Plate 9. Queen Charlotte's collection of Hogarth works. Leaf 9. Album of William Hogarth prints.
Image Count:
1
Abstract:
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Rake's progress. Plate 2, Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Fifth state; the floor under the dancing master's feet has been darkened, his coat under his violin has added hatching, and the fold of Rakewell's dressing gown behind the violin is now crosshatched., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", 'Plate 2d'--Lower right below image., Ms. note in Steevens's hand in pencil at bottom margin of print: Given me by Mr. Henderson., Ms. note in ink (another hand?) below image at right: Scotin fe: aqua fortis., and On page 68 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
Plate 9. Queen Charlotte's collection of Hogarth works. Leaf 9. Album of William Hogarth prints.
Image Count:
1
Abstract:
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Rake's progress. Plate 2, Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Fifth state; the floor under the dancing master's feet has been darkened, his coat under his violin has added hatching, and the fold of Rakewell's dressing gown behind the violin is now crosshatched., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", 'Plate 2d'--Lower right below image., 1 print : etching and engraving on laid paper ; plate mark 35.5 x 40.7 cm, on sheet 46 x 59 cm., and Plate 9 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Rake's progress. Plate 2, Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Added title from first line of text., Caption below image in four columns begins: "Prosperity, (with Horlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", and 'Plate 2d'--Lower right below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below., 1 print : etching with engraving on laid paper ; plate mark 35.5 x 40.9 cm, on sheet 46 x 59 cm., and Plate 10 in the album: Queen Charlotte's collection of Hogarth works.
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., and Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below.
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged
Alternative Title:
O vanity of youthfull blood ...
Description:
Description based on entry in Paulson., "Plate 3"--Lower right corner., and Description based on imperfect impression; sheet trimmed to image with loss of text and imprint.
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below., 1 print : etching with engraving on laid paper ; plate mark 35.5 x 40.8 cm, on sheet 45 x 56 cm., and Leaf 10 in: Album of William Hogarth prints.
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below., and On page 69 in volume 1. Plate trimmed to: 35.2 x 40.1 cm.
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged
Alternative Title:
O vanity of youthfull blood ...
Description:
Description based on entry in Paulson., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image with loss of text and imprint., and On page 68 in volume 1. Plate trimmed to: 35.1 x 39.8 cm.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, and Imperfect, sheet trimmed to image with loss of caption and imprint: 325 x 400 mm.
