published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., "Price 1d"--Below design, lower right edge., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 32 cm, on sheet 56 x 45 cm., and Leaf 53 in: Album of William Hogarth prints.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Hogarth 751.02.01.04.1+ Box 200
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., "Price 1d"--Below design, lower right edge., and 1 plate : etching and engraving on laid paper ; plate mark 383 x 319 mm, on sheet 472 x 390 mm.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Kinnaird 53K(b) Box 215
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., "Price 1d"--Below design, lower right edge., 1 print : etching with engraving on laid paper ; sheet 38.3 x 32 cm., and Sheet trimmed within plate mark. Imperfect; price erased from sheet.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Sotheby 70++ Box 315
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., and "Price 1d"--Below design, lower right edge.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., "Price 1d"--Below design, lower right edge., and On page 155 in volume 2. Sheet trimmed within plate mark to: 37.4 x 30.5 cm.
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
In the courtyard of St. James's Palace along St. James's Street: street vendors including a knife grinder; a chimney sweep; a woman holding a ballad entitled "The last dying speech of Macleane"; a funeral procession with the pallbearers in mourning carrying a coffin labeled "Trade"; a man pushing a wheel barrel filled with calves heads; and a man playing a hurdy-gurdy as a girl dances; two boys beg of bread as courtiers bemoan the absence of the king
Alternative Title:
St. James's in October, the King in Hanover
Description:
Title from caption engraved above image., Sheet trimmed within plate mark., 'Price 6d., col'd 1s.'--Following imprint., Watermark., and Mounted to 33 x 44 cm.
Publisher:
Publish'd by T. Fox in the Old Baily according to act of Parliament
Subject (Topic):
Ballads, Chimney sweeps, Coffins, Guards, Musical instruments, Organ grinders, Signs (Notices), and Street vendors
Title etched above image., Temporary local subject terms: Election polls -- Scrutiny -- Allusion to canvassing -- Allusion to Duke of Devonshire., and Mounted to 30 x 41 cm.
Publisher:
Publish'd by W. Fores, No. 3 Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Horses, Signs (Notices), and Political elections
Leaf 60. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally issued ca. 1800?, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Copy of the left half of a design by Bunbury, which was first engraved by Bretherton in 1785 and then later reissued by J. Harris in 1799 with the title "The Easter hunt at Epping Forest". Cf. Lewis Walpole Library call nos.: Bunbury 785.03.25.01 ; Bunbury 799.03.01.01., and On leaf 60 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Hunting, Horseback riding, Dogs, and Signs (Notices)
publish'd according to act of Parliament, March 7, 1771.
Call Number:
771.03.07.01+
Image Count:
1
Resource Type:
still image
Abstract:
Two ballad singers, one of them standing on top of an overturned large basket, are singing to a small but pleased-looking crowd by the entrance to an inn. A child standing in front of the basket is reaching up to offer the singer a coin
