"The interior of Dulwich College Chapel. A stout man, probably the Master, wearing a gown, stands in a pulpit or desk (left), a large book before him, his eyes and mouth twisted in a sly leer. Below him (right) the figure of Edward Alleyne has risen from a tombstone and stands (half length) holding up the horizontal stone. He is surrounded by clouds. He wears hat, ruff, and a gown which differs from that of the living man chiefly in being furred. The figure is copied (in reverse) from the whole length portrait of Alleyne at Dulwich College. On the stone, beneath a coat of arms, is the inscription, a strip along the left being cut off by the lower margin of the print: 'Sacred | the Memory of | Edward Alleyne | Founder of this | College | Life Nov 26 | 1626 Æ 63 | Likewise | Joan his Dear | Wife who F | race 28 June 1623.' Next the Master is a sour-looking profile, and, below, three choristers (full-face), are grinning broadly."--British Museum online catalogue
Description:
Title etched below image. and Place of publication based on location of printmaker John Nixon.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Alleyn, Edward, 1566-1626., Alleyn, Thomas, -1805., and Dulwich College
Title from text below image., A copy or variant of a print published 6 February 1818 by S.W. Fores. Cf. No. 13106 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., Temporary local subject terms: Parsons -- Jewelry -- Churches -- Monocles., and Watermark: T Stain.
Publisher:
publisher not identified
Subject (Topic):
Dandies, British, Clergy, Preaching, Pulpits, and Rings
"A foppish parson, directed to the left, wearing a voluminous surplice over a high 'dandy' (cf. British Museum Satires No. 13029) collar, with bands, and displaying elegant be-ringed hands, preaches from a pulpit, the upper part only of which is depicted. In his eye is stuck a monocle with short handle and cord. A large book is on his pulpit-cushion, which is elaborately trimmed with gold fringe, and he reads with a complacent smile: "And behold in these times the Dan-dees were" / "arrayed in Garments of divers fashions--and in" / "fine Linens curiously wrought--and moreover--" / "they were gazed upon by the bretheren of the Land," / "in which they dwelt--and the people marvelled." / "Lib. 2-- ver 6. 7. 8"."--British Museum online catalogue
Description:
Title etched below image., Possibly a later state, with imprint removed, of a print published 6 February 1818 by S.W. Fores. Cf. No. 13016 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Date of publication based on description of possible earlier state in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Dandies, British, Clergy, Preaching, Pulpits, and Rings
Leaf 46. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A foppish parson, directed to the left, wearing a voluminous surplice over a high 'dandy' (cf. British Museum Satires No. 13029) collar, with bands, and displaying elegant be-ringed hands, preaches from a pulpit, the upper part only of which is depicted. In his eye is stuck a monocle with short handle and cord. A large book is on his pulpit-cushion, which is elaborately trimmed with gold fringe, and he reads with a complacent smile: "And behold in these times the Dan-dees were" / "arrayed in Garments of divers fashions--and in" / "fine Linens curiously wrought--and moreover--" / "they were gazed upon by the bretheren of the Land," / "in which they dwelt--and the people marvelled." / "Lib. 2-- ver 6. 7. 8"."--British Museum online catalogue
Description:
Title etched below image., Restrike. For a possible earlier state of the plate from 1818, see no. 13016 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 46 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Dandies, British, Clergy, Preaching, Pulpits, and Rings
"Interior view of the chapel, attached to Magdalen House, London; an ocatagonal building, the congregation sat at pews in centre, facing each other, the priest delivers a sermon from the pulpit on the left."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 54., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 196.
Publisher:
Pub. 1st Feby. 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Magdalen Hospital (London, England). Chapel.
Subject (Topic):
Chapels, Religious services, Interiors, and Pulpits
"Interior view of the chapel, in the prison; condemned prisoners kneel and pray in the Dock, around a coffin."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 57., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 209.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Newgate (Prison : London, England)
Subject (Topic):
Chapels, Interiors, Prisoners, Prayer, Coffins, and Pulpits
"A fat bottle-nosed parson preaches from the upper story of a three-decker pulpit. Below him a lean curate sleeps, spectacles on forehead. A lank-haired rubicund clerk listens alertly. At the base of the design are the heads of a congregation, asleep, except for a flirting couple."--British Museum online catalogue
Description:
Title etched below image., Letter "J." or "I." beneath lower left corner of image may be the artist's signature., Sheet trimmed to plate mark., and Watermark: 1822.
Publisher:
Pub. May 12, 1823, by G. Humphrey, 24 St. James's St. & 74 New Bond St.
Subject (Topic):
Clergy, Preaching, Pulpits, Religious services, and Sleeping
"Interior of the chapel, in Bermondsey; a priest delivering a sermon from pulpit in foreground."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 61., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 222.
Publisher:
Pub. 1st April 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Philanthropic Society (London, England)
Subject (Topic):
Chapels, Religious services, Interiors, and Pulpits
"A fat and placid-looking preacher stands in his pulpit in profile to the left, reading his sermon. He says: "I shall divide my Discourse into Seven Heads namely ------" He resembles the parson of British Museum satires no. 8428, and is probably Moore, the Archbishop; this is supported by the engraving (1792) after Romney."--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of eight satirical portraits issued as a set on one sheet with identical imprint statements., Two lines of text below image: I shall divide my discourse into seven heads ..., and On same sheet: Ministerial eloquence; Opposition eloquence; Naval eloquence; Military eloquence; Fools eloquence; Billingsgate eloquence; Bar eloquence.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, No. 37 New Bond Street
Twelve carciatures of a clergyman delivering sermons from a pulpit with his clerk sitting below, satirizing the words etched above the clergyman
Description:
Title etched below image., Imprint repeated on the sheet without the title, with slight change in date: Published by William Holland, No. 50 Oxford Street, October 23, 1789., Two lines of verse below title: For modes of faith let graceless zealots fight ..., Publisher's advertisement below image on sheet without title: Lately pubd. The prince's bow, Old maids at a cat's funeral, English slavery, Meeting an old friend with a new face, The city assembly, all prints on the Irish embassy, &c. &c., Publisher's announcement on the sheet with title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints and drawings. Admittance one shilling., Cf. No. 7643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Both sheets joined and then cut into three strips.
