"Three grotesquely ugly old maids stoop delightedly over a Cupid who sleeps against a rose-bush, arrow in hand, his unstrung bow beside him. On the back of one sits an ape; a lap-dog is beside her. A parrot sits on the bonnet of another, the third kneels. On a mound (right) a cock stands crowing: 'Cock a doodle doo.'"--British Museum online catalogue
Description:
Title etched below image., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819"--Curator's comments, British Museum online catalogue, registration no.: 1865,1111.2137., Sheet trimmed to plate mark., and Watermark: C. Wilmot 1815.
Publisher:
publisher not identified
Subject (Topic):
Older people, Single women, Roses, Putti, Cupids, Monkeys, Dogs, Parrots, and Roosters
"A woman, fashionably dressed, is being led to the altar of Hymen by a youth. The altar is decorated with a mask and chains. Hymen, who stands on the altar, draws a veil over her face, holding her torch downwards. On the ground is a sleeping cupid. Behind the bride is a house, inscribed 'Alfred House'; on the ground at her feet are books, the cap and staff of Liberty (which she is treading under foot), an inkpot and pen. This symbolizes the marriage of Mrs. Catherine Macaulay, aged 57, with William Graham, aged 21, the younger brother of James Graham the quack doctor. Alfred House (2 Alfred Street, Bath) had been presented to her by Dr. Thomas Wilson; on her marriage he wished to eject her from it. She is here represented as throwing aside her historical writings and her patriotic zeal for an unnatural marriage."--British Museum catalogue
Description:
Title from text above image., Publication information from that of the periodical in which the print was issued., Illustration from: Town and country magazine. London : Printed for A. Hamilton, Jr., v. 10 (December 1778), page 623., Date given in British Museum catalogue: 1 January 1779., Mounted to 23 x 14 cm., and Bound in after page 14 in Lord Rosebery's extra-illustrated copy of: Burn, J.S. History of the Fleet marriages. London : Rivingtons [etc.], 1834.
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Title engraved below image., An impression of the design engraved on the tankard belonging to the Clare Market artists club which included William Hogarth., Later state of plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 77., After Hogarth. See Paulson, R. Hogarth's graphic works, no. 6., and Sheet trimmed to plate mark.
"An elaborate symbolical clock has a dial on which the hands are represented by the arms of the Queen, who kneels within it. Canning stands within the smaller disk of the pendulum. The dial and pendulum hang from a curved bar supported on two uprights, one (left) representing the forces of the Army and Navy, the Crown and the Church, and the other the Radicals and their pikes. A fat and carbuncled John Bull, much larger in scale than the other figures, and wearing a huge judge's wig, sits astride the dial where it is surmounted by a crown; he holds a paper: 'Chief justice Bull--Jurisdiction--ad Infinitum'. On the rim of the dial: (left) 'King', 'Lords', (right) 'Commons'. The Queen kneels in profile to the right, her left arm pointing to the crown, her right towards the 'Commons'. The supports of the dial are (left) a cornucopia filled with sovereigns, and (right) a giant cap of Liberty, shaped like the cornucopia, from which project the heads of men wearing bonnets-rouges. On the cornucopia are Liverpool, holding out the 'Green Bag', see British Museum Satires No. 13735, Eldon, Sidmouth with his clyster-pipe, and a fourth Minister. On the bonnet rouge stand four of the Queen's supporters, one (apparently Wood) holding out to her a cap of Liberty. A small scene is inset below the dial, flanked by cornucopia and cap of Liberty. The Green Bag lies on a table, across which Castlereagh (left) and Brougham (right), both wearing boxing-gloves, are fighting, the former on the defensive. Each has a second, Brougham's is a second barrister (? Denman). Below this appear seven vertical rods to which the disk of the pendulum is attached. The centre one is 'Unhappy Medium'. On the left, held by