet, countermark I V on the left.
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Prodigal son (Parable), Parables, Clergy, Servants, Musical instruments, Prostitutes, and Poor persons
"The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (right) are a tree and a balustrade, against which grow a rose-bush and a thistle."--British Museum online catalogue, description of the Gillray print of which this is a copy and "A close copy by Williams, with additions, apparently ante-dated ... Behind the Prince Lord Dartmouth, Lord Chamberlain, stands full face, holding his wand, his gold key attached to his coat. Pitt and Moira turn their eyes slyly towards each other: both weep large burlesqued tears, as do the Queen and Dartmouth."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Copy of a print by Gillray; see British Museum catalogue., Imperfect; sheet mutilated in lower right corner with slight loss of text., Text following title: And he arose and came to his father, and his father saw him & had compassion, & ran & fell on his neck, & kissed him. Read the Parable, verse 16th to 24th., and Watermark. With residue of blue paper on verso, formerly mounted in an album?
Publisher:
Pubd. Novr. 18, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Pitt, William, 1759-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Dartmouth, George Legge, Baron, 1755-1810
The first drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this first drawing, blind Fortune stands on a wheel with large bags in each hand. The brother on the left, Edward, kneels as he accepts the gift from Fortune. Behind him in the mid-distance a couple is shown depositing coins in the hat of a beggar while in the far distance is a church. The brother on the right, Charles, stands arrogantly with his left hand on his hip as he accepts his good fortune. On the right in the mid-distance a couple is shown riding in an elegant carriage; in the distance is a large house with grain (?) pouring from the loft unattended
Description:
Title from pencil notes below image., Text in faint pencil above image: Twelve prints representing the contrast between virtuous harmony and vicious extravagance., Signed "Dodd" in lower left and numbered '1' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Fortune, Allegorical drawings, Brothers, Parables, and Wealth
A loose plagiary (reversed) after Hogarth's eighth plate in the Rake's Progress series: A scene in Bedlam with Tom half-naked and in a state of distress restrained by attendants; two women revive a fainting Sarah Young (right). Tom's old wife looks at herself in a hand mirror (left). The wall to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Soon hurried thro' a course of vice ...
Description:
Title from original as cited by Paulson. Added titel from first line of verse etched below image. Verses (in four columns six lines each) continue: " ... with sots & panders, whores & dice, his mind by jarring passions tost ... with superstitions fears sit quaking, or combat devils of their own making.", Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2257., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 139., and Mounted to: 353 x 435 mm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, Parables, and Rake's progress
