Cartoon shows ministers, among them Vansittart and Castlereagh, vomiting taxes into a large bag labeled "budget." The Prince Regent stands nearby, supported on crutches labeled "more money" and "increase in income", holding rolled documents under his arms labeled with descriptions of some of his extravagant expenses and "On the right is a group of Ministers vomiting taxes. On the left the Regent stands directed to the right, supported on crutches, one inscribed 'More Money', the other 'Increase of Income'. The swathing of his gouty leg is tied above the knee by his 'Garter, inscribed 'Honi . . . Pense'. Under each arm are large rolled documents inscribed 'Expences of Pavillion', 'd° of Thatch'd Cottage', 'D° of Furniture', 'D° of Pall Mall', 'Pulling down Rebuilding &c Pulling down again for New Street!', 'Drinking Expence'. Beside him and on the extreme left is the end of a cloth-covered table on which are balls; one larger than the others is 'Economy', and is labelled: 'This bolus to be taken immediately'. Beside it are four others, all inscribed 'Petition against Property Tax'. The Regent, ill and melancholy, says: "Aye, this comes of your cursed Pill economy which you forced me to take a Month back, no one knows what I have suffered from this Econmical [sic] Spasm; I am afraid we shall all be laid up togather." Six Ministers stand over a low, wide-mouthed sack inscribed 'Budget', the edge of which is held by Vansittart (right), wearing his Chancellor of the Exchequer's gown and a large wig. Facing him, and with his back to the Regent is Castlereagh, his hands on his stomach. These and two others vomit streams inscribed 'Property Tax', 'Economy', 'Standing Armies', 'increase of Salaries', 'Cock Bugs provi[sion]'. The contents of the full sack are similarly inscribed. Another Minister (? Liverpool) stands behind Vansittart, with open mouth and distressed expression."--British Museum online catalogue
Alternative Title:
Sick of the property tax, or, Ministerial influenza, Ministerial influnza, and Ministerial influenza
Description:
Title etched below image. and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by S.W. Fores, March 8, 1816, at No. 50 Piccadilly, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Léopold I, King of the Belgians, 1790-1865., Cockburn, George, Sir, 1772-1853., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
Gout, Crutches, Government officials, Vomiting, Taxes, and Economic policy
"A stout cylindrical shaft stretches across the upper part of the design, inscribed 'Manufactures & Commerce'. To this cling by both hands four ragged and desperate artisans, wearing aprons, but it has broken in the middle so that they, and others clinging to them, are about to fall into the swirling clouds at the base of the design. Two larger and stouter men, respectably dressed employers, cling frantically to the legs or garments of the four artisans. At the base of this inverted pyramid is a stout figure, half-bishop, half-King, clinging to coat-tails and pocket of the two men above him. A bloated episcopal face is half covered by a battered crown (right), while a large mitre tilts to the left, and the figure, Church and State, is clothed half in surplice (left), half in ermine-trimmed robe, with one episcopal leg, and one leg with a garter inscribed '[Hon]i Soit' [George IV as in British Museum Satires No. 15819 by the same artist]. Above the broken shaft is a large irradiated inscription: 'Manufactures & Commerce support the Workmen | they the Merchants & Masters who are the | chief tax payers & thereby support | The great tax eater Church-and- State.'"--British Museum online catalogue
Description:
Title etched below image., Possibly by Robert Seymour; see British Museum catalogue., and Matted to: 45.6 x 31.5 cm.
