"A country dance; eighteen couples in a strip design in the manner of the 'Long Minuet' (No. 7229), dance with awkward vigour; one of the most active ladies has a wooden leg. The first couple (left) face each other, the lady squinting violently. On the right a man turns eagerly from his elderly and offended partner to a young lady, whose partner also holds the hand of another lady, while an elderly man stands alone on the extreme right, holding his wig, and mopping his bald head. The elder men wear powdered hair with small pigtails, the younger ones have frizzed hair without powder, short or with small tails. Only one or two wear wigs. The women wear simple high-waisted gowns with elbow sleeves and long gloves; one wears a hat and long sleeves. All wear flat-heeled shoes, and have frizzed hair, short, or piled on the head; a few wear feathered bandeaux; one lady only has powdered hair. Some have strange hair ornaments: a fat and very decolletee lady with a lap-dog under her arm wears round her erect bush of hair a circlet from which project barbed zigzags, like lightning flashes. A youngish lady has on her head a bird with a barbed fang; an older one in spectacles wears a small windmill behind two drooping aigrettes. The neglected lady wears a tiny wheat-sheaf, her pretty rival a ship in full sail. Below the title: 'What an elegant Set-What a bustling of Rumps! What a Sweet Toe to Toe-ing of Slipers and Pumps! At the sight my Old Drumsticks are ready to Prance There is nothing I love so as seeing Folks Dance.'':--British Museum online catalogue
Description:
Title from caption etched below image on third sheet., Artist's signature from impression in the British Museum., Four lines of verse below title: What an elegant set, what a bustling of rumps! What a sweet toe to toe-ing of slipers [sic] and pumps! ..., One continuous design on five plates., Description based on imperfect impression; sheets trimmed within plate mark and artist's signature erased from lower left corner of first sheet., and BAC: British Art Center copy is the Abbey copy. Untrimmed. Artist's signature visible on lower left corner of first sheet. Hand-colored.
Publisher:
Published Aug. 15, 1811, by Robinson, 5 Margaret Street, Cavindish Square & Calnaghi, Cockspur Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Caricatures and cartoons, Social aspects, English wit and humor, Pictorial, Social life and customs, and Dance
Shepherd's daughter betray'd and Shepherd's daughter betrayed
Description:
Caption title., First verse - "Come all you constant lovers, and to me lend an ear,", In three columns with the title and two woodcuts above the first two; the imprint is below the last column, under a single rule composed of long dashes., Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Mounted on leaf 12. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold by J. Evans, no. 41 Long-lane, Westsmithfield, London
Subject (Geographic):
Great Britain
Subject (Topic):
Marriage, Social aspects, Parental consent, Murder, Arranged marriage, Doves, Nets, and Elk
Verse - "I pray attend unto this jest,". - In four columns with the title and two woodcuts above the first two; the columns are separated by ornamental rules., In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments; imprint below the last two columns., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 37. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold in Aldermary Church-Yard, Bow Lane, London
Subject (Geographic):
Great Britain, England, and London (England)
Subject (Topic):
Broadsides, Defloration, Prostitution, Man-woman relationships, Young women, Conduct of life, Clothing and dress, Social aspects, and Social life and customs
In three columns with a woodcut of a man and a woman, and the title, above all of the columns; the columns are separated by lines of ornamental type., Date of publication from ESTC., Verse - "Young men and maids I pray give ear,"., Mounted on leaf 41. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
s.n.
Subject (Geographic):
Great Britain and England
Subject (Topic):
Broadsides, Unrequited love, Man-woman relationships, Monsters, Betrayal, Wealth, Social aspects, and Revenge
Remarques critiques sur la recente tentative de pacification des contradictions
Description:
"Cette deuxième édition de Urbaniser la lutte de classe contient les textes de la première édition sans aucun changement. La présente édition a été augmentée de: Éditorial, Prétextes, La logique de l'esthétique du recommencement, Parade de la ville, Parade de l'enviornnement, Économie politique de l'urbanisme, et des collages (hors textes). and BEIN 2010 +480 2: No. 6 of 14 folders in box 2 of the Utopie/Aérolande Collection.
Publisher:
Utopie
Subject (Topic):
City planning, Social aspects, and Social conflict
