Boatman on riverbank with bridge and buildings behind being greeted by sailor and city gent and "A Thames waterman who thought himself betrayed by his wife and friend is reunited with both, who take his hands, the woman on the left in man's dress, having looked for him throughout the world; on a wharf with oars propped against the walls of a house to left, a boat moored nearby and a bridge in the background."--British Museum online catalogue, description of a later state
Description:
Title engraved below image., Four columns of verse below title: I was the pride of all the Thames ..., Numbered '295' beneath lower left corner of image., and Print was reissued by Laurie & Whittle in 1794; see British Museum online catalogue, registration no.: 2010,7081.1120.
Publisher:
Published 10th May 1793 by Robt. Sayer & Co., Fleet Street, London
Subject (Geographic):
Thames River (England), England, Thames River., Great Britain., and Great Britain
Subject (Topic):
Boaters (Persons), Sailors, Men's clothing, Friends, and Bridges
Queen Caroline walks down a plank balanced between a jolly boat and the shore; she is assisted by her son-in-law Prince Leopald, dressed in black. A cheering crowd stands on the beach, waving their hats in the air, behind an officer who tips his hat at the Queen. Sailors push the boat onto the shingle while a ship called "Prince Leopold" (in reference to her son-in-law) is anchored in the distance
Description:
Title etched below image., Related to George Cruikshank vignette entitled "Queen Caroline landing at Dover" on the title page for: Nightingale, Joseph. Memoirs of Queen Caroline. London: J. Robins & Co. Albion Press, 1820., and Framed to 34 x 44 cm.
Publisher:
W.B. Walker
Subject (Geographic):
Great Britain. and Belgium.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, and Léopold I, King of the Belgians, 1790-1865,
Subject (Topic):
Divorce, Arrivals & departures, British, Sailors, Ships, Queens, and Kings
Two sailors, one in uniform, fall from a horse, its reins caught on a post on the road, causing both it and the riders to collapse
Description:
Title etched below image., Sheet trimmed within plate mark., Text below title: A horse running away with two sailors, the lad who rode behind, exclaim'd run her aground, run her a ground, avast reply'd the other, I can throw out the grapples. He accordingly manag'd to throw the reins over a post by the road side & so came safe to land., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Publish'd May 7, 1789, by J. Kendal Bury
Subject (Topic):
Sailors, Horses, Horseback riding, Accidents, and Falling
"Two burly fierce-looking sailors drink together; each sits on an inverted tub, smoking a pipe, a paper of tobacco on the plain round table between them. One (l.) says: "Why Jack! you was so long in a French Prison, I suppose you larnt to patter their Lingo a little." The other answers: "No Bob, I never some how fancied it they call things out of their names so d----nably, - why would you believe it, they call a Horse a Shovel, and a Hat a Chopper!!!""--British Museum online catalogue
Alternative Title:
Jack Junk's opinion of the French language
Description:
Title from item., Printmaker from British Museum catalogue., Date of publication from watermark., and Watermark: C Ansell 1822.
