Manuscript on parchment (poor quality, yellow and speckled on hair side) of William of Melitona, Commentarius in Ecclesiasticum. Copied from a stationer's exemplum secundum pecias
Description:
In Latin., Script: Written in neat gothic bookhand., One historiated initial of fine quality on f. 11r, 9-line, reddish brown with white filigree against blue ground with white filigree, edged in gold, showing the author and three companions, presenting a book to a seated monarch dressed in a blue robe against a reddish ground with geometric designs in blue, black and red. Terminals of initial extend as a bar border into inner margin, blue and reddish brown against reddish-brown and blue grounds with white filigree and touches of gold. Border terminates in lower margin in a spray of spiky ivy, blue with gold leaves. Flourished initials, 6- to 3-line, blue or red with red and/or blue penwork designs, often extending the entire length of the text column. Running titles in red and blue. Paragraph marks alternate red and blue. Biblical passages underlined in red. Initials touched with red. Remains of instructions to rubricator., and Binding: Fifteenth century, Spain. Early (?) resewing on four tawed skin, slit straps or double cords laced into grooves in wooden boards. Beaded, red, green and natural color secondary endbands are sewn on tawed skin cores laced into the boards. The spine is lined with vellum between supports. Front and back (mostly concealed by another parchment leaf) pastedowns from a liturgical manuscript with neumes (Spain, 12th century). Remains of contemporary rectangular label on lower board: "Holcot super eccl***/ cum". Covered in brown sheepskin, blind-tooled with a central panel and alternate concentric frames filled with rope interlace with red bordering fillets. Spine: supports defined with double fillets on the spine and an X with a central cross-bar in the panels. There are four fastenings, the catches on the lower board, the clasp straps fastened with star-headed nails.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
William, of Melitona.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Pecia
Manuscript on parchment of Petrus de Tarentasia (Pope Innocent V), In quartum librum Sententiarum Petri Lombardi. Copied from a stationer's exemplar secundum pecias. With Distinctiones on the scholastic and monastic life, entered in a later highly abbreviated script; and Anonymous commentary on the Psalms
Description:
In Latin., Script: Written in small gothic bookhand; arts. 2 and 4 in less formal scripts., Two historiated initials, 7- and 4-line. Folio 1r: mauve initial with white filigree on blue ground with white filigree, edged in gold, showing a man drawing water from a well, against gold ground, illustrating the Biblical passage "Haurietis aquas...." Serifs, ending in heart-shaped red leaves, on blue and red cusped grounds, with gold balls, extending along the inner margin to form a partial bar border. Perched on the top of the initial is a small bird, grey with red wings. Folio 1v: blue initial with white shading against dark red ground with white filigree. Ascender blue against dark red ground, extending along text column to form a partial bar border. The initial shows the good Samaritan riding on a donkey, against gold ground. Numerous flourished initials, 4- to 3-line, alternate red and blue with penwork designs in the opposite color. Running headlines in red and blue. Paragraph marks alternate red and blue. Guide letters for decorator visible beneath initials., and Binding: Sixteenth century, Germany or Italy (?). Resewn (early) on three tawed skin slit straps laced through tunnels in the edge of beech boards to channels on the outside and pegged; channels filled with glue. A pink, green and white, five core endband is sewn through a leather lining on a tawed skin core laced into the boards and pegged. Covered in brick red sheepskin with corner tongues; blind-tooled with an X and sparse use of oak-leaf edging tool. Two truncated diamond catches on lower board, the upper board cut in for the red fabric clasp straps which were attached with star-headed nails. Corner fittings and six-petalled central medallion. Traces of title, in ink, on spine. Spine of the bookblock partially eaten by rodents.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Innocent V, Pope, approximately 1224-1276. and Peter Lombard, Bishop of Paris, approximately 1100-1160.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Pecia, Scholasticism, and Scholia
Manuscript on parchment of Thomas Aquinas, In tertium librum Sententiarum Petri Lombardi. Copied from an exemplar vended by Guglielmus Senonensis, stationer on the rue St. Jacques
Description:
In Latin., Script: Written in neat gothic textura by a single scribe secundum pecias (notations along bottom of leaves, mostly trimmed)., Small decorative initials in red and/or blue with penwork designs of either or both colors; notes for illuminator in margins. Paragraph marks alternating red and blue throughout; running headings in red and blue., Some folios mended with chartreuse thread., and Binding: 1899. Quarter leather over wooden boards, blind-tooled, with a gold-tooled label and brass clasps. Bound by Douglas Cockerell (stamp with date inside back cover).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Peter Lombard, Bishop of Paris, approximately 1100-1160. and Thomas, Aquinas, Saint, 1225?-1274.
Subject (Topic):
Manuscripts, Medieval, Pecia, Scholia, and Scholasticism
Manuscript on parchment of Guido de Baysio, Rosarium decretorum, secunda pars. Missing leaves throughout
Description:
In Latin., Script: Written in elegant round gothic bookhand secundum pecias., One fine miniature, f. 1r, 23-line, without frame, bishop enthroned under baldachin instructing the clergy; two trees at sides; two birds above. In lower margin, a roundel with a portrait of a student, in a blue, pink and white frame, surrounded by spiral foliage and large gold dots. At the end of the volume, f. 212v, a roundel with a portrait of an older man, with a thick red and blue frame with blue, green, and gold dots. Thirty initials, 16- to 12-line (ff. 1r, 15v, 36r, 45r, 47v, 52r, 59r, 64r, 68v, 81r, 92v, 96v, 100r, 103v, 123v, 127r, 129r, 131r, 137v, 156v, 163r, 163v, 166r, 166v, 172r, 174r, 190r, 190v, 193r, 194r), most with a single, some with as many as three figures, bishops, priests, monks, students, and women, either reading, instructing or debating; in one case, f. 194r, a priest celebrating mass (De consecratione). The figures set against navy blue grounds with white filigree; the initials shaded pink, orange, red, blue and green against square gold grounds with white filigree, framed in black, blue or green; curling foliate serifs attached to bar stems in inner or central margin, interrupted by initials in margin, blue, light blue, grey, pink, orange, red, and black, extending full length of margin; with large spiral foliate terminals with gold dots and flourishes in brown ink, often incorporating roundels, some with additional figures or birds. Numerous small, 4-line, flourished initials, red with blue flourishes and vice versa, as well as red and blue alternating paragraph marks throughout. Running titles added along upper edge., Written probably in Bologna from a stationer's exemplar secundum pecias., and Binding: Date? Brown leather over wooden boards, possibly early. Blind-tooled with concentric frames of fillets and a rectangular rope tool. Hearts in a central panel. Four fastenings, the catches on the upper board. Heavily restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guido, de Baysio, d. 1313.
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Pecia
