A preacher stands behind his pulpit shouting and waving his arms at the crowd who stands before him. Several in the crowd are vendors who care their wares in baskets or pots balanced on their heads. A young, well-dressed man (right) holds a handkerchief to his nose as he recoils from one of the vendors; he holds a game bad in his hand (?).
Description:
Title engraved below image., Printmaker and publication date from: Carlton House magazine., Above image: Engraved for the Carlton House magazine., Plate from: The Carlton House magazine, v.2?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Crowds, Preachers, Pulpits, Street vendors, and Clothing & dress
Title from item., Not in the Catalogue of engraved British portraits ... in the British Museum., Temporary local subject terms: Congregations: country congregations -- Female dress, 1749 -- Male dress, 1749, and Watermark: Pro patria.
In a clear parody of Hogarth's "Sleeping Congregation" this scene in a dissenting chapel, shows the preacher leaning from the pulpit, his fist raised as he shouts to the congregation below. A squirrel sits on the canopy of pulpit gnawing on a nut. While some of the congregation in the foreground and those in the background in a raised pew or balcony look up at the preacher, most are smiling at their neighbors and exchanging amorous glances. A chandelier hangs from the upper margin, beside it an inscription: "My friends fear nothing! Follow the first and good commandment -- increase & multiply! Defy as I do Beelzebub & all his crew. We are as innocent lambs passing our evenings here in love and harmony. Hearken not to backsliders, attend regularly & your feelings shall be gratified."
Alternative Title:
Celebrated and Reverend T. Screech Me Dead attacking the devil in his strong hold
Description:
Title from item. and Publication date from British Museum catalogue.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Dissenters, Religious, Chapels, Courtship, Dissenters, and Preachers
"Plate 58 to 'Eccentric Excursions, or. Literary & Pictorial sketches of Countenance, Character and Country, in ..... England & South Wales'. A ranting, unkempt preacher bends in profile to the right over a reading-desk on which lies an open book, to which he points. He stands on tiptoe, shouting "You'll all go to the Devil!!" He wears old-fashioned dress with clerical bands. Cf. British Museum Satires no. 9121. Both sermons are quoted and both are on the dangers of pleasure, in contrasted terms, but 'equally ridiculous in the eyes of true religion and philosophy (pp. 130-2)."--British Museum online catalogue, description of a variant state
Description:
Title from item., Printmaker and artist from British Museum catalogue., State with imprint. Cf. No. 9122 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed within plate mark at top and sides resulting in loss of plate number., Plate no. 58., Plate from: Woodward, G.M. Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales, 1796., and Temporary local subject terms: Furniture: reading desk.
A tracing of a 1731 print after Hogarth: Satire on Orator Henley and his followers. A view of his Oratory in Clare Market with Henley preaching from an open-air platform in front of the building, one cloven hoof protruding from beneath his robe. A monkey wearing clerical bands holds a rope which is attached to Henley's right hand; a small chest of pills, a medicine bottle and a pamphlet lettered "The Hyp Doctor" lie at his feet. In the foreground is a procession of men, lettered, "Ha!", "Ha!", "Te Hee", "He!" and "Silly Cur"; the latter wearing a laurel wreath is identified by Hawkins as Colley Cibber, and the others, two of whom wear ruffs, may be intended as actors or clowns; a puritan at their head, is urged by Henley's "Scout" towards the door of the Oratory, outside which stands a butcher acting as doorman; inside a man pays a clergyman at "The Treasury". On the extreme left, a man squats defecating on Henley's publications. Behind him a coach bears Folly, holding her bauble, towards an inn with the sign of the dunce's cap; a gallows labelled "Merit" stands beside it and an angel holding a ribbon labelled "Modesty" flies off
Description:
Title from text in image., Attributed in lower left, below image: W. Hogarth sc., Drawing attributed to Steevens by curator., Tracing of a 1731 print., Detailed description of the scene in a Steevens's hand, mounted to the right of this drawing., and On page 12 in volume 1.
