Leaf 73. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of the interior of a restaurant or tavern. Diners are seated at long tables eating and drinking. In the background are cubicles separated by drapes with the diner's hats hanging up along the top of the beams. A clock on the wall marks the time as half past eight. A tall, stooping man ... serves a table of diners on the right as a young woman carries two tankards of ale to a table. In the foreground, two dogs beg for food."--Royal Collection Trust online catalogue
Alternative Title:
Eating house
Description:
Title from text at bottom of image., Attributed to Rowlandson in the Royal Collection Trust online catalogue., Restrike, with title added at bottom of image. For an earlier state lacking title, see Royal Collection Trust, RCIN 810997., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Probably a later, titled state of the print listed as "An eating house" and tentatively dated to 1815. See: Grego, J. Rowlandson the caricaturist, v. 2, page 296., and On leaf 73 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Title from text positioned above and below image area., Print is divided into two horizontal panels, each titled separately., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
The image is a copy of Hogarth's Midnight modern Conversation: A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conversation
Description:
Title engraved below image. Text etched on separate plate and mounted below., Poem in four columns: Sacred to thee, permit this, lay, Thy labour, Hogarth, to display! ..., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 128., Ms. note in pencil in Steevens's hand on separate sheet to the right of this print., and On page 65 in volume 1.
Title etched above image., Publication information from that of the volume in which the plate appeared., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Four columns of verse below image: [To please] our friends wth [sic] something new, we present them with a view ..., Plate numbered '17' in upper right corner., Copy of no. 3856 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Scots -- Buildings -- Signboards: jack boot -- Emblems: jack boot (Lord Bute)., and Mounted to 33 x 44 cm.
"Political satire; a farmer rides to market on a cow from an inn named 'Joe Jolly', with a goose and a cockerel in a basket attached to his saddle, and a notice reading 'Tax on Horses' under the cow's hoof; a small group cheer him from the lintel and window of the inn."--British Museum online catalogue
Alternative Title:
Pitt outwitted
Description:
Title etched below image., Below plate line, letter press explanatory text: A farmer in Cheshire, who kept a good team of horses, but had not entered one as a hackney or saddle horse, having occasion to go to Stockport market on Friday, actually saddled a cow, and rode her in triumph to and from the market, attended by a numerous concourse of spectators, who heartily enjoyed the joke - See Morning Herald of Friday Dec. 3, 1784., For a later state by a different publisher, see no. 6672 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Three lines of text below the image., and Watermark in center of sheet: Taylor.
Publisher:
Publish'd as the act directs, Decr. 11th, 1784, for M. Smith, No. 46 Fleet Street
"Pitt as hangman stands beside a fire of faggots immediately outside the door of the 'Crown & Anchor' (name on door-post). In his right hand is an axe; he drops an open book into the flames, and looks over his shoulder at Reeves who is disappearing into the tavern. On one page (right) is the trunk of a tree surmounted by a crown and the words 'The Royal Stump', on the other: 'No Lords No Commons No Parliame[nt] Damn the Revolution'. He wears a long coat with a hangman's noose tied round his waist, a round hat, and wrinkled gaiters. From his pocket protrudes a book: 'Ministerial Sincerity and Attachment a Novel'. He says:"Know, villains, when such paltry slaves presume To mix in Treason, if the plot succeeds, You're thrown neglected by: - but if it fails, You're sure to die like dogs!" Reeves, with hands outstretched in protest, says: "O Jenky! Jenky! have I gone through thick & thin for this ?" From his coat-pockets hang papers: '£400 pr Ann, To the Chairm[an] of the Crown & Anchor', and, 'List of Spies Informers Reporters Crown & Anchor Agents'. On the right Fox, Sheridan, and Erskine blow at the fire; the two former on hands and knees, Erskine, in wig and gown, between them, an arm across the shoulders of each. Smoke and the lower parts of the adjacent houses form a background. ..."--British Museum online catalogue
Alternative Title:
Crown and Anchor-libel burnt by the public hangman
Description:
Title etched below image., One line of text below title: To the charman [sic] & members of the truly loyal association at the Crown & Anchor, this small token of gratitude for favors receiv'd is respectfully dedicated by the author., Sheet trimmed within plate mark., and Mounted to 34 x 48 cm.
Publisher:
Pubd. Novr. 28th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Reeves, John, 1752?-1829., Jenkinson, Charles, 1727-1808., and Association for Preserving Liberty and Property against Republicans and Levellers (London, England)
Subject (Topic):
Axes, Bonfires, Executioners, Lamps, and Taverns (Inns)
publish'd according to act of Parliament, March 7, 1771.
Call Number:
771.03.07.01+
Image Count:
1
Resource Type:
still image
Abstract:
Two ballad singers, one of them standing on top of an overturned large basket, are singing to a small but pleased-looking crowd by the entrance to an inn. A child standing in front of the basket is reaching up to offer the singer a coin
"Roads diverge in three directions from a posting-inn. A signpost (left) points left. 'To London'; another (right) points 'to Rochester' and 'To Aylesbury', these roads converging in an acute angle. In the centre foreground is a round well-head. A post-chaise on the extreme left gallops off to London; three passengers wearing election favours in their hats exclaim respectively: "Dead or alive we'll have him I'll Barber him"; "Provided nevertheless, if he does not we will have his son"; "I'll Butcher him if he wont come Dam him." A horseman, who has lost his stirrups, gallops after the coach, saying, "Dam Mr G-----s & Mr R------ns too I'll see if the Eloquence of a Bishop will not bring him." A man sprawling on the ground by the inn shouts towards the horseman, saying, "Stop him hes stole the Horse". A man lounges at the door of the inn holding the reins of several saddle-horses. The inn is inscribed 'Beef Steak House'; over the door is 'John Dickins'; an election flag inscribed 'Gregory' flies from a first-floor window. On the Rochester road in the foreground a post-chaise proceeds slowly with shuttered windows, but flying two flags. Words come from two invisible occupants: "Tho Smith's the best friend I have I'll oppose him Bob for fun's sake" and "This will Kill me Quite Matt". Two horsemen follow, saying, "I'll be ashamed to go into Town Tho its allmost Dark" and "I'll say I have been to Gravesend on business." In front of the chaise a horseman with a flag gallops, saying, "As I am the Manager I must haste to the Hall & nominate him tho' I know he wont come." In the distance two riders proceed on the Aylesbury road, saying, "I'll go this way that they may not laugh at me", and "friend so will I". A man lounging by the inn says "I should like to go to supper but I suppose they that go must pay". On each post-chaise is the letter 'A'."--British Museum online catalogue
Description:
Title etched below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following the imprint: " ... where may be seen the compleatest collection of caricatures in the Kingdom, admittance 1 shilling [admittance 1 shilling crossed out] also the head & hand of Count Struenzee. Admittance one shilling.", Temporary local subject terms: Elections: Rochester Borough, 1790, Watermark: fleur-de-lis., and Mounted to 32 x 48 cm.
Publisher:
Pub. May 20 for the proprieter by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Gregory, Robert, 1729?-1810, Smith, Nathaniel, 1730-1794, and Great Britain. Parliament
Subject (Topic):
Elections, 1790, Politics and government, Carriages & coaches, Crowds, Taverns (Inns), and Traffic signs & signals
