"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., and 1 print : etching, hand-colored ; sheet 24.4 x 34.5 cm.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., and Temporary local Medical Library subject terms: Marriage & married life.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching on wove paper ; sheet 25.8 x 36.2 cm., and Ms. numbering in contemporary hand in top margin of print: 247.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Temporary local subject terms: Doctor., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35 x 25 cm, on sheet 41.8 x 25.6 cm., and Leaf 67 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., and Temporary local subject terms: Doctor.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Temporary local subject terms: Doctor., 1 print : etching with stipple, hand-colored ; sheet 36.2 x 24.6 cm., and Sheet trimmed within plate mark.
In front of Humphrey's print shop window, a man sits on the pavement, having fallen backwards; his legs are splayed up, his wig is falling off, and coins spill from his pockets. The man's predicament is unobserved by four men studying the Gillray prints displayed in the shop window, each identifiable: a gentleman with a quizzing glass held to his eye; a military officer; a coachman; and a young dustman carrying a pair of skates under his arm, his nose eaten away by syphilis. From the cobblestone street a dog looks at the man. Through the shop door, two men, one an obese cleric, are shown examining a print
Alternative Title:
St. James's Street
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
England and London
Subject (Name):
Humphrey, Hannah, active 1774-1817.
Subject (Topic):
City & town life, Clergy, Coach drivers, Falling, Merchandise displays, Military officers, British, Older people, People associated with commercial & service activities, Prints, Syphilis, Stores & shops, Thermometers, Weather, Window displays, and Printing industry
Plate lettered in the top center 'C': Reverse copies of details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1, 2. The embracing couple; 5 [i.e. 3]. A thermometer measuring emotions resting on two books, including 'Westly's Sermons'; 4. An old woman yawns; 5. "The Poor's box."
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
