"An elderly couple kept awake in their double bed by fleas."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Reissue, with year in imprint altered from "1806" to "1812." For original issue, see Beinecke Library call no.: Auchincloss Rowlandson v. 8., Verses etched beneath title: Now the weather's sultry grown, sweating late and early. Better far too [sic] sweat alone, oh we swelter rarely - Sweating here, sweating there., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Marriage and married life.
Publisher:
Pubd. April 4th, 1812, by T. Rowlandson, N. 1 James St., Adelphi
Subject (Topic):
Bedbugs, Bedrooms, Beds, Spouses, Marriage, Fans (Accessories), and Sleepwear
A man and woman in their pajamas and slippers stand looking in fright at the closed door of their bedroom. He wears a night cap and stands with a weapon in each hand, pointed at the door; his figure casts a large shadow on the back wall and over the bureau on which sits his tricorne hat. His wife (right) clings to his nightshirt, as she holds up a candlestick to light their way. She has her hair tied up in a scarf. To the right, their infant cries in its basket under which sits a overflowing chamber pot. On the other side of the closed door is a small mouse
Description:
Title etched below image., Series title and number from caption above image., Printmaker's name etched in image, on left baseboard., Plate 14 in this series is dated 1817 in the British Museum online catalogue., Sheet dimensions from British Museum catalogue., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Sheet trimmed to plate mark: 21.2 x 29 cm.
Newman, W., active approximately 1834-1835, lithographer, artist
Published / Created:
1835.
Call Number:
835.00.00.208
Image Count:
1
Resource Type:
still image
Abstract:
Design consisting of thirty-one small images, all of them individually titled, showing satirical scenes commenting on British social and political issues, many with visual puns, and depictions of stereotypes, both ethnic and social: dustman, Hottentotts, pickpockets, bishops, hunters, etc. Images are loosely arranged in three columns with the following headings at top (left to right): Hints to singers; A few favorite songs &c. &c.; Musical term's.
Description:
Title from text at top of design., "Price twopence"--Following publisher's statement and preceeding publication date in imprint., 1 print : lithograph ; sheet 26.8 x 19 cm., Printed on wove paper; mounted to 34 x 26 cm., and Imperfect; sheet trimmed with loss of imprint statement from bottom edge.
Publisher:
Joseph Thomas, No. 1 Finch Lane, Cornhill and Printed by S. Straker, George Yd., Lombard St.
Title from caption above image., Publisher and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Numbered in ms. upper edge of sheet: 47., and Mounted to sheet 22 x 16 cm.
Publisher:
T. Tegg
Subject (Geographic):
England
Subject (Topic):
Clothing and dress, Dogs, Firearms, Sleepwear, and Wigs
Title from item., Date supplied by curator., Place of publication derived from street address., Written in image: h.D., Published in Le Charivari, 26 February 1841., Below title: Le Tabac de caporal fait maintenant partie inté́grale de ce que les poétes appellent les sauves parfums du matin; et grace aux bouffees que lui envoyent de toutes parts les fumeurs, l'aurore, jadis au tenit de rose, doit être bien près d'être culottée., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Se vend, Bauger & Cie. Editeurs des Dessins de la Caricature, du Figaro et du Charivari, Rue du Croissant, 16 and Imp. d'Aubert & Cie
"In a squalid room Johnson and Boswell lie in two short truckle beds. Boswell (right) is in the foreground, his face contorted with horror, his hands before his mouth as if to stifle a scream, his bare feet drawn up, but projecting over the end of his bed. A gigantic spider descends towards his head, insects are spotted over the bedclothes and pillow, from which projects Ogden (see BMSat 7031). Johnson lies on his back (left) under a casement window, his eyes closed, his hands clasped as if in prayer, his knees drawn up to accommodate the shortness of the bed. A woman's dress hangs as an improvised curtain between the two beds. Under Johnson's bed two rats gnaw Boswell's wig."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Five lines of verse below title: "There were two beds in the room, and a woman's gown was hung on a rope to make a curtain of seperation [sic] between them ..." Vide Journal p. 153., Sheet trimmed within plate mark., and In mss. in lower left corner: E-155.
Publisher:
Pubd. 20 June 1786, by E. Jackson No. 14, Mary bone [sic] Street, Golden Square
Subject (Name):
Johnson, Samuel, 1709-1784, Boswell, James, 1740-1795, and Boswell, James, 1740-1795.
Subject (Topic):
Atttics, Bedroooms, Nightmares, Sleepwear, and Spiders
"An ugly old man wearing night-cap, dressing-gown, and slippers stands at an open window gazing up through a spy-glass at a comet shaped like a large shuttle-cock. Keys hang from his waist. Behind him (left) sits a pretty young woman, turning her head to look at the comet, but giving her right hand to a young man who kneels beside her, while she presses her foot on his. She wears a long fur boa over her evening dress."--British Museum online catalogue
Description:
Title from caption below image., Publication date from the British Museum online catalogue., State in the British Museum online catalogue numbered '91'., Sheet trimmed leaving thread margins., "Price one shilling coloured.", and Variant without publication date and series number. Cf. No. 11810 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9.
Lady Conyngham sits at a table in front of a fireplace, quill pen in hand, writing a letter by candlelight; her large figure is exaggerated and her legs are spread far apart, causing her nightgown to billow. A clock sits on the mantle in front of her. In the background on the right, a bed in which Lord Conyngham sleeps can be seen beyond a curtain; a cloud of dreams rises from his head, filled with a crown and the word "Sinecures." A cat sleeps on a stool beside the bed
Alternative Title:
Expanded sentiments of Liddy Cunning-game
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 24 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Conyngham" identified in ink below image; date "Nov. 1820" added in lower right corner, preceded by the word "Suppressed" written in pencil.
Publisher:
publisher not identified
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and George IV, King of Great Britain, 1762-1830.
A man dressed in dishevelled clothes, a dressing gown, and a night cap unsteadily walks while holding a lit candle tilted at a very lazy steep angle
Description:
Title from text inscribed within image., Date from unverified data from local card catalog record., and For further information, consult library staff.
"The Prince of Wales stands full-face, in shirt and nightcap, his back to the bridal bed (right) in which the Princess lies with an expression of smiling expectancy. The Prince stands dismayed, with his right fingers to his mouth. On a table beside him (left) are two (?) mustard-pots and a bottle of 'Cantharides'. On the wall showing between the curtains of the bed is a picture of Leda and the swan. The bed is ornate with fringed curtains, and the Prince of Wales' feathers and motto at the head. Her stockings, shoes, a garter, and a garment draped over a chair are beside the Princess; the Prince's clothes lie at his feet."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Publisher's advertisement following imprint: who has just fitted up his exhibition in an entire novel stile, admittance one shilling., Temporary local subject terms: Furnishings: bed curtains -- Pictures amplifying subject: Leda and the swan -- Medicinal: cantharides potion -- Prince of Wales's marriage, 8 April 1795., Watermark: Strasburg lily with initials GR and date 1794 below., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Pub. April 15, 1795, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Marriage, Allegorical prints, Bedrooms, Canopy beds, Interiors, and Sleepwear
