Manuscript on paper, composed of two distinct parts, of speeches by Cicero. Introductions to ten of the speeches were composed by Antonio Loschi between 1391 and 1405. The pattern of stains indicates that Parts I and II were once separate; it is unclear when they were bound together
Description:
In Latin., Watermarks: Part I: unidentified letter B. Part II: Briquet Tete de boeuf 15068, and Piccard Ochsenkopf VII.40., Script: Part I (ff. 1-232): Written by a single scribe in a fere-humanistic script characterized by the broadness of majuscule letter forms; written below top line. Part II (233-398): Written in a small gothic script with cursive features, below top line., Part I: Elegantly decorated title-page (f. 1r) with a full border: in inner and upper margins, thin gold bar with flowers in mauve, blue and gold and stylized foliage in green with pale yellow highlights; in outer and lower margins, floral border of black inkspray with flowers in mauve and blue and with some gold accents and stylized foliage in green. In center of lower margin, a shield with unidentified coat of arms, much rubbed supported by two standing nude female figures with flowing blond hair. One historiated initial, 12-line, mauve, green and pink against gold ground, with extremely fine portrait in profile of a man wearing a two-tiered red cap and academic gown against a blue background with a geometric pattern in black and greyish blue. 6-line initials, blue with red penwork designs alternate red with purple for the beginning of each text. Headings in red., Part II: Red and black divided initial, 6-line, with plain designs on f. 234r; plain red initials some with simple designs, 5- to 2-line, elsewhere. Paragraph marks and initial strokes in red., The dark acidic ink has bled through many leaves; no loss of text., and Binding: Eighteenth century, France. Gold-tooled brown, mottled calf spine. Edges gilt. Boards, composed of paper pasteboard, are detached.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius. and Loschi, Antonio, d. 1441.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and Speeches, addresses, etc., Latin
Manuscript on paper of Lucan, Pharsalia. With commentary, verse summary, and verse argumenta of each book
Description:
In Latin., Watermarks: unidentified bull's head concealed by script., Script: Written by a single scribe in well spaced gothic bookhand, above top line. Marginalia in several contemporary hands., Crudely executed penwork initials in red, f. 1r only; spaces for decorative initials at beginning of each book have sketches in brown ink (contemporary?) or are left unfilled. Headings in red. Some guide letters for decorator., and Binding: Fifteenth century, Italy. Vellum stays in and outside the quires. Original sewing on three tawed skin, slit straps which are laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Plain, wound endbands are sewn on tawed skin cores laced or laid in grooves on the outside of the boards. Quarter bound with brown leather, probably a later addition, as perhaps are the clasp straps. Two leaf-shaped catches and inscription in ink on the lower board: "Lucanus [?]". Front pastedown and flyleaf from a lectionary (Italy, 1050-1100); back flyleaf and pastedown from a homiliary (Northern Italy, 950-1000); on the pastedown, a homily on submission to the will of God, probably a continuation of the same text as on the flyleaf.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, Scholia, and History
Manuscript on parchment containing 1) Two diagrams with accompanying text. 2) Note on vows. 3) Petrus Cantor (d. 1197), De tropis loquendi. 4) Table of the subdivisions of anima. 5) Theological note. 6) Note on merit. 7) Theological treatise in four books. 8) Notes in plummet. 9) Treatise on vision and gifts ("dotes").
Description:
In Latin., Script: copied by various small hands, writing highly abbreviated Gothica Textualis Currens or Libraria. In some sections documentary cursive influence is visible (especially in looped d)., The decoration is unevenly spread. Red paragraph marks, underlining and headings; some plain red initials., and Binding: original (?) binding over wooden boards, sewn on four split leather thongs. Remnants of four pairs of leather ties, two at the front and one at the top and at the tail.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Medieval, and Scholia
Manuscript on paper of Ovid, Remedia amoris. Followed by two series of short poems by Pseudo-Vergil and Johannes Fabri de Werdea (b. 1450).