"A bear (right), wearing Cossack trousers and an imperial crown surmounted by a double-headed eagle, runs off to the right. He carries a piece of mountainous country inscribed Greece on which kneels a tiny Greek in profile to the left, exclaiming Save me from my Friends. The bear (the Tsar) tramples on the neck of a turkey, with the bearded, turbaned, and terrified head of the Sultan, which lies on its back. The bear looks fiercely over his shoulder towards an angry English sailor who sits in an open boat with a cannon mounted in the bows. The sailor wears a top-hat with a ribbon inscribed Navar[ino, see BM Satires No. 15507, &c]; he has dropped an oar to lean back, extending his clenched fist towards the bear, and shouting: Halloo--master-drop that, or d--me I'll run along side of you, in no time. Cannon-balls are piled in the stern; above them flies a Union flag topped by oak leaves. On the farther side of the water (left) stands Charles X, a capering French fop in the dress of the ancien régime, with a cane under his arm. He says: By gar he is take away all de Greece. The scene is watched from a distance by the Emperor of Austria, who draws his sword, saying, I should like a bit of that."--British Museum online catalogue
Alternative Title:
Imperial bears grease or a peep into futurity
Description:
Title from caption below image; the letters "a" and "s" in the word "grease" are crossed out and the letters "e" and "c" etched above to form the word "Greece.", Publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 223.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
Charles X, King of France, 1757-1836
Subject (Topic):
Russo-Turkish War, 1828-1829, Bears, Crowns, Sailors, British, National emblems, Russian, and Turkeys
"John Bull, as a burly and ugly sailor, sits enthroned (right), listening to Melville's plea of innocence. Melville, in Highland dress, and wearing a feathered bonnet, stands in profile to the right. with clasped hands and flexed knees; he says: "Indeed Mr Bull - I knaw nae more aboot it - than Johnny Groat o'the Highlands." Trotter lurks behind him (left) furtively twitching his superior's kilt, and jerking his thumb to the left.; he says: "Take my advice - and let us Trot off while we are well, he looks confounded inquisitive." John scowls and glares pugnaciously, saying, "Why Look ye - de ye see - I dont come for to go for to say - exactly, that you sack'd the cole - all I say is the Shiners set sail - and as you had the care of the Hatches - it is, likely, you should know what Port they steer'd into! I say let's look at your log book Old one." He wears striped trousers and a knotted scarf; in his hat is a tobacco-pipe. His chair stands on a dais and is decorated with a crowned anchor and dolphins."--British Museum online catalogue and A satire on Henry Dundas, 1st Viscount Melville, who was accused of appropriating funds for non-naval purposes during his tenure as Lord of the Admiralty. Dundas was the most prominent Scottish politician of his era and instrumental in the progress of the Scottish Enlightenment. He is controversial today through his delaying the abolition of slavery for several years
Alternative Title:
Iohn Bull makeing a naval enqury and John Bull making a naval enquiry
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement in lower right: Folios of caracatures lent out for the evening.
Publisher:
Pubd. April 1st, 1805, by S.W. Fores, 50 Piccadilly
Subject (Name):
Dundas, Henry, 1742-1811, Dundas, Henry, 1742-1811., and Trotter, Alexander, 1750-1830
Subject (Topic):
John Bull (Symbolic character), Sailors, British, Thrones, Ethnic stereotypes, and Pleading (Begging)
"John Bull, as a gigantic sailor, clasping both sides of a small boat, peers like an angry ogre at three French ships off the French coast, indicated by a cliff. The ships are in a row, their bows cut off by the left margin. Napoleon stands on the poop of the nearest, pointing at John. He says: "mercy on us what a monster he'll swallow all my ships at a mouth-ful, I hope he dont see me." John roars: "Upon my word - a very Pretty light Breakfast."--British Museum online catalogue
Alternative Title:
John Bull peeping into Brest
Description:
Title from item. and Artist and publication date from British Museum catalogue.
Publisher:
Pubd. by Roberts, Middle Row
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
John Bull (Symbolic character), Sailors, and Ships
Title etched below image., Printmaker and artist from British Museum catalogue., Cf. No. 10766, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description lacking imprint statement., and Temporary local subject terms: Grog -- Cutlass -- Swords -- Guns -- Pistol -- Reference to Holland -- Dutchmen -- Reference to Italy -- Reference to Denmark -- Reference to America -- Reference to Westphalia -- Tobacco box -- Pipe -- Turk.
Publisher:
Pubd. Augt., 1807 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Beauharnais, Eugène de, 1781-1824
Subject (Topic):
John Bull (Symbolic character), Insects, Sailors, British, and Weapons
publish'd accoding [sic] act of Parliament, Sepr. 2d 1762.
