George III, plainly dressed and wearing a broad-brimmed hat, stands in profile to the right, addressing a pretty young woman (Hannah Lightfoot?) seated on a stile, a bucker at her feet. They are under a large tree on whose trunk is fixed a sign pointing 'To Cheltenham Spa'. A path from the stile leads to the village of Cheltenham in the background. Behind the tree Queen Charlotte watches the conversation, her hand pointing near her cheek. On a hill (left) is a pavilion on wheels
Description:
Title etched below image., Four lines of verse inscribed in two columns on either side of title: Did you know the Lad that Courts you He not long need sue in Vain Prince of Songs of Dance of Sports: You Scarce will meet his like again. Midas., and Watermark: J Whatman.
"A farm-yard scene with Windsor Castle in the distance (right). In the centre four pigs feed at a trough; George III (right) and Queen Charlotte (left) stand on each side of it facing each other in profile, both slightly caricatured. At the King's feet are a bucket and a young pig. The Queen scatters grain to chickens and ducks. On the right a guardsman walks off carrying a bundle of turnips across his shoulder (see BMSat 6946). In the background (left) are haystacks and farm buildings; from one projects the sign of a royal crown inverted. A young woman (probably one of the princesses) advances with a basket (cf. BMSat 7897). On the right is a large placard on a post, 'Mantraps & Spring Guns'. Behind it are sheep."--British Museum catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Attributed to Kingsbury in Angelo's Reminiscences, 1904, v. i, p.326., Watermark in center of sheet: J Whatman., and Queen Charlotte and George III identified by ms. note in a contemporary hand.
Publisher:
Pubd. Aprll [sic] 29, 1786 by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Windsor Castle,
Subject (Topic):
Farms, Farmers, Poultry, Sheep, Haystacks, Military uniforms, British, Signs (Notices), Swine, and Troughs
Title etched above image., Publication date in British Museum catalogue: August 1762., Below image: To the courteous readers of the Monitor, Briton, North Briton, & other political Quixotes, this print is humbly inscrib'd., "Price 6d.", Temporary local subject terms: Journals: The Patriot -- Signboards -- Emblems: Caduceus -- Buildings., and Watermark: Strasburg bend.
Publisher:
publisher not identified
Subject (Name):
Beardmore, Arthur, d. 1771., Brühl, Heinrich, Graf von, 1700-1763., Bute, John Stuart, Earl of, 1713-1792., Pitt, William, Earl of Chatham, 1708-1778., Murphy, Arthur, 1727-1805, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Sedition, Newspapers, Signs (Notices), Taverns (Inns), and Fishing nets
In two columns with the title in a ribbon atop a woodcut below stanza one. Stanzas 2 and 3 below image. A sailor at a seaside tavern (Jack Ocum) dances with a young woman as he holds his tankard. The fiddle music is played by a man who stands beside a woman in the tavern doorway. In the distance on the right is a sailing ship and along the shore, two men in a row boat
Alternative Title:
Oddities. Song
Description:
Title from item., One of the songs from Charles Dibdin's 'The oddities', first presented in 1789., First line reads: A sailor's life's a life of woe., Imprint transposed from above around lower edge of image and from the bottom of the sheet., Anonymous. By Charles Dibdin., and Not in ESTC.
