publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 49. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband.", 1 print : etching with engraving on laid paper ; plate mark 26.5 x 34.8 cm, on sheet 28.7 x 43.6 cm., Mounted on leaf 59 x 46 cm., and Plate 49 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 42. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband.", and Mounted on leaf 42 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Sotheby 49 Box 100
Collection Title:
Plate 49. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., and Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband."
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 49. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband.", and On page 136 in volume 2. Sheet trimmed within plate mark to: 26.4 x 34.4 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 42. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband.", Sheet trimmed within plate mark to: 26.3 x 34.3 cm., and Formerly on page 136 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
publish'd according to act of Parliament, Decemr [the] 15 [1746?]
Call Number:
746.12.15.01.1+
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on women's fashion; A street scene in which a crowd of people watch amused as a lady struggles with her wide hoop which has become tangled on the side of a building, a chinmey sweep who has fallen at her feet and a jewellery seller in an underground shop both have a view up her skirts."--British Museum online catalogue
Description:
Title from item., Text following title: nil ortum tale. Hor., Publication year erased from this impression and supplied in contemporary hand as 1746., 'Price 6d.', Twenty-two lines of verse in four columns, followed by four lines of explanation, below image: If fame say true in former days, the fardingale was no disgrace ... The explanation reads: Drawn from the fact occasion'd by a lady carelessly tossing her hoop too high in going to shun a littel [sic] chimney sweeper's boy who fell down just at her feet in an artful suprise at [the] enormous sight., Possibly intended as a companion print to: The beaux disaster. Cf. British Museum catalogue, no. 2880., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Street scenes: Strand, London -- Female dress: hoops -- Churches: New Church in the Strand -- Shop stalls., and Watermark: Strasburg bend with initials L V G below.
Publisher:
publisher not identified
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Chimney sweeps, City & town life, Military uniforms, and Signs (Notices)
Leaf 38. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A group of men standing outside an inn with the sign of the 'Bugle horn'. One, wearing a broad-brimmed hat, holds in his left hand a paper inscribed 'Courier / Dispatch [?]... / Stocks'. His right forefinger is extended as if laying down the law to his companions. On his right stands a man holding his chin with an expression of deep thought. Next to him (left) is an artisan, listening intently, his breeches unfastened at the knee, his stockings ungartered; he holds a short hammer and is probably a shoemaker. Behind (right) a man wearing a waistcoat over a ruffled shirt, but no coat, lounges against the stump of a tree and listens open-mouthed. On the top of the stump is an open dish of food which a dog is eating."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, published ca. 1800-1827, see British Museum online catalogue, registration no.: 1948,0214.545., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Four lines of verse in two columns below title: The rabble gather round the man of news ..., Copy of a plate engraved by James Bretherton after a design by Bunbury. Cf. No. 5086 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 38 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", and Sheet trimmed within plate mark.
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and Sheet trimmed within plate mark to 246 x 351 mm with loss of imprint signature; mounted onto an engraved map (with color) of Ireland (285 x 395 mm).
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed within plate mark., Ms pencil note in Steevens hand above print: See Nichols's Book, 3d edit, p. 424., and On page 98 in volume 1. Sheet 250 x 354 mm.
