A young couple kiss inside the cab of an elegant carriage pulled by two pair of horses driven with whips by two riders; another rider follows along behind the carriage. On the road beside the carriage, a pig escapes pursuit as the rider topples from his horse, losing the wig in the process. In the left in the distance the town they have fled can be seen on a a hill. In the right foreground the milestone lies on its side and reads "XXX miles from London".
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 25 x 41 cm. on: Map of the lands of Ballyglass ... forming part of the estate of Charles Blake, Esquire ...
Publisher:
Published Octr. 1828, at 48, Strand
Subject (Topic):
Carriages & coaches, Couples, Elopements, and Swine
"A farm-yard scene with Windsor Castle in the distance (right). In the centre four pigs feed at a trough; George III (right) and Queen Charlotte (left) stand on each side of it facing each other in profile, both slightly caricatured. At the King's feet are a bucket and a young pig. The Queen scatters grain to chickens and ducks. On the right a guardsman walks off carrying a bundle of turnips across his shoulder (see BMSat 6946). In the background (left) are haystacks and farm buildings; from one projects the sign of a royal crown inverted. A young woman (probably one of the princesses) advances with a basket (cf. BMSat 7897). On the right is a large placard on a post, 'Mantraps & Spring Guns'. Behind it are sheep."--British Museum catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Attributed to Kingsbury in Angelo's Reminiscences, 1904, v. i, p.326., Watermark in center of sheet: J Whatman., and Queen Charlotte and George III identified by ms. note in a contemporary hand.
Publisher:
Pubd. Aprll [sic] 29, 1786 by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Windsor Castle,
Subject (Topic):
Farms, Farmers, Poultry, Sheep, Haystacks, Military uniforms, British, Signs (Notices), Swine, and Troughs
"A tailor on his raised shop-board (right) kneels in terror at the apparition of an emaciated corpse-like man and a fat pig with its throat cut standing on its hind-legs. Beneath the shop-board the head and shoulders of the Devil emerge from the flames of Hell; he holds a trident and a bulky roll of cloth inscribed 'Cabbage' (cf. BMSat 8035, &c.), implying that the tailor's pilfering has not been restricted to scraps of material. (The place where tailors kept their 'cabbage' was termed Hell; see Grose, 'Classical Dict. of the Vulgar Tongue'). The tailor wears a nightcap and apron; round his neck is a tape-measure; he says (excreting), "o Lord o Lord I am in a nasty Condition". A small demon (right) holds his nose. Beside the tailor are his goose, lying on a garment (which is burning from the heat of the iron); the heel of a loaf with a knife, onions and cucumbers lie next a paper inscribed 'sick and in prison and he [word erased, comforted] me'. reside an ink-pot are an open book: 'The Benevolent Society Benifet of \ Survivership', and a paper: 'Advice to overseers respecting the poor'. The corpse stands in back view holding out a minatory hand and turning his nead in profile to the right; he asks "who starved me to Death". The pig says "you have been the Cause of my death". A man on the extreme left looks through a door, saying, "Aye Aye this comes of your ingratitude for my saving your life". On the wall which forms a background are (left to right) two pictures, two broadside ballads, and a print: [1] The lower part of a picture of 'Howard' shows the legs of a man walking past a barred prison window, through which look two faces. (News was received on 26 Feb. of the death of John Howard, the prison reformer, 'Gent. Mag.', 1790, i. 276, but this Howard appears to be the corpse.) [2] 'A Song by Tom Stitch on the Windsor Corporation'. [3] 'A Song in Ridicule of my best Friend.' [4] A print of a gibbet from which hangs a noose inscribed 'The Desert.' [5] A large picture: 'Windsor Charity'; the tailor stands in a prison cell, pointing to an emaciated man lying on straw, turning to a woman who kneels at his feet, he says, clenching his fist, "let him Die & be d--d." The woman says, "for God sake don't Suffer my Poor father to Starve". The dying man says "I perish for want"."--British Museum online catalogue
Alternative Title:
Tailor befrited and Ghosts
Description:
Title etched below image., Printmaker from British Museum catalogue., Dated in contemporary hand in lower right corner: 'Sept. 1790.', Sheet partially trimmed within plate mark., and Watermark: armorial shield with fleur-de-lis above and monogram W below.