cross-bands inscribed 'Golden Argument' and 'Valuable ties', are 'Royal Sunshine', 'Sinecure', and 'Tangible etcetrias'. On the right, held by 'Magnanimity' [tricolour], are 'Quixotism', 'Public Champion', and 'Radical Celebrity'. Canning stands within the disk of the pendulum, both hands held up, looking in gloomy perplexity to the left. He hesitates between the contrasted lures of the pendulum bars. He is standing between a crown and a cap of Liberty. On the left a winged infant flies off with a money-bag, inscribed '1000', saying, "Adieu!" A similar infant (right) proffers a cap of Liberty, saying, "See here Glory waits thee." Above the disk: 'The Uncertainty of all Sublunary Honors'. The design is bordered, left and right, by the two supports of the beam. On the left a jovial sailor and a handsome soldier stand on a base formed of a 'Treasury Iron Chest'. The corresponding figures on the right are two ragged ruffians with linked arms, each holding a spiked bludgeon and a dagger, who stand on a similar chest: 'Pandora's Box'. Flags are draped above the heads of both: the Royal Arms and Union Jack with a crown (left), and a tricolour flag and a (piratical) black flag (right). Above these are (left) a mitre resting on a Bible, crossed swords, and bayonets, supporting a block on which is a crown. On the opposite side are three caps of Liberty, crossed bludgeon and dagger, and pikes, supporting a block on which is yet another cap of Liberty."--British Museum online catalogue
Alternative Title:
Time piece! & Canning Jack o' both sides, Time piece! and cunning Jack o' both sides, and Time piece! and Canning Jack o' both sides
Description:
Title etched below image; the letter "u" in "cunning" is etched above a scored-through letter "a", altering the name "Canning". and Mounted on page 34 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by G. Humphrey, 27 St. Jamess St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canning, George, 1770-1827
Subject (Topic):
John Bull (Symbolic character), Clocks & watches, Soldiers, Sailors, Spears, Wigs, Crowns, Cornucopias, Liberty cap, Bags, Medical equipment & supplies, Boxing, Lawyers, Money, and Putti
"Mrs. Billington, enormously fat, sits in an arm-chair, her arms flung over its arms, opening her mouth for a spoonful of guineas, administered by W. T. Lewis (right), who bends over her. On her other side stands Sheridan, round-shouldered, stooping, and agitated. He holds out a money-bag, saying, "O Dear O Dear - if the dear Creature has lost her Notes - what will become of us - my dear friend spare no Cost to make up the deficiency, give her another spoonfull, I have plenty more in the bag - all the true Pizarro-coinage." Lewis, smiling, answers: "Dont be alarmed she takes the Boluses very kindly - and I have every reason to hope a speedy recovery." Mrs. Billington is dressed as Clara, in quasi-Spanish costume, almost as in British Museum Satires No. 9914; a checked scarf lies across her lap. On the right are two amoretti; one stands looking up at the other, who flies above his head holding out a scroll; both hold handkerchiefs to their eyes; the one below has butterfly wings and a wreath of roses, the other has feathered wings. The scroll: 'Mourn Cherubims and Seraphims Clara's Notes are Stopp'd - Copy of a Letter - Dear Sir, It grieves me to the heart that I am not able to play this evening - my Throat being so closed as not to leave me a single Note in my Voice" [see British Museum Satires No. 9970]."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Furniture: Armchair -- Money: Guineas -- Medical Procedures: administering medicine -- Literature Allusion: Richard Brinsley Sheridan, 1756-1816, 'The Duenna'., 1 print : etching on wove paper, hand-colored ; plate mark 23.9 x 35.6 cm, on sheet 25.6 x 38.3 cm., Window mounted to 36 x 51 cm., and Mounted opposite page 436 (leaf numbered '50' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. Jany. 16th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Billington, Elizabeth, 1765-1818, Lewis, William Thomas, 1746?-1812, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Obesity, Opera singers, Chairs, Coins, Physicians, and Putti
