Manuscript on paper of Georgicorum, Aeneidos et Bucolicorum Vergilii vocabula, an alphabetical compilation of words used by Virgil (and other authors), with their explanations, based on the Virgil commentary by Servius (4th-5th centuries). With two Latin and two Italian proverbs, and an Italian poem (10 verses).
Description:
In Latin and Italian., Script: Art. 3 copied by one hand in Humanistica Semitextualis Libraria. The title on the first front flyleaf (art. 1) is by another hand writing a bold Southern Gothica Textualis Formata (the same hand wrote the beginning of the alphabet on the facing pastedown). Art. 2 is copied by an unexperienced hand in Humanistica Cursiva Currens, but the date and the first line are by another hand writing Humanistica Cursiva Libraria., In art. 3 the opening letter of each lemma is a pale red 1-line capital projecting into the left margin. Each new alphabetical section begins with a 2- or 3-line capital alternately in red and blue (with a guide letter in the left margin), placed within the text area and followed by a black capital. Between the sections a space of two or three lines is left free., and Binding: Original brown leather over wooden boards (worm-eaten), spine with three raised bands; both covers blind-tooled with a frame of strapwork; in its interior two horizontal rows of quadrangular stamps at the top and at the bottom (a rosette and a Pascal Lamb) and a lozenge-shaped central part of the same strapwork. Five pointed brass bosses on each cover (together eight of them are preserved) and remnants of two clasps attached to the front cover by means of two nails with engraved heads; the quadrangular brass catches on the rear cover are engraved with a Pascal Lamb.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century. and Virgil.
Subject (Topic):
Latin language, Glossaries, vocabularies, etc, Manuscripts, Medieval, and Scholia
Manuscript on paper of 1) Life of Oppian. 2) Summary of the poem in art. 1. 3) Scholia on Oppian, Halieutica, attributed to Tzetzes. 4) Paraphrasis of Oppian, Cynegetica, attributed to Tzetzes
Description:
In Greek., Watermarks: similar to Briquet Croix latine 5683 and Main 11292., Script: Written by Andreas Darmarius in Salamanca and dated 17 November 1580., Headings and simple initials in red. A few diagrams to illustrate text, mainly geometrical figures showing the elements of the cosmos (ff. 31r-32v), but also one stemmatic diagram illustrating the divisions of fishing (f. 72v)., and Binding: Nineteenth century (?). Limp vellum case; remains of tawed skin ties. Lettering in ink on spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Oppian, active 2nd century.
Subject (Topic):
Greek poetry, Hellenistic, Hunting, Manuscripts, Medieval, and Scholia
Manuscript on paper of Ovid, Metamorphoses. With Lactantian tituli and narrationes in margins
Description:
In Latin., Watermarks: unidentified bull's head and mountain., Script: Written in a small neat gothic text hand with hybrida features., Plain red 5-line initial, in outline only, f. 3r; two smaller initials of similar style, ff. 3v-4r. First letter of each verse stroked with red, ff. 3r-4r. Spaces left for decorative initials remain unfilled elsewhere in codex., and Binding: Fifteenth century, Germany. Adhered vellum stays on the inside of the quires. Original wound sewing on three wide, tawed skin, slit straps laced through tunnels in the edges of beech boards to channels on the outside and pegged. Natural color endbands, caught up on the spine, are sewn to tawed cores laced into grooves on the outside of the boards. Front pastedown: reused paper manuscript with text side pasted face down. Quarter bound in blue, tawed skin with a strip, now wanting, nailed along the edge. Two leaf-shaped catches with three five-petalled flowers on them on the lower board and the upper one cut in for kermes pink straps attached with metal plates; damage from a chain fastening at the head of this board, and the board broken; outer edge wanting. Title, in same (?) hand as on f. 1r, on upper and lower boards: "Ouidius methamorphoseos."
