Wash drawing of the small bronze bust of the Roman emperor Caligula, with silver eyes, that was kept by Horace Walpole in the Tribune at Strawberry Hill. The bust was unearthed in Herculaneum and was sent to Walpole after being purchased by Sir Horace Mann in Florence
Alternative Title:
All bronze except the pedestal. The eyes are silver
Description:
Title from block letter inscription on pedestal in image; alternative title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 180 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Caligula, Emperor of Rome, 12-41. and Strawberry Hill (Twickenham, London, England)
"Portrait bust of the sculptor's mother turned in profile to right on a ledge, the sitter with her head veiled and hair curled at front, her lips pursed, oval design; after a sculpture by Anne Seymour Damer, from a series of engravings after her work."--British Museum online catalogue
Description:
Title engraved below image., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1917,1208.2894., Mounted on page 243 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Publisher:
Publish'd as the act directs June 26, 1790, by James Roberts, Hogarth's Passage, Oxford; and J. Jones, No. 75 Great Portland Street, London
"A grotesque procession of brass-founders (braziers), carrying banners and emblems of brass on poles, burlesquing a Roman triumph. They march (right to left) past a sign-post pointing (left) 'To B--burgh House' and (right) 'To Turnham Green'. All wear loose jack-boots, spurred, and on each man's head is a brass utensil (or helmet), as made by the trade, and each carries a dish-cover (or shield) inscribed 'C R'. Many wear makeshift breastplates. They wear ragged breeches, some partly covered by strips of metal on the thigh, in imitation of armour. The two goose-stepping leaders blow coach-horns to which banners are attached, inscribed 'Blow Braziers Blow thy Sounding Horns'; their head-dress is a candlestick containing a tall lighted candle. They are followed by two trumpeters, with teakettles on their heads. Next comes a tall drummer, his drum inscribed 'Hum Drum', using ladles for drumsticks and with a coal-scuttle-helmet. Prominent among their trophies are pikes, to which banners are attached, each decorated by a large white favour. The first banner is inscribed 'Hail Star of Como [see British Museum Satires No. 13857] Brass is a Joke to thee.' Beside this, supported on a pole, is a model of a man (Bergami) on a galloping horse inscribed 'Courier'. A pair of breeches hangs from a pike. Various objects are surmounted by a piece of drapery inscribed 'Presents for Carey', and by a banner inscribed 'Men of Metal'; they include a bull, a goat, a stag's head, and a model of a Turk dancing inscribed 'Dimma Dimma'. Behind these is an owl and, beside a banner inscribed 'Pam [knave of clubs] & Qu--n for ever', is a model of Bergami carrying the Queen on his back. A figure of Harlequin is inscribed 'B B' [Bartolomeo Bergami]. Drapery is inscribed 'Presents for Bat' [Bartolommeo]; beside this is a bust of Alderman Wood. 'Furniture for the Barona' is on a banner flying over a woman (three-quarter length) wearing a triple fool's cap and emerging from a stand: 'Automaton Pitch'. A figure of 'Columbine' capers awkwardly. The interstices among these objects are filled with household utensils, &c., held high, tongs, poker, shovel, &c. Below the design: '"Why look'ye Mrs Brasier!" I dont know in what quantities you sell brass "at" Como"--But when you come "from" abroad, & ask a thinking people "to believe Black is White--D . . . me but your'e a Wholesale Dealer!!!--John Bull.""--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 18 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Wood, Matthew, Sir, 1768-1843., and Bergami, Bartolomeo Bergami, Baron.
