"Two men lie in the small truckle-beds (i.e., trundle bed) of a cheap lodging-house, one (left) asleep. An old woman holding a candle kneels at the foot of the other bed, and tugs at the wooden leg of its occupant. She says: "There is nothing like looking after Servants I always like to see that my lodgers are comfortable. --Aye here's a pretty careless trick--the warming pan left in the gentleman's bed I declare". Its owner, an angry sailor, shouts: "Hollo --Avast heaving Zounds dont pull off my timber--I went to bed half seas over and forgot to stow it alongside the hammock"."--British Museum online catalogue, description of a later state
Alternative Title:
Careful landlady
Description:
Title etched below image., Printmaker identified as Rowlandson and artist questionably identified as Woodward in the British Museum catalogue., Reissue of a print apparently first published 10 May 1809; in this reissued state, the day and year of publication in imprint are heavily scored through but still legible. For a later state with beginning of imprint burnished from plate, see no. 11466 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "300" in upper right corner., 1 print : etching with stipple on wove paper, hand-colored ; sheet 24.1 x 33.7 cm., Sheet trimmed within plate mark., and Mounted on leaf 66 of volume 13 of 14 volumes.
Publisher:
Pubd. May [10th, 1809, by] Thos. Tegg, No. 111 Cheapside
"Two men lie in the small truckle-beds (i.e., trundle bed) of a cheap lodging-house, one (left) asleep. An old woman holding a candle kneels at the foot of the other bed, and tugs at the wooden leg of its occupant. She says: "There is nothing like looking after Servants I always like to see that my lodgers are comfortable. -Aye here's a pretty careless trick -- the warming pan left in the gentleman's bed I declare". Its owner, an angry sailor, shouts: "Hollo -- Avast heaving Zounds dont pull off my timber -- I went to bed half seas over and forgot to stow it alongside the hammock"."--British Museum online catalogue
Alternative Title:
Careful landlady
Description:
Title from caption below item., Printmaker and artist identified in the British Museum catalogue., Sheet trimmed within plate mark on one side., and Plate numbered "300" in upper right corner.
A street scene in Paris, at corner of Pont Neuf: a blind man and a lame man beg on the sidewalk beside a bookseller's stall, the seller in glasses looing up at his shelves under an awning. Two street vendors sit in the street: a man with a peg leg holds a brush up along side his shoe shining equipment; above his head a sign with a cage hanging from it reads "La fond. Cond proprement les chiens et coupe les chats et tient depot de mort au rats.". Beside him a woman shears a sheep. Above her head a sign on the right margin: Catrinne coup chien et chat et son mari va-en ville. On the left along the wall a woman carries a dog in a bag and a turkey in her arms. Two other men show signs of shame and fear
Description:
Title engraved below image., Date from British Museum online catalogue., and Mounted on secondary support.
Publisher:
Chez Noel Fréres, rue St. Jacques no. 16 et rue des Prêtres St. Germain-l'Auxerois, no. 22
Subject (Geographic):
France and Paris.
Subject (Topic):
City & town life, Beggars, Blind persons, Bookselling, Peg legs, Pleading (Begging), Ratcatching, Sheep shearing, Shoe shining, and Street vendors
"A composite figure with two heads, one that of Lord Howe, the other that of George III, stands between two groups of naval officers; both heads are in profile. The King turns to the right, taking a petition from a kneeling officer with a wooden leg and saying "I never interfere with your first Lord no never". Five officers standing behind this petitioner say (left to right): "I see I shall lose my Rank after all my long Services"; "I am set aside altho' I've lost a Son & one Eye"; "Humbugd by Jove by [the] old Jesuit"; "Had I my Arm again Fd find a better Country"; "Brothers, Our Lords & Commons will not suffer this Game". The last speaker has one leg and stands with a crutch. Howe, scowling with downcast head, says, "Go, go, I can do nothing. It is his Majesty's pleasure, that------" An officer steps forward holding out a petition, he says, "Rascall". Four others standing behind the petitioner say (left to right): "He's fond of Manoeuvres if ever so bad, you know him"; "The King's pleasure! That's a Falsity added to a mean Finesse"; "Our Navy has now two Heads & no Helm, rare Work"; "Vultus est Index Animi".--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., The last number of the year in the imprint statement has been engraved over with another number. The British Museum online catalogue suggests that a '6' was amended to a '7'., and Sheet trimmed within plate mark.
Publisher:
Published by G. Humphrey, 48 Long Acre
Subject (Name):
George III, King of Great Britain, 1738-1820 and Howe, Richard Howe, Earl, 1726-1799
"A composite figure with two heads, one that of Lord Howe, the other that of George III, stands between two groups of naval officers; both heads are in profile. The King turns to the right, taking a petition from a kneeling officer with a wooden leg and saying "I never interfere with your first Lord no never". Five officers standing behind this petitioner say (left to right): "I see I shall lose my Rank after all my long Services"; "I am set aside altho' I've lost a Son & one Eye"; "Humbugd by Jove by [the] old Jesuit"; "Had I my Arm again Fd find a better Country"; "Brothers, Our Lords & Commons will not suffer this Game". The last speaker has one leg and stands with a crutch. Howe, scowling with downcast head, says, "Go, go, I can do nothing. It is his Majesty's pleasure, that------" An officer steps forward holding out a petition, he says, "Rascall". Four others standing behind the petitioner say (left to right): "He's fond of Manoeuvres if ever so bad, you know him"; "The King's pleasure! That's a Falsity added to a mean Finesse"; "Our Navy has now two Heads & no Helm, rare Work"; "Vultus est Index Animi".--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., The last number of the year in the imprint statement has been engraved over with another number. The British Museum online catalogue suggests that a '6' was amended to a '7'., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 24.8 x 35.2 cm, on sheet 28.4 x 42.7 cm., and Mounted on leaf 8 of volume 2 of 12.