"Mrs. Billington, enormously fat, sits in an arm-chair, her arms flung over its arms, opening her mouth for a spoonful of guineas, administered by W. T. Lewis (right), who bends over her. On her other side stands Sheridan, round-shouldered, stooping, and agitated. He holds out a money-bag, saying, "O Dear O Dear - if the dear Creature has lost her Notes - what will become of us - my dear friend spare no Cost to make up the deficiency, give her another spoonfull, I have plenty more in the bag - all the true Pizarro-coinage." Lewis, smiling, answers: "Dont be alarmed she takes the Boluses very kindly - and I have every reason to hope a speedy recovery." Mrs. Billington is dressed as Clara, in quasi-Spanish costume, almost as in British Museum Satires No. 9914; a checked scarf lies across her lap. On the right are two amoretti; one stands looking up at the other, who flies above his head holding out a scroll; both hold handkerchiefs to their eyes; the one below has butterfly wings and a wreath of roses, the other has feathered wings. The scroll: 'Mourn Cherubims and Seraphims Clara's Notes are Stopp'd - Copy of a Letter - Dear Sir, It grieves me to the heart that I am not able to play this evening - my Throat being so closed as not to leave me a single Note in my Voice" [see British Museum Satires No. 9970]."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Furniture: Armchair -- Money: Guineas -- Medical Procedures: administering medicine -- Literature Allusion: Richard Brinsley Sheridan, 1756-1816, 'The Duenna'., Figures identified by ms. note in contemporary hand at bottom of sheet: Sheridan ; Mrs. Billington ; Lewis., Printseller's identification stamp located in lower right corner of print: S·W·F., and Mounted to 30 x 47 cm.
Publisher:
Pubd. Jany. 16th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Billington, Elizabeth, 1765-1818, Lewis, William Thomas, 1746?-1812, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Obesity, Opera singers, Chairs, Coins, Physicians, and Putti
Walker, James, approximately 1748-approximately 1822, printmaker, publisher
Published / Created:
[1 January 1792]
Call Number:
792.01.01.01++
Image Count:
1
Resource Type:
still image
Abstract:
"The Holy Family resting during the Flight into Egypt; St Joseph standing beside the donkey, drawing his cloak around him, the Virgin laying the infant Jesus on a rock, holding the edge of His garment in right hand, gesturing with the other, two cherubs standing together and watching to left."--British Museum online catalogue
Alternative Title:
Arise, and take the young child, and his mother, and flee into Egypt
Description:
Titles engraved below image, in Russian and English., Bible citation "St. Math. Chap. 2, Vir. 13" follows title in English; translation of the same follows title in Russian., Dedications to Catherine II engraved beneath each title, in Russian and English. Dedication in English: Dedicated to her Imperial Majesty Catherine the Second, Empress and Autocratrix of all the Russias, by her most devoted and very humble servant, James Walker., From a series of prints published by Walker in 1792: A collection of prints, from the most celebrated pictures in the gallery of her Imperial Majesty Catherine the Second., "From the original picture in the Imp. Gallery.", and In Russian and English.
Publisher:
Publish'd Jany. 1, 1792, as the act directs by Jas. Walker and W. Hodges, Queen Street, May Fair and R. Blamire, Strand, London
Subject (Name):
Catherine II, Empress of Russia, 1729-1796 and Jesus Christ
Subject (Topic):
Art collections, Family, Biblical events, Donkeys, and Putti
Title from item., Printmaker from British Museum online catalogue., Temporary local subject terms: Elections: Westminster, 1784 -- Duchess of Devonshire as Britannia -- Shield of virtue -- Cap of Liberty -- Staff of Liberty -- Trumpets -- Laurel wreaths -- Emblems: Prince of Wales's feathers., and Watermark in center of sheet: fleur-de-lis.
Publisher:
Pubd. 23d May, 1784, by W. Humphrey, No. 227 Strand
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Wray, Cecil, Sir, 1734-1805
