Plate depicting a statue of Ceres at center (labeled "Fig. 1"), with several medals depicted below (labeled "Fig. 2" and "Fig. 3"). Ceres is represented seated, holding a cup in her left hand and various fruits in her right hand; a bull, the emblem of the power of the Creator, is in her lap. This ancient bronze statue was kept by Horace Walpole in the Gallery at Strawberry Hill
Description:
Title devised by cataloger., Publication information from that of the volume in which the print was issued., Plate from: Knight, R.P. An account of the remains of the worship of Priapus ... at Isernia ... in two letters ... London : Printed by T. Spilsbury, 1786., Sheet trimmed within plate mark., "Plate VIII"--Upper right corner., and Mounted on page 119 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
T. Spilsbury
Subject (Name):
Ceres (Roman deity) and Strawberry Hill (Twickenham, London, England)
Page 137. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"The courtyard of the Royal Exchange, London, with numerous male figures, most wearing hats and carrying canes; the statue of Charles II in the centre."--British Museum online catalogue
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., Mounted to 32 x 26 cm., and Mounted on page 137 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Charles II, King of England, 1630-1685, and Royal Exchange (London, England),
Subject (Topic):
Merchants' exchanges, Commercial facilities, Courtyards, Colonnades, Sculpture, and Crowds
Two women in neoclassical dress hold garlands and dance around a bust statue of Thomas Gray; trees and bushes are seen in the background
Description:
Title devised by curator., Signed by the artist in lower left corner., Date of production based on artist's death date., and Bound in as the frontispiece in an extra-illustrated copy of Thomas Gray's Poems.
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted on page 106.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted to 43 x 31 cm.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., 1 print : soft-ground etching and stipple engraving on wove paper ; plate mark 26.2 x 17.7 cm, on sheet 28.2 x 19.7 cm., and Mounted on leaf 88 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
Van der Gucht, Gerard, 1696-1776, printmaker, artist
Published / Created:
[1740]
Call Number:
724 791K
Collection Title:
Volume 3, opposite page 466. Epistles, elegant, familiar, & instructive, selected from the best
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the sale of Charles Jervas' studio (1739/40); an allegorical female figure holding a palette and brushes standing on the right, who lays an oval bas-relief portrait of Jervas on a plinth attached to a pyramid, while a cherub cuts the inscription on the plinth below: 'The Collection of Charles Jarvis Esq Consisiting of Paintings, Prints, Drawings, Basso Relievo, &c &c'; with classical artistic fragments to left and classical buildings in the background, including Trajan's column, and a fragment on the right inscribed 'Heath Auctioneer'."--British Museum online catalogue
Description:
Title, artist, and printmaker from the Catalogue of engraved British portraits., Frontispiece to: A catalogue of the most valuable collection of pictures, prints, and drawings late of Charles Jarvis Esq; deceased. [London] : [publisher not identified], [1740]., Sheet trimmed within plate mark., Folded to 20.3 x 12.2 cm; mounted on leaf 24 x 14 cm., and Bound in opposite page 466 in volume 3 of an extra-illustrated copy of: Knox, V. Epistles, elegant, familiar, & instructive, selected from the best writers ... London : Rivington [etc.], 1791.
Publisher:
publisher not identified
Subject (Name):
Jervas, Charles, approximately 1675-1739,
Subject (Topic):
Artists' materials, Columns, Pyramids, Sculpture, and Portraits
A group of drawings by George Vertue of items in the Earl of Oxford's collection, many presumably sold in the sale of 1741-2. Among the items depicted are urns, busts and statues, various fragments with Greek inscriptions, a medal, an ossuary, and a sarcophagus. The group of drawings ends with a copy the portrait by Van Dyck of Sir Kenelm Digby and his family, and it begins with Vertue's original drawing for the engraved frontispiece to: A catalogue of Greek, Roman and English coins, medallions and medals, of the Right Honourable Edward Earl of Oxford, deceased
Description:
Title devised by cataloger., Bound by George Vertue in a volume with Harleian catalogues and plates., and Original mottled calf, rebacked. Wilmarth Sheldon Lewis's notes on back endpaper.
Subject (Geographic):
England, London., and England.
Subject (Name):
Oxford, Edward Harley, Earl of, 1689-1741, Digby, Kenelm, 1603-1665,, and Digby, Venetia Stanley, Lady, 1600-1633,
Subject (Topic):
Art collections, Art, Private collections, Sculpture, Portraits, Urns, Medals, and Sarcophagi