Publisher:
Sold by J. Pitts, Great Saint Andrew St. ; Sold by C. Sheppard, Lambert Hill, Doctors Commons
Leaf 32. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A re-issue of British Museum Satires No. 2277 referring to the Gin Act of 1736; the only alteration being the reference to the Act of 1751."--British Museum online catalogue
Description:
Title from banner at top of image., Restrike, bearing the Bowles imprint statement of the 1751 reissue. For original issue of the plate, published by J. Clark in 1736, see no. 2277 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Remnants of original imprint statement, burnished from the plate prior to its reissue in 1751, are faintly visible in upper right margin., "Publish'd according to act of Parliament"--Below banner with title., Dedication above image: To those melancholly sufferers (by a late severe act) the distillers, this plate is most humbly inscrib'd by a lover of trade., Five columns of verse below image: Gins fun'ral mourn, lo! near the body, in ragged state moves rueful Loddy* ..., and On leaf 32 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Printed for John Bowles & Son at the Black Horse in Cornhill, London [i.e. Field & Tuer]
"Below each part of the procession are explanatory inscriptions beginning (left): ‘Order of Procession’. A satire on the defeat of Hobhouse by Lamb at the Westminster Election. The Rump, or remnant of Reformers, is represented by the hind-quarters of a cart-horse, with its hoofs in the air, carried on a knacker’s cart, the front of which is formed by a guillotine. This rump is on a coffin inscribed ‘Hic Jacit Rumpibus’. Two posts at the back of the cart form, with the supports of the guillotine, four uprights connected by poles, each topped by a bonnet rouge with tricolour cockade, and hung with tricolour scarves draped in black. A headsman’s axe dripping blood projects from the top of the guillotine. The cart, inscribed ‘Peter Knife Nacker Tuthill Fields’, is drawn by a miserable donkey ridden by a ragged little chimney-sweep with a bludgeon, who shouts: "Cum, hup ye xxxxx Warment or I’ll cut your xxxxx Rump off!" This is: ‘The Rump itself, borne on Mr Hobby’s Triumphal Car & drawn by an Ass.’ Two hungry dogs eye the carcass, towards which flock carrion birds. Beside the cart walk, two a side, ‘Pall bearers’, ‘Four Bum-bailiffs’, smartly dressed and vulgar-looking, whose hat-scarves are formed of writs. Behind the cart is Hobhouse riding a new velocipede or hobby-horse (see No. 13399). He weeps, holding up a handkerchief, saying: "Fare thee well, & if for ever, Then for ever Fare thee well," words appropriate to the friend of Byron, see No. 12827, &c. He wears a large tricolour mourning-scarf round his hat; a long cloak or train hangs from the collar of his coat, and is held up by Burdett and Francis Place. Captions: ‘Chief Mourner, Mr Hobbyhorse--suffering ye Tortures of the D--d!!--his Train supported by Bodkin!! & the Baronet--done over!!!’ Both wear mourning-scarves, both weep copiously, stooping forward. Place has a cabbage for a head, emblem of tailordom, cf. No. 11824, and holds a stiletto or bodkin, as if it were a dagger. Burdett says: "To think that I should have eaten salt with the Lying Chronicle!! "tis the Only act of my life,--I am ashamed of--"And, yet, it can not be for that, that all my old friends have forsaken me!!!!? "yet I could accuse me of such things, &c"-- I am very "proud, revengeful, ambitious; with more offences--at my back than I have thoughts to put them in.--" what should such a fellow as I do crawling "between earth & heaven? we are "errant Knaves beleive none of us;". At his feet is a paper: ‘Bombastes Furioso’. Place says: "What! can daunt the soul of a master Tailor?!!" yet "who would fardels bear, To groan & sweat under a weary life, When he himself might his own quietus make with a bare bodkin?" Both quote, inaccurately, ‘Hamlet’, III. i. Behind Burdett walks a dwarfish hunchback, burying his face in the former’s coat-tails; he carries a pole surmounted by ink-pot and empty purse. Long papers hang from his pocket: ‘Unpaid Bills Brooks Secty to the Rump’ and ‘Acct of money paid for Bribery &c’. He sobs: "O! Oh! Oh! O!!! The day of Reckoning is at hand!" Caption: ‘assist Mournr Master Brooke full of Cutting panes’. He is followed by four wig-blocks resting on human rumps, and having arms in which they hold poles with black and tricolour draperies inscribed ‘No Wig’. They are ‘The Rump Committee Blockheads 2 & 2--’ They are followed by a crowd of hideous ruffians, a ferocious mob led by butchers holding knives and choppers, and with candles stuck in their bonnets rouges (like sewer-men). Among them is a noseless woman; those behind have bludgeons and a broom, and hold up a (tricolour) banner inscribed: ‘No King No Lords No Coms & No Clargy No Constitution No Laws No Lamb No Nothing but Burdett & Hobby for ever & ever’. They shout: "Hob for ever!; Burdett for ever; Hobhouse; Hobhouse for ever Burdett for ever; Burdett & Hobhouse for ever no Lamb." Caption: ‘Phebotomizers 2 & 2--The rest of the followers--the Scum of Earth’. The procession (left) is headed by the hangman carrying a pole with a cross-piece inscribed ‘Equality’, from which dangle two tiny corpses; this is surmounted by a bonnet rouge. He is: ‘Mister John Ketch Esqr’. After him march four bow-legged or knock-kneed ruffians; two carry bundles of fetters, two hold banners draped with ragged black, and inscribed respectively: ‘Hold to the Laws i.e take ‘em in your own hands No Basteels’, and ‘Reform [reversed] Freedom!! and No Big Wigs’. They are: ‘Acquitted Felons two & two--’ These four wear battered hats without mourning-scarves. Behind them, and immediately in front of the ass, walks Thelwall, wearing a hat with scarf over his bonnet rouge; he holds a paper: ‘Champion’ and shambles dejectedly, saying, "If I be not ashamed of my company, I am a souc’d Gurnet:" "Ill not march through Coventry with them that’s flat". He is ‘Mr Thelwall Esqr’. Beside him is a sign-post pointing (left): ‘To the Bottom less Pit!!’ To this a rat is tied. In the foreground (right) beside the procession two ragged and disreputable women, apparently ballad-singers, sprawl on the ground. One is emaciated, under her hand is a paper: ‘The Rump for ever to the tune of Rumpt--Bum--iti’; from her mouth stream the words: "Oh! D--n my eyes I can’t stand it any longer"; in her bonnet are tricolour ribbons: ‘Hobhouse for ever’. The other, fat and angry, is supported by a hideous scavenger with a bottle inscribed ‘Bribery & Corruption’. She kicks a little ragged boy, who exclaims: "Oh! My Rump!" Caption: ‘NB The figs in ye corner represent the excessive grief of some Rumpti Tumti female Friends of the Rump’. In the background is a mound with a signpost: ‘Tothill Downs’. Down the slope a tiny figure of Hunt, wearing hunting costume, wheels (right to left) a wheelbarrow, ‘N° 38’, containing the carcass of a horse (Cartwright) inscribed ‘Universal Suffrage Annual Parliament’; he shouts "cat’s meat!" In front walks a ‘Black Dwarf’, Wooler, as in No. 12988, &c., dragging the barrow by a rope."--British Museum online catalogue
Description:
Title etched below image., Text following title: For lamentable acct. of death &c. see Rump Chronicle Extraory. March 3d, 1819., Sheet trimmed within plate mark., and Mounted on blue paper.
Publisher:
Pubd. March 22d, 1819, by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
England
Subject (Name):
Great Britain. Parliament, Ketch, Jack, -1686., Broughton, John Cam Hobhouse, Baron, 1786-1869., and Melbourne, William Lamb, Viscount, 1779-1848.
Subject (Topic):
Elections, 1819, Guillotines (Punishment), Signs (Notices), Liberty cap, Political parades & rallies, Funeral processions, and Political elections
"Caricature on George IV, standing holding a placard wearing cuckold's horns."--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. 24 Augt.1820 by one of the Society for Exposing of Vice
"Caricature on George IV, standing holding a placard wearing cuckold's horns."--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Not in the Catalogue of prints and drawings in the British Museum., 1 print : lithograph ; sheet 34.9 x 24.7 cm., Printed on wove paper with watermark "D. & A. Cowan"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 71 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George IV" identified in pencil at bottom of sheet; date "24 Aug. 1820" written in ink in lower right.
Publisher:
Pubd. 24 Augt.1820 by one of the Society for Exposing of Vice
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Kinnaird 47K(b) Box 100
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband., and On laid paper. Sheet trimmed within plate mark to 265 x 344 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Servants, Signs (Notices), Street musicians, and Rake's progress