"A grotesque procession of brass-founders (braziers), carrying banners and emblems of brass on poles, burlesquing a Roman triumph. They march (right to left) past a sign-post pointing (left) 'To B--burgh House' and (right) 'To Turnham Green'. All wear loose jack-boots, spurred, and on each man's head is a brass utensil (or helmet), as made by the trade, and each carries a dish-cover (or shield) inscribed 'C R'. Many wear makeshift breastplates. They wear ragged breeches, some partly covered by strips of metal on the thigh, in imitation of armour. The two goose-stepping leaders blow coach-horns to which banners are attached, inscribed 'Blow Braziers Blow thy Sounding Horns'; their head-dress is a candlestick containing a tall lighted candle. They are followed by two trumpeters, with teakettles on their heads. Next comes a tall drummer, his drum inscribed 'Hum Drum', using ladles for drumsticks and with a coal-scuttle-helmet. Prominent among their trophies are pikes, to which banners are attached, each decorated by a large white favour. The first banner is inscribed 'Hail Star of Como [see British Museum Satires No. 13857] Brass is a Joke to thee.' Beside this, supported on a pole, is a model of a man (Bergami) on a galloping horse inscribed 'Courier'. A pair of breeches hangs from a pike. Various objects are surmounted by a piece of drapery inscribed 'Presents for Carey', and by a banner inscribed 'Men of Metal'; they include a bull, a goat, a stag's head, and a model of a Turk dancing inscribed 'Dimma Dimma'. Behind these is an owl and, beside a banner inscribed 'Pam [knave of clubs] & Qu--n for ever', is a model of Bergami carrying the Queen on his back. A figure of Harlequin is inscribed 'B B' [Bartolomeo Bergami]. Drapery is inscribed 'Presents for Bat' [Bartolommeo]; beside this is a bust of Alderman Wood. 'Furniture for the Barona' is on a banner flying over a woman (three-quarter length) wearing a triple fool's cap and emerging from a stand: 'Automaton Pitch'. A figure of 'Columbine' capers awkwardly. The interstices among these objects are filled with household utensils, &c., held high, tongs, poker, shovel, &c. Below the design: '"Why look'ye Mrs Brasier!" I dont know in what quantities you sell brass "at" Como"--But when you come "from" abroad, & ask a thinking people "to believe Black is White--D . . . me but your'e a Wholesale Dealer!!!--John Bull.""--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 25.6 x 38.4 cm., Printed on wove paper with watermark "J. Whatman"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 58 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "16 Feb. 1821" written in ink beneath lower right corner of image. Typed extract of twenty-four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Wood, Matthew, Sir, 1768-1843., and Bergami, Bartolomeo Bergami, Baron.
Title below image., Plate engraved for: A catalogue of the extensive and most valuable collection of engraved portraits ... as originally collected by Horace Walpole. [London] : Smith and Robins, printers, [1842]., and With embossed ownership stamp of Thomas Mackinlay.
Publisher:
publisher not identified
Subject (Name):
Rubens, Peter Paul, 1577-1640 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art, Art collections, Children, Owls, and Sculpture
Title from item., Date supplied by curator., Place of publication from item., Below image is written, "Le secret, et les Tireurs de vers du nez." The phrase refers both to extracting parasites, and to extracting secrets., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Medicine & morality.
Publisher:
Chez N. Guerard graveur rue St. Jacques à la Reine du Clergé C.P.R.
Subject (Topic):
Nose, Parasites, Questioning, Medical ethics, Sick persons, Medical procedures & techniques, Money, and Sculpture
An obese man and a tall lean woman, symbolical figures of 'dropsy' and 'consumption', flirting outside a mausoleum; another couple promenade before a statue of Hercules in the background and "A grotesquely obese man (his hat placed under his plump knees) kneels at the feet of an ugly and bedizened woman, fantastically lean and tall. She holds up a fan, and looks down alluringly at her lover to whom she gives her left hand. They are in the circular portico of a 'Mausoleum' (right). In the background is an avenue and a statue of Hercules, towards which a fat woman and a lean parson of the Dr. Syntax type are walking arm-in-arm. The muscular Hercules is contrasted with the four other types of physique represented."--British Museum online catalogue
Description:
Title etched below image., "Price one shilling coloured.", and Temporary local Medical Library subject terms: Dropsy -- Consumption.
Publisher:
Pubd. October 25th, 1810, by Thos. Tegg, No 111 Cheapside
A thin man in a cap pulled down on his head feeds a morsel of food to an obese woman who combs a wig in her hand as they sit on a sofa before a table laid with lunch. They are in a well-appointed sitting room decorated with a mirror above a fireplace with a mantel on which sits a clock, a sheet of music entitled 'Romance', and under a glass vitrine, a statuette of man holding a bird on his finger. The fire screen is decorated with an image of two love birds. On the left edge is only a portion of painting, but it shows a bird perched on the finger of the sitter's hand. The man's discarded hat and walking stick rest of a sofa to the left
Description:
Title from text below image., Signed by the printmaker on a slip of paper tucked into the left edge of the mirror., Series title and number from caption above image., Sheet trimmed within plate mark., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Mounted on blue laid paper to: 36 x 30 cm.
Carl Van Vechten Papers Relating to African American Arts and Letters
Container / Volume:
Box 112 | Folder 2125
Image Count:
18
Resource Type:
Prints & Photographs
Description:
Stamped verso: "Photograph by Carl Van Vechten. / Cannot be reproduced without permission.
Subject (Name):
Epstein, Jacob, Sir, 1880-1959 and Robeson, Paul, 1898-1976
Subject (Topic):
African American actors, African American communists, African American political activists, African American singers, African American writers, Portraits, and Sculpture