Description:
In Latin., Watermarks: similar to Briquet Balance 2411, and similar in design to Piccard Ochsenkopf 732-735 and Briquet Tete de boeuf 14552., Script: Written in running script exhibiting batarde influence for both text and commentary., Plain 2-line initial, in red, on f. 2r. Some underlining and initial strokes, in red, for ff. 1r-6r only., Some of marginalia lost in gutter., and Binding: Nineteenth century. Half red-brown goatskin, gold-tooled. Marbled paper sides. Emblem and motto ("Endure fort") on front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Erotic literature, Latin, Latin poetry, Medieval and modern, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Persius, Satirae 1.22-6, with argumenta added in the 15th century
Description:
In Latin., Script: copied by one hand writing Italian Gothica Hybrida Libraria, with a preference for round r and d with relatively short shaft., Paragraph marks in red. All the majuscules, those at the opening of the verses and the others, are heightened with dark yellow. The Satires open with a 2-line flourished initial (a 3-line flourished initial for Satire 6) with marginal extensions, alternately in red with purple penwork and blue with red penwork., and Binding: 20th-21st century. Plain brown leather over cardboard. Yellowish paper endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Persius.
Subject (Topic):
Manuscripts, Medieval, Scholia, and Verse satire, Latin
Manuscript on paper of 1) Juvenal, Satirae I-XVI (with XVI preceding XV). With the argumenta of Guarino of Verona added at the beginning of each satire. 2) Persius, Prologue followed by Satirae I-VI. 3) Notes on the moon in the twelve signs of the zodiac
Description:
In Latin., Watermarks: similar to Briquet Lettre R.8941 and Harlfinger Fleche 12., Written in humanistic script by three scribes. The principal scribe, Franciscus Seroddi Centinomius Phylaretus, wrote ff. 1r-72v and 79r-84v; he signed the manuscript on ff. 72v and 84v. Scribe 2 wrote ff. 74r-78v and Scribe 3 the notes on ff. 85r-87v. Marginal and interlinear glosses in several contemporary hands., Argumenta of Guarino of Verona in red rustic capitals preceding each title; spaces for decorative initials never filled., and Binding: Sixteenth century (?). Vellum stays. Original sewing on three slit, tawed straps. Primary, plain and secondary, beaded endbands on twisted, tawed cores, laid in grooves and pegged or nailed. Spine lined with tawed skin, mostly lacking. Straps laced and pegged or nailed into beech boards covered in (originally) brick-red leather, blind-tooled with an inscription in a border around an inner panel of overlapping circles interspersed with dots. Four flower-shaped bosses on each board and two catches on the lower one. Two bosses and clasp straps wanting.
Manuscript on paper (watermarks: trimmed and buried in gutter) of Juvenal, Satirae I-IV, in the English translation of Jo Billinge and Sir Thomas Hewitt. The text of the translation is accompanied by Latin footnotes, some drawn from the scholia uetustiora
Description:
In English., Written by a single scribe in a neat running hand., and Binding: Nineteenth century. Blind-tooled calf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Latin literature, Manuscripts, Medieval, Satire, Latin, and Scholia
Manuscript on paper of 1) Juvenal, Satirae I-XVI. 2) Unidentified commentary on the sixteen satires of Juvenal. This extensive commentary, written in the same hand as the text, draws upon some of the earlier scholia as well as works of later scholars. 3) Miscellaneous passages on the nature of tragedy, satire, comedy, plus a short life of Juvenal
Description:
In Latin., Watermarks similar to Briquet Tete de boeuf 14874., Script: Written by a single scribe in a well spaced informal batarde for the main text and in a very small cramped batarde for surrounding notes., Crude illuminated initial, 9-line, on f. 1r; red initials, 3-line, at beginning of remaining satires. First letter of each verse stroked in red (ff. 13r-61r); some lines underlined in red., and Binding: Twentieth century. Cloth boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Satire, Latin, and Scholia
Manuscript on parchment (shiny) of Juvenal, Satirae I-XVI. Many lacunae in text, but missing passages often added in by 15th-century hands
Description:
In Latin., Script: Written by a single scribe in a small bookhand; interlinear glosses and scholia by same scribe in a cramped and abbreviated script, ff. 2 and 4 in two sizes of humanistic bookhand., Red initial, 4-line, infilled with modest arabesque motifs; spaces left for other initials at beginning of each satire; rubrication for scholia on ff. 2. Simple drawing of racecourse in circus appears on f. 9r., and Binding: 18th-19th centuries (?). Brick-red goatskin, blind-tooled.
