"View of the Thames from Lambeth, with Westminster Hall on the opposite shore at the left, and Westminster Bridge at the right; in the foreground to the left men raise the sails of a boat, to their right a number of people hurry towards the river."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 104., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 278.
Publisher:
Pub. Feb. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Westminster Bridge (London, England), Thames River (England), London (England), England, and London.
Subject (Name):
Westminster Hall (London, England)
Subject (Topic):
Waterfronts, Buildings, Bridges, Rivers, Sailboats, and Rowboats
Title from item (in English and French)., Date from item., Place of publication derived from publisher's known location., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Chelsea Hospital; Hospitals, Great Britain.
Publisher:
Published according to Act of Parliament
Subject (Name):
Royal Hospital (Chelsea, London, England).
Subject (Topic):
Veterans' hospitals, Hospitals, Gardens, Rivers, and Rowboats
"View from the river of the West India Docks, near Blackwell, with ships lined up by the docks on the left, small row boats at mid-stream."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 92., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 218., and Watermark: J. Whatman 1808.
Publisher:
Pub. Jany. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
"View from the river of the West India Docks, near Blackwell, with ships lined up by the docks on the left, small row boats at mid-stream."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 92., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 218., and 1 print : aquatint and etching on wove paper, hand-colored ; plate mark 23.8 x 28 cm, on sheet 26.8 x 33.8 cm.
Publisher:
Pub. Jany. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
Date of publication from ESTC., Anonymous. By John Gay. - First published as 'Sweet William's farewell to black ey'd Susan'. - Verse - "All in the Downs the fleet was moor'd,". - Includes 'Sweet William's happy return to his dear Susan' and 'Sweet Susan's constancy'. - In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 66. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold by J. Evans, No. 41, Long-Lane, London
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the ruins of Corton Church, Suffolk, surrounded by gravestones. A man sits alone, leaning against one of the tombs
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Publisher:
Printed and sold by W. Meggy
Subject (Geographic):
Yarmouth (England),
Subject (Topic):
Cities and towns, Harbors, Rowboats, Rivers, and Sailboats
Winchelsea, Charles Finch, Earl of, 1672-1712, artist
Published / Created:
[not after 1712?]
Call Number:
Folio 49 3588 v.1 (Oversize)
Collection Title:
Volume 1, page 50. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Signed with the artist's name in lower left corner. The identity of "Lord Maidstone" is pondered in Horace Walpole's ink annotation at bottom of mount: This was probably Charles Lord Maidstone, son of William lost in the Dutch war, & grandson of Heneage Finch Earl of Winchelsea, whom he suceeded., Date of production based on death date of the presumed artist., Laid down on a wash-line mount, with a border of gold paint around the drawing., and Mounted on page 50 in volume 1 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
