Title from note in a contemporary hand on verso; alternative title devised by curator. and Approximate date based on that of a print in the same collection done in a similar style and depicting a similar theatrical scene. See Lewis Walpole Library call no.: Waller no. 24.
Four characters participating in the quintet of the first act finale of Dibdin's "The Quaker" are shown here: Gillian and Floretta look over the garden wall while Steady attempts to keep Solomon from conversation with them
Alternative Title:
Scene in a farce called The Quaker
Description:
Title etched below image., Printmaker identified as Rowlandson in the British Museum online catalogue, registration no.: K,57.124., Plate dated "1783" in lower left corner., and Design includes portraits of the actors John Bannister and William Parsons. See British Museum online catalogue.
Publisher:
publisher not identified
Subject (Name):
Dibdin, Charles, 1745-1814., Bannister, John, 1760-1836, and Parsons, William, 1736-1795
Volume 1, after page 182. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Description:
Title engraved below image., Later state, with alterations to imprint and addition of plate number. For an earlier state lacking plate number and with the imprint "London, Printed for R. Sayer and J. Bennett, map, chart & printsellers & globe-makers, No. 53, Fleet Street, as the act directs, Decr. 5th, 1783", see Colonial Williamsburg online collection, object number: 1973-381., Plate numbered "161" beneath lower left corner of image., Window mounted to 51 x 36 cm., and Mounted after page 182 (leaf numbered '223' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Printed for Robert Sayer, map, chart & printseller, No. 53, Fleet Street, as the act directs
Volume 1, opposite page 182. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Description:
Title engraved below image., Probably a later state, with imprint altered and plate number added, of a print published in 1783 by R. Sayer and J. Bennett. For the early state of a print from the same series, see Colonial Williamsburg online collection, object number: 1973-381., Plate numbered "160" beneath lower left corner of image., Window mounted to 51 x 36 cm., and Mounted opposite page 182 (leaf numbered '222' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Printed for Robert Sayer, map, chart & printseller, No. 53, Fleet Street
In imitation of a scene from Act 3 of Farquhar's "The beaux' stratagem," Charles Fox as Scrub, and Lord North as Archer, sit in close conference discussing Perdita's infidelity while Mrs. Robinson (Perdita) as Gipsey, watches them standing behind their chairs. On the wall hangs the portrait of Col. Tarleton, with whom she was involved
Alternative Title:
Scrub and Archer
Description:
Title etched below image., Reissue of George 6221. Originally published by Boyne, 25 April 1783., and Mounted to 42 x 34 cm.
Publisher:
Pub. 1st August 1783, by W Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Robinson, Mary, 1758-1800., Tarleton, Lieutenant-General 1754-1833. (Banastre),, and Farquhar, George, 1677?-1707.
Subject (Topic):
Actresses, Theatrical productions, and Clothing & dress
'A picture by Hogarth, showing a performance of Dryden's play 'The Indian Emperor; or, the Conquest of Mexico' which took place in spring 1732 in the house of John Conduitt, before the Duke of Cumberland, who stands on the left with the Princesses Mary and Louisa beside him; the Duke of Richmond is shown in the left foreground, leaning over his wife's chair, while Lady Deloraine, sitting beside her, bends forward towards her daughters; the Earl of Pomfret, Duke of Montague and Tom Hill stand on the far left; the performers are Lord Sempster as Cortez, Lady Caroline Lenox as Cydaria, Lady Sophia Fermor as Almeria, and Miss Catherine Conduitt, afterwards Lady Symington, as Alibech; Dr. Desaguiliers is shown consulting a book at the back of the stage.'--British Museum online catalogue
Alternative Title:
Conquest of Mexico
Description:
Title from caption below image., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: Not in Nichols's book., and On page 220 in volume 3.
Publisher:
Publish'd Jany. 1, 1792, by J. & J. Boydell, Cheapside, & at the Shakspeare Gallery, Pall Mall
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Conduitt, John, 1688-1737,
'A picture by Hogarth, showing a performance of Dryden's play 'The Indian Emperor; or, the Conquest of Mexico' which took place in spring 1732 in the house of John Conduitt, before the Duke of Cumberland, who stands on the left with the Princesses Mary and Louisa beside him; the Duke of Richmond is shown in the left foreground, leaning over his wife's chair, while Lady Deloraine, sitting beside her, bends forward towards her daughters; the Earl of Pomfret, Duke of Montague and Tom Hill stand on the far left; the performers are Lord Sempster as Cortez, Lady Caroline Lenox as Cydaria, Lady Sophia Fermor as Almeria, and Miss Catherine Conduitt, afterwards Lady Symington, as Alibech; Dr. Desaguiliers is shown consulting a book at the back of the stage.'--British Museum online catalogue
Alternative Title:
Conquest of Mexico
Description:
Title from caption below image., Sheet trimmed within plate mark., Mounted to 49 x 61 cm., Separate sheet (7.6 x 19 cm) with Horace Walpole's manuscript notes mounted below print., and No. 18 in the Catalogue of Framed Pictures in the Lewis Walpole Library.
Publisher:
Publish'd Jany. 1, 1792, by J. & J. Boydell, Cheapside, & at the Shakspeare Gallery, Pall Mall
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Conduitt, John, 1688-1737,
"The full face of Clifford, based on a fashionably swathed neck-cloth and high coat-collar, fills the design. The mouth is open as if shouting. The eyes and part of the cheeks are covered by circles representing huge spectacles. Each contains a symmetrical view of Covent Garden Theatre seen from the stage, showing pit, three tiers of boxes, and the centre of the two galleries (the 'pigeon-holes' not appearing), all crowded. The views differ only in the performers on the stage, two actors on the right (one clearly Kemble, probably as Macbeth), and on the left two actors and a file of soldiers. Superimposed on the middle of each circular design is a large 'O' (left) and 'P' (right). Round the broad rims of the spectacles: (left) 'Old House Old Prices & No Private Boxes' and (right) 'Old House Old Prices & No Pigeon Holes'. On the bridge across the nose: 'N.P.B.' (No Private Boxes, see British Museum Satires No. 11421)."--British Museum online catalogue
Description:
Title etched below image., Print made collaboratively by Isaac and George Cruikshank, with the latter responsible for the tiny figures in the spectacles. See British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clifford, Henry, 1768-1813, Kemble, John Philip, 1757-1823, Covent Garden Theatre,, and Covent Garden Theatre
Subject (Topic):
Theaters, Eyeglasses, Theater audiences, Actors, and Theatrical productions
Copy of a theatre ticket: a stage scene with six performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a copy of a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736
Description:
Title from caption at top of image. and State with Ireland's name spelled out.
Publisher:
publisher not identified
Subject (Topic):
Actors, Actresses, Aerialists, Cats, Dogs, Satyrs (Greek mythology) in art, and Theatrical productions