Call Number:
762.09.02.01.1+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"Satirical riposte to Hogarth's 'The Times Plate 1' (Paulson 211) contrasting particular elements of that print to suggest that Lord Bute is creating faction within the country while Pitt and his supporters attempt to calm the situation. St James's Palace is ablaze; flames issuing from the gate set fire to an inn sign of the globe lettered "New Lost Land" (a reference to the recent loss of Newfoundland). On the left, Bute, wearing a tartan night shirt, holding a large pair of bellows, runs away from the fire but encourages it by breaking wind; two other Scots, crouching, also break wind, one of them addressing the other as "Brother Small Wit" (i.e., Tobias Smollett); Henry Fox runs away from Bute's supporters crying, "D[am]n the Dogs how they stink I'll turn my tail on them". On the right, Pitt stands on a fire engine directing a jet of water on the fire (in contrast to Hogarth's print where he stands on stilts fanning the flames while a supporter of the king is the chief fire fighter); the pump is manned by the Dukes of Newcastle and Cumberland and sailors who parallel the prominent sailor in Hogarth's print. Cumberland complains that the "machine is sadly out of Order" (meaning government) to which Newcastle responds "Yes ever since you left it", referring to Cumberland's resignation from military command. The sailors allude to Pitt's letter of October 1761 to William Beckford in which he explains his resignation "in order not to remain responsible for measures which I was no longer allowed to guide" (published in the Annual Register, 1761, p.300); they compare Pitt as the "Master [who] Guides it well" with Bute whose action is a wind that "encreases the Flame" and "comes from a very foul quarter". Charles Churchill, in clerical dress, walks towards the Pitt's group carrying a bucket labelled "North Briton" and offering to "help without hope of a Pension", an allusion to payments made by the Crown both to Hogarth and to Pitt. In the background, to left, a group of men look on saying the "Squire" (the king) and his family are "safe on the other side" (implying they have joined the opponents of Lord Bute, which was not in fact the case); one man continues to encourage Bute, "Blow away my Lad they will expend all their Water soon". Etched verses below describe the scene in scurrilous terms suggesting that the fire began in "the Welch Ladys Bed Room", i.e., that of Princess Augusta, and call for quenching of the "Fire of Party."--British Museum online catalogue
Alternative Title:
John Bull's house set in flames
Description:
Title etched below image., Sheet trimmed to plate mark at bottom., Three columns of verse below titie: Iohn Bulls hous in flames, to whom is this owing, / That's what we've to tell you. There look at them blowing / New lost land is done for, and all the worlds going ..., "Price 6d.", Temporary local subject terms: Buildings -- London: St. James's Street -- Newspapers: North Briton -- Naval uniforms: sailor's uniform -- Seven Years' War: reference to the loss of Newfoundland -- Signboards -- Fire-engines., and Watermark: countermark I V.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Churchill, Charles, 1731-1764, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Saint James's Palace (London, England),
Subject (Topic):
Fires, Signs (Notices), Taverns (Inns), Bellows, Flatulence, Fire fighting, and Sailors
Leaf 65. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"On the left: An old sailor with a long pigtail, and wearing an old-fashioned blue coat with gold lace, points with a pointer at a large decoration by Thornhill. He leans against an iron railing, standing on raised stone flags. A corner of the decoration is shown, swirling allegorical figures, nude and partly draped. On the right: The lower left corner of a large heavily framed picture with a man in Roman draperies, and a woman in longer draperies. Two sightseers and a small boy gaze at the wall, the man yawning cavernously. Three lines of text in lower right corner of design: "Here is Prince George of Denmark, and in & the Prospective a View of St Pauls London, Sr James Thornhill in the Wig &&&'."--British Museum online catalogue
Alternative Title:
John Rosedale, mariner
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 10787 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 71., and On leaf 65 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
George, Prince, consort of Anne, Queen of Great Britain, 1653-1708., Thornhill, James, Sir, 1675 or 1676-1734., and Rosedale, John (Mariner)