Publisher:
Publishd. by Thos. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Artisans, Aprons, Crowns, Miters, Robes, Church & state, and Taxes
Vansittart and Castlereagh, as surgeons, bleeding coins from the arms of John Bull. The coins are collected by Prince Leopold, Princess Charlotte, a tiny McMahon, a Chinese mandarin, and the gouty Regent. Brougham, stands on the left, pointing finger at John Bull, saying, "Retrench! Johnny, Retrench! practise [sic] a little more Economy." and "John Bull sits foursquare in an arm-chair, between two surgeons, his arms extended horizontally and supported by the vertical poles which he clutches; these are spirally striped, like the barber's pole, and are such as were used by practisers of phlebotomy. The one in his right hand is inscribed 'Additional Military Staff to support the Peace'; the other: 'Wellington's Staff'. The surgeon on the left is Vansittart, in his Chancellor of the Exchequer's gown, triumphantly holding up his lancet as guineas spout from the incision in John's right arm. The coin is collected by Prince Leopold in a warming-pan inscribed '60,000 per Ann'. [see British Museum Satires No. 12754] and by Princess Charlotte, who holds out a large receptacle inscribed 'For Wedding Garm[ents] Diamond Trinkets & Baubles'. She looks sideways at the warming-pan; her very décolletée dress has a train, and she wears a small crown or coronet. His military tunic is covered with stars, and he stares intently at the golden shower. Castlereagh, with a cynical smile, operates on the left arm. A tiny McMahon swarms up the pole and holds out his 'Privy Purse', see British Museum Satires No. 11874, to catch a trickle from the wound. The main shower of guineas falls into the enormous jaws of a squatting and grotesque Chinese mandarin (see British Museum Satires No. 12749) whose obese body, in the form of a large bag, is inscribed 'To pay off Arrears of the Civil List'. Over this bag, the biggest of the receptacles depicted, the gouty Regent stoops forward, supported on crutches, his head turned to the left, staring with apprehensive malevolence at Brougham who stands on the extreme left, not caricatured. John Bull, a stout 'cit', wears patched and ragged waistcoat and breeches. His empty pockets are inside out. He registers alarm, and exclaims: "Pray good folks have a little mercy & spare the Vital stream which sustains me!-- Consider what Oceans I have spilt in the late Wars!--I am too much exhausted to Bleed as freely as formerly--You have Open'd so many veins & drain'd me so incessantly that I fear my Constitution is impair'd for ever! My Friends, say that I am Declining fast & will certainly Die of a Galloping Consumption!!!" Two hussars with drawn sabres stand on guard behind his chair, watching the operation with pleased surprise. Behind them, the middle distance and background are filled with soldiers standing at attention with drawn sabres or fixed bayonets, wearing braided tunics and high hussar caps. They have British flags, faintly indicated, one being a Union flag, another the Royal Standard, and a fringed banner inscribed 'Standing Army For the Peace Establishment'. On the right, behind the Regent, the Tsar walks off to the right, looking over his shoulder with a pleased smile; he carries a sack across his shoulder inscribed 'Subsidies Russia'. With him, but less conspicuous, are Francis I and Frederick William; each carries a basket on his head heaped with coins, one 'Subsidies For Austria', the other 'Subsidies for Prussia'. All three wear uniform. Brougham, who wears a long loose coat, with trousers, and holds a top-hat, stands in profile to the right, his right arm extended with admonitory finger pointing at John Bull. He says: "Retrench! Johnny, Retrench!--practise a little more Economy in your present Wretched State, or you'll never Recover!--you have too many Physicians & their constant Employment is very Expensive they will not leave you till they have the last Shilling!--Kick out the Doctors & a fig for the Disease!!" At his feet and in the foreground is a neat box inscribed '37 Styptics [see British Museum Satires No. 12750, &c.] for Curing John Bull's Dreadful Disorder by Brougham & C°.' Near it are the fragments of a broken tub inscribed: 'Property Tax receiver rendered useless by the "ignorant impatience" of John Bull.' In front of John are a jar of 'Leeches' and a book: 'The Red Book or or [sic] a list of Persons Holding Sinecures'. Three tubs heaped with coin stand on the right, each progressively larger in size, inscribed: [1] 'Regency Presents & Yearly Allowance to Bonaparte & the Govenors [sic] Establist at St Helena'; [2] 'To Support the Allied Army in France'; [3] 'Extra Allowance for Commissrs of Dockyards & other fresh-water Agents of the Navy who will on the Peace Establishment of 1816 greatly exceed in expence the War Estabt of 1804 when the British Navy with 140,000 seamen Covered the Ocean.'"--British Museum online catalogue
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by F. Sidebotham, 96 Strand
Subject (Geographic):
England
Subject (Name):
Vansittart, Nicholas, 1766-1851, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, Charlotte Augusta, Princess of Great Britain, 1796-1817, McMahon, John, approximately 1754-1817, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Wellington, Arthur Wellesley, Duke of, 1769-1852., Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
John Bull (Symbolic character), Phlebotomy, Gout, Taxes, and Military personnel
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Temporary local subject terms: Taxes: tax collector -- Window tax -- Income tax -- Bird cages -- Pets: cat.