"Caricature with a family of a working man, his wife and daughter dressed in fashionable clothes, with a cottage and pig on a dung-hill in the background."--British Museum online catalogue and A satire on the aspirations of the working classes. The affluently dressed dustman's wife asks her husband if he has seen the latest issue of 'La Bells Ass-emblee' (John Bell's La Belle Assemblée, or Bell's Court and Fashionable Magazine).
Alternative Title:
March of intellect, or, A dust-man & family of the 19th century, Dust-man & family of the 19th century, and Dustman and family of the nineteenth century
Description:
Title etched below image., Date of publication inferred from publisher's street address. John Lewis Marks is recorded at 17 Artillery Street in 1824; see British Museum online catalogue., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Imprint supplied from impression in the British Museum, registration no.: 1985,0119.338., For a companion print entitled "The march of interlect, or, A sweep & family of the 19th century", see British Museum online catalogue, registration no.: 2008,7088.1., Not in the Catalogue of prints and drawings in the British Museum., and Formerly mounted with remnants of blue paper.
Publisher:
Published by J.L. Marks, 17 Artillery St., Bishopsgate
Subject (Topic):
Garbage collecting, Families, Clothing & dress, Dwellings, and Swine
A country woman in an apron and cloak, hands on her hips, laughs as she watches the havoc caused by a sow and her piglets who run in all directions on the road. A horse rears in panic and topples acouple and their buggy. Another man on horseback is pitched forward as his horse noses the piglet caught between his front legs. In the distance beyond a stone wall on the left is the town dominated by four steeples, on the right trees. While the woman is looking away, two small boys, eyeing her carefully, steal from the contents of her wheelbarrow
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed within plate mark at top., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Accidents, Carriages & coaches, Country life, Robberies, and Swine
A gentleman sits on a barrel in a farm yard playing his trumpet. The pigs, chickens, geese, a cat and dog and the run away in terror; a cow looks on the scene with a worried expression; chickens on the roof line of an outbuilding look as if they are about to take flight like the doves leaving the dovecote that is tumbling down in the background. The farmer in a smock and his family and dog also run away in the distance
Alternative Title:
Affected musician
Description:
Title engraved above image., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Six lines of verse in two columns below title: The ancient Orpheus play'd such rigs, in music, he could charm the pigs ..., Plate numbered '252' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: farm cottage
Publisher:
Published 1st Decr. 1800 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Barrels, Birdhouses, Dwellings, Donkeys, Musical instruments, Poultry, Swine, and Trumpets
A jolly fat parson,with an egg basket over his right arm and chicken, pigs, and geese bursting from his pockets and the tops of his boot, rides a horse to the right towards a sign that reads "120 Miles to London." On the extreme left a pig walks from a thatched cottage, following the parson who has apparently taken one of her young
Alternative Title:
Country parsons return from tithing
Description:
Title etched below image. and Sheet partially trimmed within plate mark.
Publisher:
Publish'd & sold by W. Humphrey, No. 3 Lancaster Street
Title from item., Two lines of verse on plate below image: Though parsons often patience teach ..., Illustration to ballad The Patient Parson. The text of the ballad is printed below the plate., Publisher's advertisement at bottom of sheet: Just published in this manner, Mrs. Thrale's Three Warnings, The Greenwich Pensioner, Poll and My Partner Joe, and many other esteemed songs and pieces. In Fores's exhibition, No. 3 Piccadilly may be seen the compleatest collection of caricatures in Europe. Admittance one shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ballads -- Clergy wives --Parsonage -- Pictures amplifying subject: 'Job in his distress' -- Wall clock -- Furniture: dinner table., and Watermark: fleur-de-lis.
Publisher:
Publish'd as the act directs, by S.W. Fores, N. 3 Piccadilly
Title etched below image., Date and place of publication supplied by curator., At lower right: Sold at 98, Cheapside; 50, Piccadilly; and at all Book and Printsellers., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Pig-faced lady; Pregnancy, Prenatal influences.
Publisher:
Drawn and published by her late attendant, while at dinner
Subject (Topic):
Urban folklore, Anomalies, Prenatal influences, Human curiosities, Swine, Troughs, and Servants
Title etched below image., Date derived from text below title., Place of publication derived from publisher's known location., Sheet trimmed, upper portion cut out in outline., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Pig-faced lady; Pregnancy, Prenatal influences.
Publisher:
Pub by McCleary [32] Nassau St.
Subject (Topic):
Urban folklore, Anomalies, Prenatal influences, Human curiosities, and Swine
