"Portrait of Owen Farrel; full length, walking to left in a field, glancing towards right, with hat in his left hand and staff (with a carved face) in the right, wearing rags; a man and four children waving and shouting at him from behind beside an inn."--British Museum online catalogue
Description:
Title etched below image., Possibly a plate from: Kirby's wonderful and eccentric museum; or, Magazine of remarkable characters. London : R.S. Kirby, 1803-20., Sheet trimmed within plate mark., and Mounted on a board with another print and pamphlet about Owen Farrel.
Publisher:
Published April 4th, 1815, by R.S. Kirby, 11 London House Yard, St. Paul's
Subject (Geographic):
Ireland.
Subject (Name):
Farrell, Owen, 1716-approximately 1742,
Subject (Topic):
Strong men, Dwarfs, Taverns (Inns), and Staffs (Sticks)
Title from text below image., Title above image: Attic Miscellany., Illustration to verses on Convention with Spain, from the Attic miscellany, v. ii, p. 101., Temporary local subject terms: Treaties: convention with Spain, 28 October 1790 -- Reference to the Nootka Crisis, 1790 -- Wall maps -- Newspapers: Gazetteer -- Newspapers: The Times -- Naval uniforms: officers' uniforms -- Military uniforms: officers' uniforms -- Urination -- Pictures amplifying subject: playbill for Much Ado About Nothing and Provocation -- Pictures amplifying subjects: torn portrait of William Pitt., and Mounted to 22 x 31 cm.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark leaving thread margins., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., Watermark: 1824., and Manuscript "169" in upper center of plate.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark leaving thread margins., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 37 in volume 4.
Print shows on the left, a statue of Justice in a niche beneath which a candidate, doffing his hat, offers a purse of money to a voter who replies, "Twill scarce pay, make it twenty more", beside them a gentleman points to the statue saying "Regard Justice" to another carrying a bundle on his shoulder who replies, "We fell out, I lost money by her". In the centre, in front of a large crowd are two candidates, both waving their hats, slip coins into two of the many pockets of a voter's coat; one candidate says, "Sell not your Country" and the voter replies, "No Bribery but Pocketts are free". Further to the right another candidate, saying "Accept this small acknowledgment", offers a purse to a gentleman who grovels on the ground for coins that have been thrown down by the prevailing candidate, from his position on a chair supported by poles on the shoulders of four men. On the right, a statue of Folly in a niche empties bags of coins; before the statue is an altar on which a fire burns, a candidate kneels at its base imploring, "Help me Folly or my Cause is lost"; to the left of the altar, is a butcher crying "See here, see here" and to the right, a classical philosopher, saying "Let not thy right hand know what thy left does", puts his hand behind him to received a bribe from a young man. Beyond is a tavern outside the landlord, wearing horns, calls out "He kist my Wife he has my Vote"; outside the tavern hangs the sign of a bottle with a large globe attached
Alternative Title:
Ready money the prevailing candidate, or The humours of an election and Humours of an election
Description:
Title engraved above image., Satire on corrupt elections, particularly that of 1727, set in a country town with several candidates bribing voters., Three columns of verse below: The Laws, against Brib'ry Provision may make ... Contemn Gilded Baits, & Elect Men of Merit., Price following imprint: "Pr. 6 pence.", and For further information, consult library staff.
Publisher:
Sold at the Print Shop in Grays Inn
Subject (Geographic):
England
Subject (Topic):
Elections, Corrupt practices, Corruption, Crowds, Justice, Political elections, Signs (Notices), and Taverns (Inns)
Title from caption below image., Date of publication from British Museum online catalogue, registration no.: 1935,0522.5.48., Sheet trimmed within plate mark., A copy in reverse of no. 4766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Soldiers -- Volunteers -- Clerks -- Sign: "The Old Fortune" -- Town centers -- Castle gate -- Pictures amplify subject., and Numbered in ms. at top of sheet: 239.
Volume 1, page 13. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a group of new recruits being drilled by two soldiers outside an inn called 'The Old Fortune', the sign showing a one-legged old soldier, while a young woman sells vegetables from a basket; the head of a grinning man appears behind her below the inn sign."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum online catalogue, registration no.: J,6.47., Sheet trimmed to plate mark., Plate numbered "2" in upper left corner., Temporary local subject terms: Military: Drilling recruits -- Recruits -- Sergeant -- Signboards: 'The Old Fortune' (Of War) -- Street scenes., and Mounted on page 13 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Jany. 1st, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Name):
Saint James's Palace (London, England),
Subject (Topic):
Military uniforms, British, Military officers, Soldiers, Recruiting & enlistment, Taverns (Inns), and Signs (Notices)
A dandified young man carrying muff and walking stick is met by a portly older bewigged gentleman (possibly his father or an innkeeper) before an inn. The young man is followed by 3 porters carrying baggage, including 2 sailors the last carrying 2 pistols. The inn's signboard depicting a tree with a face in it, is inscribed below with the name Bullock. In the courtyard behind a man is visible having emerged from a sedan chair
Description:
Title from item., Sheet trimmed within plate mark., State with title almost removed from plate., Artist's initials and imprint from photocopy of later state., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Campione
Subject (Geographic):
England
Subject (Topic):
Sedan chairs, Travel, Dandies, Clothing & dress, and Taverns (Inns)
Copy in reverse of the first state of Plate 3 of Hogarth's 'The Rake's Progress' (Paulson 134): A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. A second version of the paintings is at the Atkins Museum (Kansas City, Missouri).
Alternative Title:
Rake's progress. Plate 3 and What wretched Fate succeeds his guilty Joys, ...
Description:
Title from text engraved above image., "Plate 3"--Lower right below design., Verses below image in three columns, four lines each: What wretched Fate succeeds his guilty joys, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 5.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the third of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
