Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 91. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Tristram Shandy in which Susannah stands holdings her nose with her right hand while in her left she holds a candle over the cradle where the swaddled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his left fist at her while in his right he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed within plate mark., Eight lines of quoted text below image, four on either side of title: "Susannah rowing one way & looking another, set fire to Dr. Slop's wig, which being somewhat bushy & unctuous withal was as soon burnt as kindled ..." Vide Tris. Shandy vol. 4., Temporary local subject terms: Medical: Cataplasm -- 'Dr. Slop' -- Dishes: Bowls -- Lighting: Long handle candlesticks -- Domestic service: Maid -- Furniture: Hall clock -- Folding screen., and Mounted on page 91 of: Bunbury album.
Publisher:
Publish'd as the act directs, 3d February 1773, by J. Bretherton, No. 134 New Bond Street
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Cradles, Longcase clocks, Physicians, Quarreling, Screens, Servants, and Women domestics
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1799]
Call Number:
Bunbury 799.02.03.01+
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Tristram Shandy in which Susannah stands holdings her nose with her right hand while in her left she holds a candle over the cradle where the swaddled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his left fist at her while in his right he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 3 February 1773 by J. Bretherton. Cf. No. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., On either side of title, a quote from a scene in Vol. 4 of Tristram Shandy: Susannah rowing one way & looking another, set fire to Dr. Slop's wig, which being somewhat bushy & unctuous withal was as soon burnt as kindled ..., and J. Ruse 1799.
Publisher:
Publish'd as the act directs, 3d February 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Cradles, Longcase clocks, Physicians, Quarreling, Screens, and Servants
Leaf 79. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Damnation of Obadiah
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. Nos. 5214 and 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1746 ; 59.533.1744., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 79 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, Maps, Servants, Brooms & brushes, Dogs, Cradles, Longcase clocks, Physicians, Quarreling, and Screens
"A very fat man sits (left) at a dinner-table holding a knife and fork and about to take a mouthful. He gazes apprehensively at his wife (right), who has risen from the table, overthrowing her chair and a bottle of 'Gin' whose contents stream to the ground. She leans forward, clenching her outstretched right fist, a glass in her left hand, shouting, "You Think indeed!! You Brute, I wonder at your Impudence, never was so Mild so Meek a Temprd Woman so Ill used as I am, & all because I'm the most Tender Affectionate Wife living, but I wont be treated so I wont no, I'll tear your Eyes out first, I know what you want, to set me in a Passion you do, but I wont be in a Passion to please you, you Cross Ill Temperd Quarrelsome, Passionate Wretch.' On the table are a joint of beef (opposite the man), pudding, a bottle of 'Brandy' (next the woman). On the ground at her feet are a broken glass and a knife. They face each other in profile, as do the couple in a picture behind her head (pictures amplifies subject): a virago (right) threatens a thin and trembling man with a broom."--British Museum online catalogue
Description:
Title etched below image. and Watermark: center of sheet.
Publisher:
Pubd. Septr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Couples, Dining tables, Quarreling, and Eating & drinking
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1790]
Call Number:
Drawings W87 no. 25 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
An injured husband with bandaged arm resting in a sling and eye covered by a patch cautiously confronts and reproves his unloving wife who previously kicked the former down stairs. In the foreground a hostile cat chases and swipes at a fleeing dog reflecting the quarrel of the married couple
Description:
Title from inscription below image in black ink in the artist's hand., Date supplied by cataloger., Attributed to Woodward., and For further information, consult library staff.
Subject (Topic):
Couples, Quarreling, Blaming, Confrontations, Wounds & injuries, and Eye patches
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Cibber, Colley, 1671-1757.
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark., 1 print : etching ; sheet 23.4 x 33.3 cm., Printed on laid paper with watermark "T. Edmonds 1817.", Sheet trimmed within plate mark., and Bound in between pages 18 and 19.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Cibber, Colley, 1671-1757.
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
Title etched below image., Date supplied by cataloger., Sheet trimmed within plate mark with possible loss of text., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Marriage and Married Life.
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 28 x 21 cm.
Publisher:
publisher not identified
Subject (Topic):
Couples, Family violence, Marriage, Quarreling, and Spouses
