"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
"Satire against England: Pitt strides forward holding a flag next to a crown, while chained figures cringe at his feet, and a scaffold and executioner occupy the background."--British Museum online catalogue
Description:
Title etched below image., Title continues: ... ou le triomphe du ministre Pitt, foulant aux pieds la couronne d'Angleterre, d'une main il tient une hache et les chaines dont il a su charger la Nation et le Roi, de l'autre il porte le drapeau de l'esclavage; les impots et les echafauds sont les moyens qu'il employe pour soutenir son pouvoir chancelant., French original, later copied by Gillray, dated 1789 by the Bibliotheque Nationale presumably based on its place in a collection by an artist who gathered prints at the time, Michel Hennin., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
History, Public opinion, Foreign relations, Axes, Calumets, Chains, Crowns, Gallows, Punishment devices, and Shackles
Neagle, John B., approximately 1796-1866, printmaker
Published / Created:
[1830]
Call Number:
830.00.00.161
Image Count:
1
Resource Type:
still image
Abstract:
A man, wearing only a loincloth, is shown being stretched on a rack. Two men, on the right and left edges of the image, work the mechanism of the torture device. Three men observe from the far side of the rack, the central figure wearing aristocratic clothes and a ruff
Description:
Title etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Foxe, J. Fox's Book of martyrs, or, The acts and monuments of the Christian Church. Philadelphia : J.J. Woodward, 1830., and Sheet trimmed within plate mark on two sides.
Publisher:
J.J. Woodward
Subject (Name):
Tower of London (London, England),
Subject (Topic):
Martyrs, Punishment & torture, and Punishment devices
The punishment of James Nayler; two scenes in Wesminster; on the left, Nayler tied to the back of a cart and whipped; on the right, Nayler standing at the pillory, his tongue being bored through. See British Museum online catalogue
Alternative Title:
James Nailor Quaker
Description:
Title from caption below image. and Caption continues: ... Som dayes after, Stood too howers more on the Pillory at the Exchange, and there had his Tongue Bored throug with a hot Iron, & Stigmatized in the Forehead with the Letter: B: Decem: 17 anno Dom: 1656.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Naylor, James, 1617?-1660.
Subject (Topic):
Quakers, Persecutions, Branding (Punishment), Pillories, Punishment devices, and Stocks (Punishment)
Title from item., Date and place of publication supplied by curator., In upper margin: Musèe Grotesque., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Clysters.
Publisher:
publisher not identified
Subject (Topic):
Enema, Voyeurism, Servants, Boudoirs, Medical tools & equipment, and Punishment devices
"Two men and two children standing next to a Chinese man in a pillory; river and boat in the background."--Wellcome Library no. 579902i and "A Chinese man undergoing punishment, with his head and right hand locked into a sort of stocks formed of planks of wood onto which are nailed placards, with a guard and onlookers."--British Museum online catalogue
Description:
Title etched below image., Plate issued to accompany: Staunton, G. An authentic account of an embassy from the King of Great Britain to the Emperor of China. London : G. Nicol, 1797., Numbered "28" in upper right corner of plate., and For a proof state before letters, see British Museum online catalogue, registration no.: 1871,0812.686.
Publisher:
Published April 12, 1796, by G. Nicol
Subject (Geographic):
China.
Subject (Name):
Staunton, George, Sir, 1737-1801.
Subject (Topic):
Punishment & torture, Punishment devices, and Pillories
"William IV stands, very erect and stern, in profile to the right, holding at arm's length a birch-rod inscribed 'Reform'. Behind him, as ushers, on the extreme left, Brougham and Grey stand in consultation. The King says to a body of discomfited schoolboys (right): 'Get you gone and never let me see your faces again till you are Reformed'. The boys are (left to right) Wellington, wearing a peaked cap and an old, over-large, military coat, and carrying a bag, walks hand in hand with Peel who wears an ill-fitting policeman's tunic and holds a slate on which is scrawled the figure of a policeman (see British Museum satires no. 15768, &c). Beside and behind them are Sadler and Wetherell. In front of Peel walks Twiss with a book under his arm; next him is the small Sugden wearing a pinafore. Taller than the others are Hunt wearing a hunting-cap and holding ajar of his blacking (see British Museum satires no. 16575) and Sir R. Wilson wearing a smock and a cap and holding a slate inscribed 'Bob Wilson'. Wellington to Peel: 'Oh Bobby--Bobby what shall we do now?' Wetherell, looking back, says (as late M.P. for Boroughbridge, cf. British Museum Satires No. 16602): 'I am afraid I shall never be admitted into the school again'. Hunt: 'Who would have thought I should have been Hunt-ed out already'. Wilson: 'Its a shocking bad Job' [cf. British Museum Satires No. 16646]."--British Museum online catalogue
Alternative Title:
Headmaster turning out the incorrigibles
Description:
Title etched below image., Signed with Henry Heath's monogram in lower right corner., and Month of publication from the British Museum catalogue.
Publisher:
Pubd. 1831 by S. Gans, Southampton Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Peel, Robert, 1788-1850, Grey, Charles Grey, Earl, 1764-1845, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sadler, Michael Thomas, 1780-1835, Wetherell, Charles, Sir, 1770-1846, Twiss, Horace, 1787-1849, Sugden, Edward Burtenshaw, 1781-1875, Hunt, Henry, 1773-1835, Wilson, Robert, Sir, 1777-1849, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Taxation, School principals, School children, and Punishment devices
Leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing in profile to the right. He holds a book in his right hand, a strap in his left. He wears a short, tightly curled wig, and a light flowered dressing-gown over dark clerical clothes."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "v. 5" in upper left corner and "17" in upper right corner.
Publisher:
Publish'd as the act directs Decr. 7, 1772, by MDarly, 39 Strand
Leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing in profile to the right. He holds a book in his right hand, a strap in his left. He wears a short, tightly curled wig, and a light flowered dressing-gown over dark clerical clothes."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., Plate numbered "v. 5" in upper left corner and "17" in upper right corner., Second of three plates on leaf 91., and 1 print : etching on laid paper ; plate mark 17.5 x 12.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd as the act directs Decr. 7, 1772, by MDarly, 39 Strand
Print shows personifications of Europe, Africa, America, and Asia pointing their fingers at a blushing Britannia paying penance for corruption atop a stool of repentence along with Princess Caroline of Brunswick-Wolfenbüttel; King George IV; Robert Banks Jenkinson, 2nd Earl of Liverpool; Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh); Henry Addington, 1st Viscount Sidmouth; and Arthur Wellesley, 1st Duke of Wellington. A crowd of mostly women is gathered under the stool, some with glasses and bowls and "Political caricature on the Royal Divorce: George IV and Caroline sit with the cabinet on a stool, mocked by the four Continents, while Britannia blushes; below a waterfall of Corruption falls to pollute Westminster."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 40 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Wellington," "Q. Caroline," "Geo. IV," "Sidmouth," and "Londondery [sic]" identified in ink within image.
Publisher:
Published Jany. 10, 1821, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Westminster Palace (London, England),
Subject (Topic):
Britannia (Symbolic character), Symbols, Corruption, Punishment devices, Punishment & torture, Politicians, Embarassment, Bowls (Tableware), and Drinking vessels