Manuscript on paper containing 1) Legendary history of the foundation of Rome. 2) Mirabilia Romae. 3) Note on Roman abbreviations especially for personal names. 4) Heading of an index to the Roman History of Livy (?). 5) Note on officials, functions and institutions of the Roman empire. 6) Note on the structure of Roman personal names. 7) Headings of the chapters of Books 1-9 of Facta et dicta memorabilia. 8) Giunta de Sancto Giminiano (14th century), alphabetical table to Facta et dicta memorabilia, from A to T, with ample blank spaces between each letter of the alphabet. 9) Mentions of Valerius Maximus and Livy in works of Thomas Aquinas and Nicholas of Lyre. 10) Valerius Maximus (1st century), Facta et dicta memorabilia, including the pseudepigraphic Book 10, De interpretacionibus nominum
Description:
In Latin., Script: Copied by one hand in Gothica Cursiva Libraria, the text very large, the glosses small., Underlining, paragraph marks, headings, stroking of majuscules and plain initials (with guide letters), all in red., The pages damaged by the acidity of the ink., and Binding: Nineteenth century. Quarter binding in brown leather, the cardboard covers covered with marbled brown paper. Gold-tooled spine with five raised bands and brown title label with gold-tooled inscription: “VALERIUS MAXIMUS / MANUSCRIPTUM”. Red sprinkled edges.
Subject (Geographic):
Connecticut, New Haven., and Rome (Italy)
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin, Manuscripts, Medieval, Scholia, Description and travel, and History
Manuscript on paper (rough; light brown) of 1) Tzetzes, Scholia in Hesiodi Opera et dies. 2) Hesiod, Opera et dies. The codex has been repaired extensively. Certain leaves have been replaced in different periods; in most cases the missing text was supplied in the same format. (Folios added later: 39, 68, 84, 94-97.)
Description:
In Greek., Script: The main text was written by a single copyist who used a well spaced, but crude, style of writing for the work of Hesiod, and a more cramped, abbreviated style for the commentary of Tzetzes. Numerous interlinear and marginal notes in several hands., Title of work and simple initial on f. 1r in red; other ornamental initials, some of which incorporate animal motifs, in black. Diagrams, also in black ink, include: f. 67v (outer margin) mortar and pestle; f. 67v (lower margin) man driving a cart pulled by two oxen; f. 69v (lower margin) plow, with parts labelled., The manuscript is in poor condition with loss of text due to: faded ink, water stains, worm-holes, and repaired leaves., and Binding: between 1800 and 1829. Tan, diced goatskin, gold-tooled. Bound by C. Lewis (active in London 1807-36).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hesiod.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on parchment (goatskin) of 2) Bucolica. 3) Georgica. 4) Aeneis. With commentaries, pseudo-Virgilian tracts, and a miscellany of treatises, many anonymous. Ff. 1-31 are from the first half of the thirteenth century; the rest of the manuscript and the decoration were added half a century later
Description:
In Latin., Script: Two scribes: A copied ff. 1-31 in Southern Praegothica close to late Carolingian script; B copied the rest, starting with the text of Book 5 of Aeneis, in more rapid early Southern Textualis/Semitextualis; his spelling is marked by italianisms., The headings in red are not executed; some added later in Gothica Cursiva Formata (Cancelleresca); instructions for the rubricator are seen ff. 70v-75r. Numerous paragraph marks alternately in red and blue, sometimes black. Plain and flourished initials of various sizes in red and blue (other colours are also used in quires I-IV). Seventeen painted initials decorated with gold balls. From f. 70v onwards there are guide-letters, but all initials and other decoration are missing. A rectangular space of the width of one column was reserved for a miniature on f. 1ra, which was not executed., Ff. 1-31 appear to be palimpsest, with very irregular edges, sometimes repaired by sewing strips of parchment onto them, which are now lost., and Binding: Seventeenth century. White parchment over pasteboard. On the spine with five slightly raised bands red leather label with gold-tooled inscription "VIRGI-/LIUS / M.S." (this title has been completed in black ink with "P(ublius)" , "Eneidos etc." and "membr"); below the label the handwritten date "saec. XIV". Marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Scholia
Manuscript on paper, composed of two distinct parts, of speeches by Cicero. Introductions to ten of the speeches were composed by Antonio Loschi between 1391 and 1405. The pattern of stains indicates that Parts I and II were once separate; it is unclear when they were bound together
Description:
