Panama-Pacific Exposition. and The most wonderful, the most beautiful, the most important in history, celebrating the opening of the Panama Canal to the nations of the world
Description:
Includes index to location of various fair structures and pavilions.
Publisher:
Geo. W. Melville
Subject (Geographic):
San Francisco (Calif.)
Subject (Name):
Panama-Pacific International Exposition (1915 : San Francisco, Calif.) --Pictorial works
Subject (Topic):
Airplanes, Architecture., Buildings., Exhibition buildings., Ships., and World's fairs.
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "255" in upper right corner., Publisher from description of earlier state in the British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Title etched below image.
Subject (Geographic):
Portsmouth (England)--Harbor.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
A gallows separates the design into two compartments. A sign in the center reads "Roberspierre, Marat, Santerre." The crossbar reads "Held up to infamy and posterity." Another sign hangs from the left arm and reads "Paine's Rights of Man." The sign on the right side reads "Classical lectures on the Roman History.", The scene on the left half is labelled at the top "Old England" and depicts naval and commercial prosperity under the bright skies. Three columns labelled Virtue, Honor and Loyalty stand over the words British Constitution; at the base of the drawing are the words "is basis, the happiness of the people.", and The scene on the right half is labelled at the top "New France", and in contrast, all is death and destruction: cities in ruins, bodies hanging from gallows, a bloody guillotine along with other instruments of torture. Flowing from the guillotine into a shaft underground are discarded fragments: religion, pubk. credit, monarchy, laws, trade, honor, loyality, virtue, art ...
Alternative Title:
Things as they are
Subject (Geographic):
France--History--Revolution, 1789-1799.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Paine, Thomas,--1737-1809.--Rights of man.
Subject (Topic):
Democracy. , Gallows., Guillotines (Punishment), Liberty cap. , Revolutions--French., Ruins., and Ships.
