In an elegantly furnished sitting room, a man sits at a table in a dressing gown and night cap, his tongue hanging out of his mouth and his gouty leg resting on a foot stool as his pulse is taken by a physician (right). The physician looks at a pocket watch with a long chain; he also holds a walking stick in his right hand. The ill man is in the midst of putting together an elaborate dinner party. In addition to an inkstand with quill pens, on the table is a book, "Glasse's art of cookery" open to a recipe on how "to dress a turtle". On the table is an envelope addressed "To Ald. Guttle, London" and one to "Sr. A. Pepperpor" and a letter inviting the Alderman to dine. Another document contains the "bill of fare" which lists turtle soup, venison, chickens, hams, pheasents, etc. At his feet a dog scratches as a cat approaches. On the left a pretty, much young woman leans agains a chair as she watches the scene. The room is decorated with a map of the West Indies over the elegant mantelpiece on which sit a statute of a goat and two candlesticks whose bases are obese figures sitting cross-legged. Two other portraits on either side of the fireplace: on the left a cupid-like figure holding two strings to which are attached two doves; on the right, a portrait of a corpulent man in a wig
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Doctor and patient.
Publisher:
Publish'd Sepr. 22d, 1784, by J. Harris, Sweetings Alley, Cornhill
Subject (Topic):
Gout, Pulse, Cats, Chimneypieces, Clocks & watches, Dogs, Health care, Maps, Physicians, Pictures, Rugs, Sick persons, and Staffs (Sticks)
A man standing next to a tree tries to defend himself from an attacking swarm of hornets whose nest he disturbed with his cane. A reference to the County Associations and petitions (1779-1780) and to Edmund Burke's plan of economical reform
Description:
Title engraved above image., Sheet trimmed within plate mark., Place of publication from that of magazine., and Frontispiece to July, 1780, issue of the Universal magazine.
"Two women with flat baskets of oysters on their heads, walking into the left foreground."--British Museum online catalogue
Alternative Title:
Excellentes huitres et bonnes huitres à étuver
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Tenth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "10" beneath lower right corner of image.
Publisher:
F. Vivarez and by P. Sandby
Subject (Topic):
Street vendors, Baskets, Fishmongers, and Staffs (Sticks)
Leaf 44. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A civilian (right) standing in profile to the left gazes through a glass at a tall and bulky soldier in uniform (left) who stands in back view, turning his head in profile to the right towards the civilian. The civilian is fashionably dressed wearing a bag-wig and sword, a cane under his arm. The soldier wears jack-boots and holds a long sword under his arm."--British Museum online catalogue, description of a later state
Alternative Title:
Refined taste
Description:
Title etched below image., Publisher and date of publication from description of reissue published by R. Sayer; see no. 5173 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Four lines of verse in two columns below title: Eternal Infamy, that Wretch Confound, Who Planted first this Vice on English Ground, A Crime that spite of Sense & Nature reigns, And Poisons Genial Love & Manhood stains. Vide Rod. Random (i.e., Roderick Random by Tobias Smollett)., Plate numbered "V. 2" in upper left corner and "6" in upper right corner., Second of two plates on leaf 44., and 1 print : etching on laid paper ; plate mark 17.8 x 25 cm, on sheet 44.4 x 27.5 cm.
Publisher:
M. Darly
Subject (Topic):
Dandies, British, Soldiers, Daggers & swords, Military uniforms, and Staffs (Sticks)
Leaf 44. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A civilian (right) standing in profile to the left gazes through a glass at a tall and bulky soldier in uniform (left) who stands in back view, turning his head in profile to the right towards the civilian. The civilian is fashionably dressed wearing a bag-wig and sword, a cane under his arm. The soldier wears jack-boots and holds a long sword under his arm."--British Museum online catalogue, description of a later state
Alternative Title:
Refined taste
Description:
Title etched below image., Publisher and date of publication from description of reissue published by R. Sayer; see no. 5173 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Four lines of verse in two columns below title: Eternal Infamy, that Wretch Confound, Who Planted first this Vice on English Ground, A Crime that spite of Sense & Nature reigns, And Poisons Genial Love & Manhood stains. Vide Rod. Random (i.e., Roderick Random by Tobias Smollett)., and Plate numbered "V. 2" in upper left corner and "6" in upper right corner.
Publisher:
M. Darly
Subject (Topic):
Dandies, British, Soldiers, Daggers & swords, Military uniforms, and Staffs (Sticks)
Volume 1, page 39. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Holiday-seekers driving and walking along a high-road with a margin of grass, evidently the Sunday crowd of 'cits' so often described in contemporary satire. The chief group is a high phaeton of fashionable shape, but attached to two miserable hacks, who refuse to move, though they are being dragged at the head by a man with a long whip. The driver, who wears a looped hat and top-boots, kneels in the phaeton leaning forward over the horses and raising his (broken) whip with an expression of fury. His companions are two ladies of pleasure who sit one on each side of him. The one on his right holds up the top of the broken whip, its lash streaming behind her. The other, smiling, holds his left arm as if to prevent his falling from the carriage in his excitement. On the panel of the phaeton are the initials "ON". This carriage-full has just been passed on the right by a fashionably dressed man driving (right to left) a high-stepping horse in one of the new high two-wheeled gigs, see British Museum Satires Nos. 5933, 6146. He looks round at them laughing. Behind (right) is a hackney coach (number 251) driving from left to right, the horse being cut off by the margin of the print. A woman seated on the box holds the rein. Through the window over the door (it has no side windows) is seen a man seated with his back to the horse. A man sits on the roof looking through a telescope. Riding in the same direction (left to right) on the off-side of the hackney coach are an elderly man on a long-tailed cob or pony and a pretty young lady on a white horse. A spaniel runs behind them. In the foreground are pedestrians. A man stands in back view, legs apart, gazing at the stationary phaeton. On the extreme left a dejected-looking man and his wife walk wearily along. He wears a handkerchief tied round his head, under his hat, she holds his wig in her left hand, her right hand rests on the small of his back. He is carrying his stick in one hand, in the other a large bouquet of flowers in a paper sheath. Two dogs approach each other. Behind the two pedestrians, a man on horseback is in difficulties, his reins are slack and he holds the mane of the horse, which appears to be about to advance across the road in front of the advancing gig. In the background is a park-paling with trees showing above it."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Phaetons -- Cits -- Vehicles: Two-wheeled gigs -- Hackney coaches., and Mounted on page 39 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 1st, 1782, by Wm. Dickinson, engraver & printseller, No. 158 New Bond Street
Subject (Name):
Richmond Hill (Richmond upon Thames, London, England)
Subject (Topic):
Carriages & coaches, Horses, Dogs, Whips, Staffs (Sticks), and Telescopes
Leaf 70. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from Grego., Restrike. For original issue of the plate, published ca. 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 214., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 6143 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 70 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Richmond Hill (Richmond upon Thames, London, England)
Subject (Topic):
Carriages & coaches, Horses, Dogs, Whips, Staffs (Sticks), and Telescopes
A man, cane in hand, walks away with a look of scorn on his face
Description:
Title engraved below image., Printed on one sheet with: Astonishment., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 20th November 1797 by Laurie & Whittle, 53 Fleet Street, London
A man, cane in hand, walks away with a look of scorn on his face
Description:
Title engraved below image., Printed on one sheet with: Astonishment., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1794.
Publisher:
Published 20th November 1797 by Laurie & Whittle, 53 Fleet Street, London