Publisher:
Published by G. Humphrey, 48 Long Acre
Subject (Name):
George III, King of Great Britain, 1738-1820 and Howe, Richard Howe, Earl, 1726-1799
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 23 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A burly and ragged Englishman with a wooden leg sits on the knee of a fat and grotesque Irishwoman; they kiss, his right arm round her neck, both her arms round his shoulders. A poverty-stricken room is indicated by a low casement window with broken panes, bricks showing through broken plaster, and a rough plank door (right). On a table is an enormous tankard and a small measure of gin
Alternative Title:
Union between England and Ireland
Description:
Title from inscription below image in black ink in the artist's hand., Future [?] imprint statement inscribed in black ink: London, Pubd. Jany. 1800., Image associated with Thomas Rowlandson's etching. Union between England & Ireland. Published 1799. Cf. George., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9462., and For further information, consult library staff.
785.06.28.01 Framed, shelved in Object Room Rack 1.
Image Count:
1
Resource Type:
still image
Abstract:
"An evening scene in Vauxhall Gardens. On the extreme left is the orchestra with the organ behind and performers on the kettledrums, string and wind instruments. The vocalist, Mrs. Weichsel, sings, in profile to the right, from the adjacent (and slightly lower) balcony, just above the heads of the crowd. A violinist and another musician are seated behind her. In the supper box beneath the orchestra is Dr. Johnson seated full-face, between Boswell and Goldsmith (d. 1774), who face each other in profile, both caricatured; of two stout women one is reputed to be Mrs. Thrale. Many groups fill the foreground and middle distance. The two centre figures are the Duchess of Devonshire and Lady Duncannon arm in arm. A naval officer with a wooden leg and a patch over one eye is reputed to be Admiral Paisley (Admiral Pasley, 1734-1808?). Major Topham, an excellent portrait, stands (left) in profile to the right staring through an eyeglass. Between Topham and the supper-box are two men, one of whom is identified as Lord Camelford. [In the reproduction in Angelo's 'Reminiscences'; to whom the name refers is not clear.] An elderly parson, [he closely resembles the parson of BMSat 7059 who is probably William Jackson of the 'Morning Post'] reputed to be Bate Dudley but not resembling him, gazes at the Duchess from behind a tree. Next him a man dressed as an officer in a Highland regiment with kilt and broadsword is supposed to be James Perry, editor of the 'Morning Chronicle'. On the right the Prince of Wales, conspicuous by his star, whispers to Mrs. Robinson (Perdita), though their liaison was ended. Her right arm is linked with an ugly and elderly little man, probably Robinson. On the extreme left an elderly couple advance arm in arm in profile. Behind the Prince is a group standing on a small platform (or tables), showing half length above the crowd. In the foreground (right) is a supper-table under trees where two cits entertain two courtesans. Lamp-lit trees and the covered way form a background on the right."--British Museum online catalogue
Alternative Title:
Vauxhall
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Publish'd June 28th 1785, by J.R. Smith, No. 83 Oxford Street
Subject (Geographic):
Vauxhall Gardens (London, England), London (England), England, and London.
Subject (Name):
Billington, Elizabeth, 1765-1818., Boswell, James, 1740-1795, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Pitt, Thomas, Baron Camelford, 1737-1793, George IV, King of Great Britain, 1762-1830, Goldsmith, Oliver, 1730?-1774, Johnson, Samuel, 1709-1784, Pasley, Thomas, Sir, 1734-1808, Perry, James, 1756-1821, Piozzi, Hester Lynch, 1741-1821, Robinson, Mary, 1758-1800, and Topham, Edward, 1751-1820
Subject (Topic):
Social life and customs, Parks, Audiences, Concerts, Couples, Crowds, Musicians, Orchestras, Peg legs, and Singers
A quaint delineation of a church-interior during service; the pastor, who is somewhat of the Dr. Syntax type, is holding forth. There is a squire's pew, a rosy, sleepy clerk, a large leavening of fat slumberers (among the rest the sexton and pew-opener), a crowded gallery, worshippers both devout and careless, gazers through curiosity, and the usual elements which made up a grotesque-looking country congregation at the end of the last century, including a man with crutches and a peg leg
Description:
Title etched below image., Date of publication scored through on plate but legible. Cf. Grego for date confirmation., Sheet trimmed to edge of plate mark on lower side., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
England and Cornwall.
Subject (Topic):
Churches, lergy, Interiors, Peg legs, Sleeping, and Religious meetings
A quaint delineation of a church-interior during service; the pastor, who is somewhat of the Dr. Syntax type, is holding forth. There is a squire's pew, a rosy, sleepy clerk, a large leavening of fat slumberers (among the rest the sexton and pew-opener), a crowded gallery, worshippers both devout and careless, gazers through curiosity, and the usual elements which made up a grotesque-looking country congregation at the end of the last century, including a man with crutches and a peg leg
Description:
Title etched below image., Date of publication scored through on plate but legible. Cf. Grego for date confirmation., Sheet trimmed to edge of plate mark on lower side., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 23.2 x 30.1 cm, on sheet 24.1 x 31.6 cm., and Mounted on leaf 42 of volume 8 of 14 volumes.
Publisher:
publisher not identified
Subject (Geographic):
England and Cornwall.
Subject (Topic):
Churches, lergy, Interiors, Peg legs, Sleeping, and Religious meetings