Publisher:
Pubd. Augt. 30, 1799, by R. Akerman, No. 101 Strand
Leaf 30. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Robinson, wearing his Chancellor of the Exchequer's gown, leans forward from the right to place an extinguisher on the head of Fortune who sits in profile to the left, on a small globe, regardless of her fate. He says: Come Madam put on your Night Cap. She is a comely young woman with feathered wings, and a high-waisted dress with classical sandals. Her Wheel of Fortune serves as back to her seat. She holds out a Ticket £20 000 to an eager and indignant crowd; in her left hand is a full purse. At her feet is a box of jewels, behind her a cornucopia from which pour gold coins, with a bag of Filings. At her feet four little blue-coat boys from Christ's Hospital kneel imploringly. Behind them are a brawny washer-woman and a gaily dressed young woman. The former points to tub, Soap, linen, and brush at her feet, and shouts to Robinson: Let her alone take off the Soap Tax. The latter screams Stop let Me get a Prize first. A burly bare-legged cobbler holds up an old shoe, shouting, give us a Lottery and no Leather Tax. A man next him shouts Shut up the Subscription Houses [clubs such as Brooks's]. The two on the extreme left shout No Tax on Tallow and No Horse Racing. A hideous man grovels on the ground behind Robinson to grab coins and two bags, Filings and Gold Dust, and a Prize Bag. He looks up, saying, Persevere and the Saints shall Praise you. Three men stand behind Robinson, watching; two say, with cynical smiles: Hear Hear I knew they'd Grumble and He's only a Young Chancsellor. The third says with a frown: Little Van knew [better] than to Abolish a Voluntary Tax. On Fortune's right is a pillar on which bills are pasted: Races Kings Cup, over which is a playbill: Fudge a Farce; above both is Reform . . . Parliament . . . Public Morals."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 14525 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 374-5., and On leaf 30 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publd. September 18, 1823, by John Fairburn, Broadway, Ludgate Hill and Field & Tuer
Subject (Name):
Ripon, Frederick John Robinson, Earl of, 1782-1859
Subject (Topic):
Fire extinguishers, Gems, Coins, Purses, Cornucopias, Children, Wash tubs, Soaps, Brooms & brushes, Shoemakers, Lotteries, and Taxes
Leaf 46. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Freeborn Englishman
Description:
Title etched below image., Restrike of a plate possibly first published ca. 1820. For prints of similar title and composition, published in 1813 and 1819, see nos. 12037 and 13287 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 46 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Poor persons, Locks (Hardware), Taxes, Food, and Inkstands
"The Princess of Wales and the Earl of Bute drag the British Lion, or George III, in a small car, such as children use, decorated with a big Thistle; on the king's head is a very large jack boot, which, falling over his face, blinds him. Pitt leans over the balcony and endeavours to remove the boot, i.e. to deliver the British Lion from the influence of Bute. The Duke of Cumberland, very fat, wearing the costume supposed to be appropriate to Roman generals, rushes forward to aid the king, his nephew. A soldier, a sailor, and a lawyer endeavour to hold back a wheel of the car, pulling at a rope attached to it. A number of persons, male and female, stand under the balcony and look on. In the background a harbour is indicated by the masts of ships. On our left is "THE OLD BRITISH WARE HOUSE", from which merchants are despatching bales of goods to "Pondicherry", "Martinico 1'', "Guadeloup", "Louisbourg", and "Quebec". These are the names of places captured from the French during the war which it was proposed to conclude by the peace promoted by Lord Bute, and agreed to in 1762. A Frenchman and a Spaniard, colonists (?), are receiving these goods in an amicable way. ... This satire was doubtless designed to induce the ministry of Lord Bute to desist from surrendering the places in question to the French as, even thus early in the negotiations, it was rumoured they intended to do. ...The minister and the princess drag the car towards a "Hosptial for Scoth pensioners." On our right, at the windows, three Scotchmen appear. Hogarth, mounted on a ladder, is busily painting a Scotch Thistle on the sign of the hospital. On his paint-pot is written: "500 250". This refers to Hogarth as the recipient of a pension, or rather as Serjeant-Painter to the king, and especially to the publication of "The Times. Plate I” ..."--British Museum catalogue
Alternative Title:
Political strugle and Political struggle
Description:
Title etched below image. and Cf. No. 3885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820,, Augusta, Princess of Wales, 1719-1772,, William Augustus, Prince, Duke of Cumberland, 1721-1765,, Bute, John Stuart, Earl of, 1713-1792,, Pitt, William, Earl of Chatham, 1708-1778,, Hogarth, William, 1697-1764,, Holland, Henry Fox, Baron, 1705-1774,, and East India Company.