In Latin., Watermarks: Part I: unidentified letter B. Part II: Briquet Tete de boeuf 15068, and Piccard Ochsenkopf VII.40., Script: Part I (ff. 1-232): Written by a single scribe in a fere-humanistic script characterized by the broadness of majuscule letter forms; written below top line. Part II (233-398): Written in a small gothic script with cursive features, below top line., Part I: Elegantly decorated title-page (f. 1r) with a full border: in inner and upper margins, thin gold bar with flowers in mauve, blue and gold and stylized foliage in green with pale yellow highlights; in outer and lower margins, floral border of black inkspray with flowers in mauve and blue and with some gold accents and stylized foliage in green. In center of lower margin, a shield with unidentified coat of arms, much rubbed supported by two standing nude female figures with flowing blond hair. One historiated initial, 12-line, mauve, green and pink against gold ground, with extremely fine portrait in profile of a man wearing a two-tiered red cap and academic gown against a blue background with a geometric pattern in black and greyish blue. 6-line initials, blue with red penwork designs alternate red with purple for the beginning of each text. Headings in red., Part II: Red and black divided initial, 6-line, with plain designs on f. 234r; plain red initials some with simple designs, 5- to 2-line, elsewhere. Paragraph marks and initial strokes in red., The dark acidic ink has bled through many leaves; no loss of text., and Binding: Eighteenth century, France. Gold-tooled brown, mottled calf spine. Edges gilt. Boards, composed of paper pasteboard, are detached.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius. and Loschi, Antonio, d. 1441.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and Speeches, addresses, etc., Latin
Manuscript on paper of Lucan, Pharsalia. With commentary, verse summary, and verse argumenta of each book
Description:
In Latin., Watermarks: unidentified bull's head concealed by script., Script: Written by a single scribe in well spaced gothic bookhand, above top line. Marginalia in several contemporary hands., Crudely executed penwork initials in red, f. 1r only; spaces for decorative initials at beginning of each book have sketches in brown ink (contemporary?) or are left unfilled. Headings in red. Some guide letters for decorator., and Binding: Fifteenth century, Italy. Vellum stays in and outside the quires. Original sewing on three tawed skin, slit straps which are laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Plain, wound endbands are sewn on tawed skin cores laced or laid in grooves on the outside of the boards. Quarter bound with brown leather, probably a later addition, as perhaps are the clasp straps. Two leaf-shaped catches and inscription in ink on the lower board: "Lucanus [?]". Front pastedown and flyleaf from a lectionary (Italy, 1050-1100); back flyleaf and pastedown from a homiliary (Northern Italy, 950-1000); on the pastedown, a homily on submission to the will of God, probably a continuation of the same text as on the flyleaf.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, Scholia, and History
Manuscript on parchment containing 1) Two diagrams with accompanying text. 2) Note on vows. 3) Petrus Cantor (d. 1197), De tropis loquendi. 4) Table of the subdivisions of anima. 5) Theological note. 6) Note on merit. 7) Theological treatise in four books. 8) Notes in plummet. 9) Treatise on vision and gifts ("dotes").
Description:
In Latin., Script: copied by various small hands, writing highly abbreviated Gothica Textualis Currens or Libraria. In some sections documentary cursive influence is visible (especially in looped d)., The decoration is unevenly spread. Red paragraph marks, underlining and headings; some plain red initials., and Binding: original (?) binding over wooden boards, sewn on four split leather thongs. Remnants of four pairs of leather ties, two at the front and one at the top and at the tail.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Medieval, and Scholia
Manuscript on paper of Ovid, Remedia amoris. Followed by two series of short poems by Pseudo-Vergil and Johannes Fabri de Werdea (b. 1450).
Description:
In Latin., Watermarks: similar to Briquet Balance 2411, and similar in design to Piccard Ochsenkopf 732-735 and Briquet Tete de boeuf 14552., Script: Written in running script exhibiting batarde influence for both text and commentary., Plain 2-line initial, in red, on f. 2r. Some underlining and initial strokes, in red, for ff. 1r-6r only., Some of marginalia lost in gutter., and Binding: Nineteenth century. Half red-brown goatskin, gold-tooled. Marbled paper sides. Emblem and motto ("Endure fort") on front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Erotic literature, Latin, Latin poetry, Medieval and modern, Manuscripts, Medieval, and Scholia
