Title from British Museum catalogue., Original etched by W.H. Toms., Publication date from an unverified card catalog record, based on an advertisement of the series in Robert Sayer's catalog for 1766. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1858. Publication date of the original in Stephens: ca. 1730., Plate numbered '5' in lower left corner, possibly one of a series of reissues of Egbert van Heemskerck, the Younger's satires, published in the 1760s., Eight lines of verse in two columns below image: A barbers shop a medley shews, Of monsters, wigs, drawn-teeth and news, While one is shav'd another bleeds, a third the Grub Street Jornal reads ..., Slightly reduced copy in reverse, without attribution, and with different verses. Cf. No. 1859 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., and Temporary local subject terms: Containers: tubs -- Barber's implements: dish and scissors -- Amputees -- Newspapers: Grub Street Journal -- Medical procedures: blood-letting.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Barbers, Barbershops, Boars, Cats, Dead animals, Dental equipment & supplies, Dentistry, Donkeys, Elephants, Fish, Hunting trophies, Interiors, Medical procedures & techniques, Monkeys, Peg legs, Signs (Notices), and Teeth
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A road-side scene; two horsemen stand by their horses outside a farrier's shed (left). One horse is held by a youth, the farrier stands beside it arguing with the rider who stands with his whip under his arm. The second (right) stands behind, beside his horse's head (its body being cut off by the right margin of the print), looking gloomily down at his watch. The shed is an open stone building with a pent-house roof; a farrier's hand and arm are just visible within it. Behind is a church tower among trees, its clock pointing to 8 o'clock. A sign-post (right) points 'To Liverpool xv Miles'. In the foreground (left) lies a dog."--British Museum online catalogue
Description:
Title from British Museum catalogue., Artist's signature within lower right portion of image: H. Bunbury del. 84., Imperfect; sheet trimmed within plate mark with loss of statements of responsibility and imprint statement from lower edge. Missing text supplied from impression in the British Museum, registration no.: J,6.75., and Mounted on page 9 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Plate 2. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title from Paulson., Series title engraved below image, lower right., State, publisher, and date from Paulson., and Fourth state with Mother Needham's feet now appear under her skirt. See Paulson for full description.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Rake's progress, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
Plate 2. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title from Paulson., Series title engraved below image, lower right., State, publisher, and date from Paulson., Fourth state with Mother Needham's feet now appear under her skirt. See Paulson for full description., 1 print : etching and engraving on laid paper ; plate mark 31.7 x 39.2 cm, on sheet 46 x 59 cm., and Plate 2 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Rake's progress, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
Plate 2. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title from Paulson., Series title engraved below image, lower right., State, publisher, and date from Paulson., Fourth state with Mother Needham's feet now appear under her skirt. See Paulson for full description., On page 58 in volume 1. Plate trimmed to: 31 x 38.4 cm., and Ms. note in pencil in Steevens's hand above print: 2d impression.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Rake's progress, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
Watercolor drawing that provides a view from the back window of a house on the west side of St Martin’s Lane and shows the buildings running behind St Martin’s Lane. Identifiable on the right of the image is the building occupied by the bookseller John Noble, as Sandby has included his shop sign, a bust of Dryden, placed over his door and a trade sign advertising his circulating library. In the projecting bay-window to the right of the composition, a man can be seen at work
Description:
Title and date from dealer's description. and See Lowell Libson & Jonny Yarker Ltd, Recent Acquisitions, 2019/2020, pp. 46-49. fuller description and history.
Subject (Geographic):
London (England),, England, and London.
Subject (Topic):
Cityscape drawings, Neighborhood, Signs (Notices), and Stores & shops
A lady in quasi-military dress rides a sorry horse on the road to Coxheath. She is followed by her husband, dressed as a militia officer for auxilliary forces that frequently encamped on Cox Heath. A dog trots panting at the side of the group
Alternative Title:
Sir Horatio Mann returning from Linton to Barham Court having lost his way, is escorted by a farmer's wife returning from Maidstone market
Description:
Title devised by cataloger based on title of published print based on this drawing., Date based on publication date of James Bretherton's etching., A pen and ink copy of an etching after Bunbury., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Topic):
Horseback riding, Signs (Notices), Military uniforms, British, Militias, and Dogs
publish'd according to act of Parliament, March 8th, 1756.
Call Number:
Kinnaird 55K(b) Box 215
Image Count:
1
Resource Type:
still image
Abstract:
Outside an English country inn, over whose door a sign reads "Duke of Cumberland Roast and boil'd every day", a group of soldiers and sailors laugh at a large caricature of Louis XV on the tavern wall. They sit with two attractive young women around a table on which sits a large pie, a tankard, and a broadsheet with the verses of "Rule Britannia." In the lower left a soldier leans against a drum as he plays his flute; the music sheet in front of him is "God save Great George our King". To the right, a short well-fed man smiles as he stands on tip-toe to reach the height required by the recruiting sergeant. In the distance, soldiers are drilling in an orderly fashion; beyond them, on a hill is a large country house
Alternative Title:
Invasion, Pl. 2. England
Description:
Title etched above image. The two Ns in England etched backwards., Added title from Paulson: The invasion, Pl. 2. England., State and publisher from Paulson., Companion print: France. Plate 1st., Four columns of verse below image: See John the soldier, Jack the tar with sword & pistol arm'd for war. Should mounsir dare come here?! The hungry slaves have smelt our food, they long to taste our flesh and blood, Old England's beef and beer! Britons to arms! and let 'em come! Be you but Britons still. Strike home, and lion-like attack 'em; no power can stand the deadly stroke that's given from hands & hearts of oak with liberty to back em., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Louis XV, King of France, 1710-1774
Subject (Topic):
Seven Years' War, 1756-1763, Eating & drinking, Musicians, Signs (Notices), Soldiers, Taverns (Inns), War, and Women
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title, printmaker, state, imprint, and series from Paulson and finished states. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., Ms. note in Steevens's hand below print: See Mr Nichols's book, 3d edit p. 250. This 3rd Plate of the set, was engraved by Baron, the figure of the girl excepted, which being an afterthought, was added by Hogarth's coarser burin., and On page 93 in volume 1. Sheet 498 x 373 mm.
Plate lettered in the top center 'H': Reverse copies of details from figures from the lower right corner of Hogarth's "Beer Street". Numbered 1: Two fisherwomen, one with a large basket of fish on her head, read a sheet titled "A new ballad on the herring fishery by Mr. Lockman"; 2. A sign painter smiles as he dips his brush in the paint on his palette; the edge of the sign visible upper left
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