Subject (Name):
Henley, John, 1692-1756 and Cibber, Colley, 1671-1757
"An exterior scene set among ruins; to left the naked buttocks of Gulliver to whom an enema is being administered by a crowd of Lilliputians; to right their prime minister, carried in a thimble, supervises operations while beyond a rat carries off a child."--British Museum online catalogue
Alternative Title:
Punishment inflicted on Lemuel Gulliver
Description:
Printmaker, state and publisher from Paulson., Lettered below image with title followed by the quote: Nll Mrrg, Cht Nf. ndw Lps ccpc &c.&c. shd b. Prgd. See Gullivers Speech to the Honble. House of Vulgaria in Lilliput., Sheet trimmed to plate mark., Originally published in 1726 as 'The Punishment inflicted on Lemuel Gulliver', this state was reissued with a new title in 1757 by Robert Sayer, who owned the plate, for which and further comment see 1858,0417.543. This state, with the publication line removed, was included in Sayer's collection of 1768, alongside the Hudibras series., Temporary local Medical Library subject terms: Clysters., and On page 163 in volume 2.
Publisher:
Robert Sayer
Subject (Name):
Swift, Jonathan, 1667-1745.
Subject (Topic):
Enema, Ladders, Adoration, Children, Rats, Preachers, Pulpits, and Chamber pots
Verse begins: "You youthful charming lady's fair,"., In four columns with the title and two woodcuts above the first two; imprint at foot of the last column, below a series of long dashes; the columns are separated by rules composed of long dashes., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 58. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Plate lettered in the top center 'A': Reverse copies of details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1. The preacher with his wig flying off and his jester's shirt exposed under his robe. One sheet of paper behind his head reads " To St. Money-trap"; another sheet at his chest reads " I speak as a fool; 2. A cherub with a riding hat holds in his mouth one end of the paper at the preacher's head; 3. One of the preacher's puppets, a witch with a pointed hat and riding a broomstick; 4. The other puppet, a demon walks toward the right holding a gridiron
Description:
Title devised by cataloger., Date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Angels, Churches, Clegy, Demons, Preachers, Putti, and Witches
A christening scene: A group of full length figures stands around a table covered in a cloth on which sits a bowl of water. Behind it stands a clergyman in bands, wig, gown, holding child; pretty young woman stands to the left, older woman sits in a chair to the right with a man standing over her. A small child in the foreground reaching for the bowl of water, upsets it, spilling the water over the front of the table. On the left, "Sr Foling" primps in front of a mirror
Description:
Title from Paulson., Fourteen lines of verse in three columns: " Behold Vilaria lately brought to Bed, Her cheeks now Strangers to their rosy Red, Lanquid her Eyes, yet lovely she appears; And oh! what fondness her Lord's Visage wears! The pamper'd Priest, in whose extended Arms, The female Infant lies with budding Charms, Seeming to ask the Name e'er he baptise, Casts at the handsom Gossops his wanton Eyes, While gay Sr. Fopling, an accomplish'd Ass, Is courting's won dear Image in the Glass: The Midwide busied too, with mighty Care, Adjusts the Cap shews Innocency fair, Behind her stands the Clerk, on whose grave Face Sleek Abigal cannont forbear to gaze, But Master, wihtout thought, poor harmless Child, Has on the Floor the Holy-Water spill'd, Thrown down the Hat; the Lap-Dog gnaws [the] Rose; And at the Fire the Nurse is warming Cloaths. One Guest enquires the Parson's Name; says Friendly, Why, don't you know Sir? 'tis Hyp- Doctor H-y., Paulson indicates that "Price [illeg.] follows imprint, but does not mention 'London". Different states?, Sheet trimmed within plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., See reference in: Paulson, R. Hogarth's graphic works (1st ed.), p. 310-311., and On page 12 in volume 1. Ms. note in Steevens's hand: Given me by the Revd Dr. Lort.
Publisher:
Sold by J. Sympson at the Dove in Russell Court, Drury Lane, Lo[...]on
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Couples, Dandies, Dogs, Nannies (Children's nurses), and Preachers