Subject (Topic):
Britannia (Symbolic character), Chariots, City & town life, National emblems, British, Scottish, Taxes, and Warehouses
Leaf 32. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two-part satire on the resignation of Lord Bute, April 1763. On the left is a scene of execution, headed "Excise", with Bute, identified by his plaid waistcoat, hanging from an apple tree (referring to the Cider Bill), a devil sitting on the branch above him wears a large boot (a pun on Bute) on one leg, the other ending in a claw; two men below exult. In the centre a man (evidently another representation of Bute as he wears a large boot on one leg and on the other leg wears a garter lettered "Honi ..." as in the scene on the right) lies across a fire while another pumps a pair of bellows to fan the flames; three farmers standing behind the fire and another to the right rejoice at Bute's downfall. On the right, another devil reciting the proverb, "Harm watch, Harm catch", one leg ending in a hammer, sits on top of a gallows from which hangs a fox (Henry Fox) wighted down by money bags tied around his neck. On the right is a scene set in a grand interior, headed "Resignation, in which Princess Augusta sprawls weeping in a chair her breasts partly exposed while a devil delves into Bute's breeches as he drags him through a door through which flames and smoke can be seen, the Duke of Cumberland brandishes a sword in his right hand and pushes Bute with his left; he is encouraged by a nephew, Edward, Duke of York, at lower right, a lusty goat, one of whose hands is a claw, looks on with pleasure."--British Museum online catalogue
Alternative Title:
Give the devil his due, Excise, and Resignation
Description:
Title etched below image, between the verses., Design consists of two images, each with a caption title above., Restrike, with final four lines of title burnished from plate. For original issue, published by J. Williams in 1763, see no. 4026 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse below each image; the verses on the left begin: With greater joy, his L- see, like Judas hanging on a tree ..., and On leaf 32 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, and Holland, Henry Fox, Baron, 1705-1774
A satirical representation of a procession to St. Paul's for the national thanksgiving for the naval victories. Lord Hawkesbury, Duke of Richmond, Loughborough, Wilberforce, George Rose, Horsely, Bishop of Rochester, John Bull, Pitt, Windham and Dundas (with two companions in traditional Scottish dress) are all recognizable carrying objects that suggest their role in the government policy which led to the tripling of the assessed taxes and the burden of taxation in general
Description:
Title etched below image., Printseller's statement following the imprint: Folios of caricatures lent., "A prelude" has been burnished from plate and etched in again further to the right, leaving a gap at the end of the first part of the title., and For further information consult library staff.
Publisher:
Pub. Decr. 11, 1797 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Horsley, Samuel, 1733-1806, Jenkinson, Charles, 1727-1808, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Rose, George, 1744-1818, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Wilberforce, William, 1759-1833, and Windham, William, 1750-1810
Subject (Topic):
John Bull (Symbolic character), Taxation, History, Parades & processions, and Taxes
"A tun of 'Wine' lies on solid trestles inscribed 'Treasury Bench'. From its huge bung-hole emerges the naked body of Pitt, as Bacchus, crowned with vine branches. He leans back tipsily, a brimming glass in each hand. Behind him stands Dundas as Silenus, fat, and partly draped in tartan; his right hand grasps Pitt's shoulder, in his left he holds up a brimming glass. He also is crowned with vine branches. Bunches of grapes hang down from a vine above their heads and are indicated as a background to the cask whose trestles are on a dais covered with a fringed carpet. Opposite the tun stands John Bull in profile to the left, looking up at Pitt, hat in hand; in his left hand is a lank purse, under his arm three empty bottles. He is a yokel, with lank hair and hydrocephalic head, wearing a smock and wrinkled gaiters. He says: "Pray Mr Bacchus have a bit of consideration for old John; - you know as how I've emptied my Purse already for you - & its waundedly hard to raise the price of a drop of Comfort, now that one's got no Money left for to pay for it!!!" Pitt says: "Twenty Pounds a T-Tun, ad-additional Duty i-i-if you d-d-don't like it at that, why t-t-t-then Dad & I will keep it all for o-o-our own Drinking, so here g-g-goes old Bu-Bu-Bull & Mouth!!! - "."--British Museum online catalogue
Alternative Title:
Triumph of Bacchus & Silenus and Triumph of Bacchus and Silenus
Description:
Title etched below image., Temporary local subject terms: Wine duty, 1796 -- Mythology: Bacchus -- Silenus -- Containers: wine casks -- Allusion to Treasury., and Watermark: I Taylor.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Dionysus (Greek deity)
Subject (Topic):
John Bull (Symbolic character), Taxes, Wine, Grapes, Barrels, and Purses
