Plate 6. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title, state, and date from Paulson., "Plate 5. "--Lower left corner., and State with black Latin cross below design, "Dr. Rock" on the paper holding the teeth on the right, and various areas of the design darkened with diagonal lines and crosshatching. See Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
Subject (Topic):
Quacks and quackery, Beds, Children, Death, Interiors, Quacks, Prostitutes, Servants, Syphilis, Rake's progress, and Sexually transmitted diseases
Plate 6. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title, state, and date from Paulson., "Plate 5. "--Lower left corner., State with black Latin cross below design, "Dr. Rock" on the paper holding the teeth on the right, and various areas of the design darkened with diagonal lines and crosshatching. See Paulson., and On page 62 in volume 1. Plate trimmed to: 31.6 x 38.7 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
Subject (Topic):
Quacks and quackery, Beds, Children, Death, Interiors, Quacks, Prostitutes, Servants, Syphilis, Rake's progress, and Sexually transmitted diseases
A fat man (right), seated in an armchair, undergoes an operation upon the carbuncles of his bloated nose. The thin operator (left) holds the patient's forehead and applies a small pointed instrument (a metallic tractor) to his nose. The seated man grits his teeth, clenches his fists, and winces in pain
Description:
Title supplied by curator., Unsigned; attribution to Gillray from curator., Date inferred from that of the related print., For Gillray's print of similar design that was published in 1801 by H. Humphrey, see no. 9761 in the Catalogue of prints and drawings in the British Museum, v. 8., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Metallic tractors -- Perkins, Elisha.
Subject (Name):
Perkins, Benjamin Douglas, 1774-1810
Subject (Topic):
Pain, Quacks and quackery, Quacks, Medical procedures & techniques, and Medical equipment & supplies
Title supplied by curator, and printed in Latin, French, and German below image., Printmaker supplied by curator., Date derived from printmaker's date of death, Place of publication derived from printmaker's country of residence., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Monkeys, Quacks and quackery, Medicine shows, Teeth, Extraction, Pickpockets, Crutches, Audiences, Patent medicines, Selling, and Vomiting
Pencil notation verso: Q is for Quacksalber ... from [...] Albrecht, [illegible book title], Nurnberg 1776., Probably from: Johann Christoph Albrecht, Schön-Schreib Kunst, Nuremberg: Johann Andreas Endter, 1776., Sheet is trimmed., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title supplied by curator. and Illustration for William Combe, The History of Johnny Quae Genus or the Foundling of Doctor Syntax, London: R. Ackermann, 1821.
Subject (Topic):
Quacks and quackery, Medical offices, and Waiting rooms
Title supplied by curator., Date derived by curator from date of original work., Place of publication derived from printmaker's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Stamp verso.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Medicine shows, Country life, Children, Spectators, and Patent medicines
Title supplied by curator., Date derived from printmaker's date of death., Place of publication derived from printmaker's place of residence, In pencil lower margin: Ostade; J. Smith sculp., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Medicine shows, Quacks, Spectators, and Children
Titles supplied by curator., Date from item., Place of publication derived from printmaker's place of residence., Sheet trimmed., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Dentistry, Teeth, Extraction, Quacks and quackery, Medical equipment & supplies, Pickpockets, and Pain
"An apothecary's shop, the walls covered by jars closely ranged on shelves, a stuffed fish hanging from the ceiling. Behind a curtain (right) Death, wearing an apron, pounds at a mortar of 'slow Poison', looking gleefully in a mirror to watch the customers. The fat quack compounds medicines at the counter. A grotesque crowd of agonized patients enters through a doorway (left) inscribed 'Apothecaries Hall'. Two sit in arm-chairs. The jars are 'Canthar[ides]', 'Arsnic', 'Opium', 'Nitre', 'Vitriol', 'Elixir', with (right) 'Restorativ Drops'."--British Museum online catalogue
Alternative Title:
I have a secret art to cure each malady, which men endure
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: I have a secret art to cure / each malady, which men endure., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 85., and Temporary local Medical Library subject terms: Skeleton as death -- Pharmacy, interior -- Apothecaries.
Publisher:
Pub. July 1- 1814, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Quacks and quackery, Skeletons, Interiors, Drugstores, Pharmacists, Mortars & pestles, Sick persons, Medicines, Shelving, Containers, and Mirrors
