Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., and On page 59 in volume 1. With a ms. note in Steevens hand above print: 2nd Impression. Plate trimmed to: 31 x 37.8 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., Printing date from Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.2 x 52.4 cm, on sheet 46 x 59 cm., and Plate 36 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., Printing date from Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.2 x 52.4 cm, on sheet 46 x 59 cm., and Plate 36 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., Printing date from Paulson., and Text from Warton's lines mostly burnished out, but barely visible.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., and Printing date from Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., Printing date from Paulson., and 1 print on laid paper ; 421 x 524 mm, on sheet 474 x 610 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
Title from item., Place of publication supplied by curator., Date from copy in Staatsarchiv Aargau, website viewed 3/12/2024: https://www.ag.ch/staatsarchiv/suche/detail.aspx?ID=86222, This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Forceps; Politics, Swiss; Obstetrical chair.
Publisher:
publisher not identified
Subject (Geographic):
Switzerland and Basel-Stadt (Switzerland)
Subject (Topic):
Childbirth, Abnormalities, Human, Medical equipment and supplies, Infants, Clergy, Servants, Wine, and Politics and government
"A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes."--British Museum online catalogue
Description:
Title from later state., Printmaker from unverified data in local card catalog record., State before title added. See Caricatures. [London] : [Publisher not identified], [1836?], p. 82., Date of publication based on that of the volume in which the later state was published., Sheet trimmed within plate mark., A reduced copy of no. 5913 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Shading added in pencil to lower part of design, mostly obscuring artist's signature in lower left corner., and Titled in pencil below image: Billiards.
Drawings B87 no. 30 Framed, shelved in Object Room Bin 5
Image Count:
1
Abstract:
A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes
Description:
Title from local card catalogue. and Published stipple engraving: no. 5803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
