"Mme Mara (left) and Rubinelli (right) sing a duet on the stage. Rubinelli, tall and thin, wearing quasi-Roman dress with a plumed helmet and long cloak, leans towards Mara, his right arm extended. Mara stands full-face, her hands on her breast, singing with a distressed expression, face somewhat contorted, eyes closed."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint on wove paper ; plate mark 25.2 x 21.4 cm, on sheet 27.8 x 23.3 cm., and Mounted on leaf 34 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 30th May 1786 by Jas. Bretherton, New Bond Street
Subject (Name):
Mara, Gertrud Elisabeth, 1749-1833 and Rubinelli, Giovanni Battista, 1753-1829
"Theatre stage with two dancers; a woman (La Barbarina) jumping with her legs apart and a man (George Desnoyer) with his legs together; on either side a chorus, or audience, and statues of Comedy and Tragedy holding candles."--British Museum online catalogue
Description:
Title etched below image., Lettered within image with the words in brackets added in pen and ink: "A Scale of feet" and below, "A B The Charmers of the Age: C. C. Prickt lines [shewing the rising] Height., On page 95 in volume 1. Sheet 190 x 252 mm., and Ms. note in pencil in Steevens's hand above print: Livesay's Copy
Publisher:
Publish'd March 1, 1782 by Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Name):
Campanini, Barbara 1721-1799 and Desnoyer, George, approximately 1700-1764
"Mme Mara (left) and Rubinelli (right) sing a duet on the stage. Rubinelli, tall and thin, wearing quasi-Roman dress with a plumed helmet and long cloak, leans towards Mara, his right arm extended. Mara stands full-face, her hands on her breast, singing with a distressed expression, face somewhat contorted, eyes closed."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 33 x 25.5 cm.
Publisher:
Publd. 30th May 1786 by Jas. Bretherton, New Bond Street
Subject (Name):
Mara, Gertrud Elisabeth, 1749-1833 and Rubinelli, Giovanni Battista, 1753-1829
"Dibdin stands smiling beside a harpsichord (left) directed to the left, and leaning slightly forward, left hand extended. In his right is a paper inscribed 'Oddities Wags'. On each side of the harpsichord is a tripod supporting a lighted candle-sconce. He is giving a musical entertainment. In the text he is ridiculed as Petronius Broadgrin, noted for consummate effrontery, and he is recommended the works of Joe Miller as a repertory of jokes."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from original issue, published by Bentley & Co., March 1, 1791, for the Attic Miscellany, under title, A Musico-Oratorical Portrait., Above image: Engraved for the Carlton House Magazine., Plate from: Carlton House magazine, September 1794., Another state, with different title. Cf. No. 7953 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Clipping of a fictitious letter to the editor of the Carlton House Magazine from "Dollabella" pasted on verso.
A copy in reverse, with variations, of Hogarth's subscription ticket for "A midnight modern conversation". The title of the music before the singer with spectacles at the top of image is "An ode for New Years Day"; the other singers hold music with the title “Sicilian sisters, tuneful nine”. One of the singers holds up a quizzing glass (left).
Alternative Title:
Ode for New Years Day
Description:
Title from first lines of verse., Date from British Museum catalogue., Another state of this print without verses, but with the etched title: The musical group., Verse continues: "... No wonder such should be the consequence, for tuneful sounds oft suit with want of sense.", and Sheet trimmed on three sides.
785.06.28.01 Framed, shelved in Object Room Rack 1.
Image Count:
1
Resource Type:
still image
Abstract:
"An evening scene in Vauxhall Gardens. On the extreme left is the orchestra with the organ behind and performers on the kettledrums, string and wind instruments. The vocalist, Mrs. Weichsel, sings, in profile to the right, from the adjacent (and slightly lower) balcony, just above the heads of the crowd. A violinist and another musician are seated behind her. In the supper box beneath the orchestra is Dr. Johnson seated full-face, between Boswell and Goldsmith (d. 1774), who face each other in profile, both caricatured; of two stout women one is reputed to be Mrs. Thrale. Many groups fill the foreground and middle distance. The two centre figures are the Duchess of Devonshire and Lady Duncannon arm in arm. A naval officer with a wooden leg and a patch over one eye is reputed to be Admiral Paisley (Admiral Pasley, 1734-1808?). Major Topham, an excellent portrait, stands (left) in profile to the right staring through an eyeglass. Between Topham and the supper-box are two men, one of whom is identified as Lord Camelford. [In the reproduction in Angelo's 'Reminiscences'; to whom the name refers is not clear.] An elderly parson, [he closely resembles the parson of BMSat 7059 who is probably William Jackson of the 'Morning Post'] reputed to be Bate Dudley but not resembling him, gazes at the Duchess from behind a tree. Next him a man dressed as an officer in a Highland regiment with kilt and broadsword is supposed to be James Perry, editor of the 'Morning Chronicle'. On the right the Prince of Wales, conspicuous by his star, whispers to Mrs. Robinson (Perdita), though their liaison was ended. Her right arm is linked with an ugly and elderly little man, probably Robinson. On the extreme left an elderly couple advance arm in arm in profile. Behind the Prince is a group standing on a small platform (or tables), showing half length above the crowd. In the foreground (right) is a supper-table under trees where two cits entertain two courtesans. Lamp-lit trees and the covered way form a background on the right."--British Museum online catalogue
Alternative Title:
Vauxhall
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Publish'd June 28th 1785, by J.R. Smith, No. 83 Oxford Street
Subject (Geographic):
Vauxhall Gardens (London, England), London (England), England, and London.
Subject (Name):
Billington, Elizabeth, 1765-1818., Boswell, James, 1740-1795, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Pitt, Thomas, Baron Camelford, 1737-1793, George IV, King of Great Britain, 1762-1830, Goldsmith, Oliver, 1730?-1774, Johnson, Samuel, 1709-1784, Pasley, Thomas, Sir, 1734-1808, Perry, James, 1756-1821, Piozzi, Hester Lynch, 1741-1821, Robinson, Mary, 1758-1800, and Topham, Edward, 1751-1820
Subject (Topic):
Social life and customs, Parks, Audiences, Concerts, Couples, Crowds, Musicians, Orchestras, Peg legs, and Singers
Plate 60. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible. In this state the plate has been reduced with the text eliminated, leaving only traces of the first line of text
Description:
Title, date, and state from Paulson., 1 print : etching on laid paper ; plate mark 17.4 x 16.3 cm, on sheet 23.1 x 19.8 cm., Mounted on leaf 59 x 46 cm., and Plate 60 in the album: Queen Charlotte's collection of Hogarth works.
Plate 60. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible. In this state the plate has been reduced with the text eliminated, leaving only traces of the first line of text
Description:
Title, date, and state from Paulson. and 1 print : etching on laid paper ; plate mark 173 x 161 mm, on sheet 245 x 207 mm.
Plate 60. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible. In this state the plate has been reduced with the text eliminated, leaving only traces of the first line of text
Description:
Title, date, and state from Paulson., 1 print : etching on laid paper ; plate mark 17.4 x 16.2 cm, on sheet 25.5 x 21.1 cm., and Mounted on leaf 48 in: Album of William Hogarth prints.
