"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue and "Evidently Dubois de Chémant who introduced porcelain teeth into England (replacing those of bone and ivory) and published 'A Dissertation on Artificial Teeth in general', 1797, 4th ed., 1804. Cf. earlier prints by Rowlandson on false teeth, British Museum Satires Nos. 7766, 8174."--Curator's comments, British Museum online catalogue
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of plate number from top edge. Plate number supplied from impression in the British Museum., "Price one shilling"--Following imprint., Plate numbered "58" in upper right corner., Temporary local Medical Library subject terms: False teeth., 1 print : etching, hand-colored ; sheet 23.1 x 33.3 cm., and Sheet trimmed within plate mark with loss of plate number from upper right.
Publisher:
Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Dubois de Chémant, Nicolas, 1753-1824
Subject (Topic):
Dentures, Dentistry, Smiling, Hand lenses, and Signs (Notices)
"A woman in an advanced stage of pregnancy stands with folded hands, laughing, close to an elderly parson (right) of Dr. Syntax type who recoils in angry horror. Behind them is a high garden wall, with a notice: 'Man Traps laid in these Grounds'. Behind the woman (left) is a hole in the wall, through which looks the grinning head of a black servant. 'Broad Grins' is a collection of coarse comic songs by Colman, 1802, cf. British Museum Satires No. 11941."--British Museum online catalogue
Alternative Title:
Black joke
Description:
Title etched below image.
Publisher:
Publd. June 4th, 1812, by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Black people, Pregnancy, Laughing, Clergy, Garden walls, Signs (Notices), Servants, and Smiling
One man clutches a wine-bottle, looking with a sideways grin at another who bends towards it smiling with expectant greed
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '11' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Variant state, with the plate number, of no. 11666 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
A young woman fashionably dressed stands full-length smiling at the viewer
Description:
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. June 1, 1825 by J. Brooker, 5 Southampton Row, Russell Square
Two men sit across the table from each other, the one on the right holds up the pigtail of his companion's wig with his right hand; in his left hand he holds a bowl on the table as his companion vomits into it. His pale-faced companion rests his head in his left hand as he is being sick. The ruddy-faced man on the right looks away, with a slight smile and his tongue between is lips
Alternative Title:
Intemperance and ridicule
Description:
Title etched below image., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '15' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Bergami (left), dressed as a courier, stands full-face, arms raised in astonishment; he smiles down compacently at the Princess (right), who is short, fat, very décolletée, and grossly caricatured; she puts her right arm behind his waist, pointing to the right with a coarse grin of invitation. Below the title: 'The Dame was fair; but bold and forward was her mein. Unguarded roved her eye: All soft and delicate she lightly tripped along; the clear texture of her Robe betraying every Limb and adding to the charms it seemed designed to shade. She, free and debonair, hanging round his waist (she could not reach his Neck) with winning kindness thus addressed him. Dear Youth retire with me from Toils and Perils free Leave Honor to the Wretch! Pleasures were made for Thee."--British Museum online catalogue
Description:
Title etched above image., Attributed to Theodore Lane in the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 74 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami" and "Caroline" identified in pencil at bottom of sheet; date "24 May 1821" written in ink in lower right corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Volume 2, page 97. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing with a basket on her crossed arms, returning the smile of a fat monk at left with a contemptuous expression; after Bunbury."--British Museum online catalogue, description of a later state
Alternative Title:
Monk and a young maid
Description:
Title from British Museum online catalogue., Early state, before title and imprint statement added. For a later state with imprint present, see British Museum online catalogue, registration no.: 1906,0419.125., Publication information from imprint on later state: London, Publish'd June 1st, 1790, by W. Dickinson, engraver, Bond Street., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 97 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
A watercolor depicting a group of five men in a pub or alehouse, four of whom are sitting at a table on high back benches; each has a tankard in front of him. They laugh in response to one of their number reading from a newspaper "County Chronicle."
Description:
Title devised by curator., Date from unverified data from local card catalog record., and Cf. Lewis Walpole Library Drawings Un58 no. 60 for a watercolor, probably from the same artist, that continues the 'news' theme.
Subject (Geographic):
England.
Subject (Topic):
Newspapers, Laughter, Smiling, Taverns (Inns), and Drinking vessels