"Three sailors sitting on trunks on board a ship, grimacing as they read papers. At centre one points to his paper, saying, 'Did you ever hear such palaver Jack - Just before an Action'; his paper is inscribed, 'nothing opposes the individual esteem entertaind for your excellency by your faithfull servant / J Moore / Cadiz'. At left, a sailor reads a paper inscribed, 'I am your Excellrncys most Humble Servant / Rossily'; his trunk is lettered 'Will bo[...]'. At right the third says, 'Be quiet you lubbers, you dont know how to be polite - one of the Mounseers has ax'd me a little time, before I blow him up, and see what a civil letter I have sent him.'; his trunk is lettered 'Junk' and his paper, 'Mounseer / I had the honor of your this morning, and if you don't surrender by six in the evening, I'll be d-d if I dont blow you up / yours / to command / Jack Junk'. On the floor in the foreground, a tankard of 'Grog', a pipe and broadsides, one of which is headed 'True courage'; a cannon behind at left. Reissue by Fores of a print originally published c. July 1808."--British Museum online catalogue and "In May-July 1808, at the beginning of the Peninsular war, the British fleet helped to defend the Spanish in Cádiz from the French fleet led by Rosily; the British officer John Moore left England for Portugal in July 1808. The imprint indicates a reissue, giving the address line used by Fores in 1818-19."--Curator's comments, British Museum online catalogue
Alternative Title:
British sailors perusing the dispatches from Cadiz
Description:
Title etched below image., Printmaker identified as Rowlandson in the British Museum online catalogue., Date of publication from the British Museum online catalogue, registration no.: 1948,0214.697., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Name):
Moore, John, Sir, 1761-1809. and Rosily-Mesros, François de, 1748-1832.
Subject (Topic):
Peninsular War, 1807-1814, Sailors, British, Decks (Ships), Luggage, Newspapers, Cannons, Drinking vessels, and Pipes (Smoking)
"The Duke of Clarence (three-quarter length), dressed as a rough sailor, stands full-face with folded arms, looking to the right with a belligerent stare. He wears a shapeless hat, a naval coat, striped trousers, a handkerchief knotted round his neck. He says: "Damn all Bond St Sailors I say, a parcel of smell smocks! they'd sooner creep into a Jordan than face the French! dam me!""--British Museum online catalogue
Description:
Title etched above image., One of eight satirical portraits issued as a set on one sheet., Two lines of text below image: Damn all Bond St. sailors I say, a parcel of smell smocks! They'd sooner creep into a jordan than face the French! Dam me!, and On same sheet: Ministerial eloquence; Opposition eloquence; Military eloquence; Fools eloquence; Billingsgate eloquence; Pulpit eloquence; Bar eloquence.
Publisher:
Publd. Jany. 6th, 1795, by H. Humphrey, 37 Old Bond Strt
A scene on a street: a sailor with a bag beside him offers to sell a young man a new handkerchief as his accomplice steals his hankerchief from his back pocket
Description:
Title from text below image., Title continues: ... but all our Indy hankerchers is smuggled or we could not offer em at the price, fact I do assure you., and Date of publication from note in local card catalog record: 1860?, dated by costume.
Title from item., From the Laurie & Whittle series of Drolls., Two lines of text below image: Why damme! Messmate you're done up ..., Plate numbered '173' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Naval uniforms: sailors' uniforms -- Beer barrels -- Dishes: tankards -- Drunkenness.
Publisher:
Published 24th Octr., 1796, by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Sailors, British, Military uniforms, Barrels, Beer, Drinking vessels, Pipes (Smoking), Smoking, and Intoxication
First image, 'Painting after life' shows a skeleton (death) seated before an easel painting a portrait of the obese old man seated opposite and holding a cane. The subject is seated against a blank screen; a portfolio of other works is leaning against the screen. Beside the 'artist' is a box of paints and artist supplies and Second image, 'Death staring shipwrecked sailors in the face!!!', shows a skeleton (right) seated on a rock with his head resting in his hands, elbows on his knees as he stares at two shipwrecked sailors (left) on a beach
Alternative Title:
Death staring shipwrecked sailors in the face!!!
Description:
Each print titled below., Lewis Walpole Library: On the verso: an autograph letter from Ebenezer Gerard in Liverpool to Samuel Taylor Liverpool, dated 1826 February 5, in reference to "Prose by a poet" (by Montgomery James) which he compares to his own efforts since his illness, with the address incorporating watercolor and rebus material., Painting after life referencing Hogarth?, and For further information, consult library staff.
A view of wartime merriment: A procession of sailors and their women, escorted by fiddlers, passes a background of shops towards a gateway across the end of the street (left). The purveyor of the jollification, a sailor who has inherited money, sits astride a cask of 'real Jamaica' supported on poles carried by sailors, who wave hat and tankard towards the crowded first-floor windows. Men and women dance along the street. There are many incidents. A Jew, talking to another Jew outside a shop placarded 'Moses Slop-Shop', has his hat twitched off by the cane of a sailor who leans from above the doorway. The sailors carry an Ensign flag and a flag inscribed 'Leander, and are making for the Point
Alternative Title:
Coxswain's carousal
Description:
Title from caption below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Year of publication altered. Ms. '6' added over last digit of 1825.
"One of a set of four: see British Museum Satires No. 7176. France, as an elderly and ugly petit-maître (right), his hat under his arm, holds out obsequiously an empty purse and a snuff-box towards Holland, a stout peasant who kneels at his feet, weeping and clasping his hands in supplication. Behind Holland stand a Prussian soldier, threatening him with his bayonet, and England, a sailor who clenches his fists. In the background (right) is a windmill. Beneath the design is engraved: 'Prussian: Orange for ever! and respect to the Ladies. English: Confess yourself a French Dog! Dutch: Help me out Monsieur! you brought me in. Frenchm: Me beg to be excused. Bygar me have nothing to give; & me remember the Duke of Bronsvic, Pitt, Rosbac & Minden'."--British Museum online catalogue
Description:
Title from item., Temporary local subject terms: Dutch and United Provinces -- Military uniform: Prussian soldier -- Military uniform: British sailor -- Musket with bayonet., DeGrey's ms. note on verso., and Watermark: C Patch on the right side of sheet; Strasburg lily on the left.
Publisher:
Publish'd Octr. 21st, 1787 by T. Harmar, No. 164 (opposite Bond Street) Piccadilly
Subject (Topic):
Ethnic stereotypes, Sailors, British, Military uniforms, Prussian, Rifles, and Bayonets
Title from item., Sheet trimmed within plate mark., Six stanzas of a ballad below title: Here, a sheer hulk, lies poor Tom Bowling ..., and Temporary local subject terms: Ballads: Poor Tom Bowling -- Maps -- Coffins -- Female costume: mourning outfit -- Interior of a cottage.
Publisher:
Publish'd 20th Decr. 1791 by Robt. Sayer & Co., Fleet Street, London
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[3 November1794]
Call Number:
Drawer 794.11.03.01
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Design consists of twenty-two figures in two rows, each with text etched above., Sheet trimmed within plate mark on lower edge and to plate mark on other edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male costume, 1794 -- Female costume, 1794 -- Conventions -- Reference to guillotine -- Allusion to French Revolution -- Reference to Jacobins -- Male costume: Reference to sans-culottes -- Black females., and Watermark: 1794 J. Whatman.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark leaving thread margins., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., Watermark: 1824., and Manuscript "169" in upper center of plate.
