Truth triumphant against the reapers being a most beautiful contrast
Description:
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., 'Price 6d'., Temporary local subject terms: Resignations: William Pitt the Elder's resignation, 1761 -- Personifications: Fame -- Medallions --Pensions -- Trades: sailors -- Frenchmen -- Spaniards -- British Lion -- Emblems: gallic cock -- Money: bribes -- Addresses: William Pitt's letter to William Beckford, 1761., Watermark: Vryheyt on the right side of sheet; counternark on the left., and Mounted to 27 x 37 cm.
Publisher:
J. Britton
Subject (Name):
George III, King of Great Britain, 1738-1820, Bussy, François de, 1699-1780, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Subject (Topic):
Britannia (Symbolic character), Devils, and Thrones
Publisht 16 Feb. 1750, according to Act of Parliament.
Call Number:
Print30011
Image Count:
1
Resource Type:
still image
Alternative Title:
King Edward VI granting the charter for Bridewell Hospital to Sir George Barnes
Description:
Title etched below image., Date from item., Place of publication derived from printmaker's nationality., Translated title supplied by curator., In margin upper right: PL. VI., Caption in Latin and English., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Edward VI, King of England, 1537-1553. and Bridewell Hospital.
Subject (Topic):
Orphanages, Hospitals, Kings, Thrones, Charters, Mayors, and Government officials
Depicts Orpheus being pushed out of Hades by a demon, though an arch composed of grotesque creatures. Orpheus is shown as an elderly fiddler with a wooden leg, while his counterpart, an elderly unpleasant-looking woman, is led by another demon in the opposite direction. Pluto and Proserpine are seated on thrones in the background laughing at the scene
Alternative Title:
Orpheus and Eurydice
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. as the act directs Jany. 16, 1784, by H. Humphrey, No. 51 New Bond Street
Subject (Name):
Orpheus (Greek mythological character) and Eurydice (Greek mythological character)
Subject (Topic):
Couples, Peg legs, Thrones, Monsters, Demons, and Myths
"Satire on the resignation of Lord Bute. George III is enthroned, Peace and Fame flying above and a large dog and a lion crouching at his feet; he welcomes the Duke of Newcastle and William Pitt who kneel before him (it was assumed that these two men would return to government, although in the event George Grenville replaced Bute). Britannia is seated in the centre of the print, facing a hydra-headed monster of faction; she is saying "See this and Tremble all you that wish evil to Israel" (Israel standing for England); behind her a Spaniard and a Frenchman despair at their loss. At top left, the Lord Mayor of London (probably intended for William Beckford) and a group of aldermen approach the king with a petition. At top right, a witch flies off on a broomstick over the "Flus Jordanus" to the "Alpes Herbronites" (the River Tweed and Scotland) carrying Henry Fox, two other ministers and the devil. One of the ministers wishes that "the Devil had the Author of Gisbal" (see BM Satires 3848) alluding to the role of the satirists in driving Bute to resign. Charles Churchill and John Wilkes fire at the broomstick, Wilkes wanting "One Pounce more and we will bring that Irish Owl to the Ground". In the foreground, on the right, Princess Augusta runs off carrying a diminutive Bute in a large boot on her back; she is chased by the Duke of Cumberland brandishing a sword and crying "Damn the Scotch Loon he flies faster than his Bretheren did in 45. If I come up with him I'll spoil his Running"; the young Duke of York runs with him. On the left, a group of sailors harrass a Scotsman declaring,"We will stand by our Noble Captain till not a Sawney be feft in the Land", "O O Jack see what this Dog has got to wet his Whistle with" and "Lend me your Sneaker [a rod] Tom I'll Probe him who knows but the Rascal has got his Belly full"; coins fall from the bagpipes clutched beneath the Scotsman's arm."--British Museum catalogue
Alternative Title:
Boot put to the flight
Description:
Title from item., Reduced and reversed copy of a print with the same title published on April 8, 1763. Cf. Stephens., Publication date from British Museum catalogue., Plate numbered '35' in upper right corner., Plate from: The second volume of The British antidote to Caledonian poison: ... for the years 1762 and 63, ... London : E. Sumpter's, [1764]., Temporary local subject terms: Mythology: Hydra -- Literature: Gisbal -- Resignations: Lord Bute's resignation, 1763 -- Personifications: Fame -- Personifications: Victory., and Mounted to 32 x 45 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Churchill, Charles, 1731-1764, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Dashwood, Francis, Sir, 1708-1781, Murphy, Arthur, 1727-1805, and Beckford, William, 1709-1770
Subject (Topic):
Britannia (Symbolic character), Devil, and Thrones
"George IV, with a swathed and gouty leg, stands in front of the throne, supported by Lady Conyngham and a crutch, his arm round her shoulder. Peel stands partly hidden by a curtain and immediately behind Wellington, his mouthpiece; he speaks into a speaking-trumpet, the stem of which passes from Wellington's ear to his mouth from which the trumpet projects. From this mouthpiece issue the words: I feel happy in being allowed thro any medium, however degrading to communicate my expressions of sincere devotion TO-- The King interrupts him: PLACE--hat will do Arthur, always keep between me and that fellow -- he rings such a peil in our Ears. Lady Conyngham turns to the King, pointing to the trumpet: This is a contrivance of my own -- I hate the sight of him & now your M-y can keep him at a distance. She wears a towering coiffure of loops of hair decorated with flowers. Beside Peel: To join with Christian Jew or Turk In doing any dirty Work."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 174.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"A scene at Court; beefeaters flank the dais of the empty throne (right). George IV stands before it, turning his back angrily on Prince Leopold, who bows distractedly, dropping his cocked hat with its field-marshal's plume. The King: "You smell of Brandynburgh ['y' being scored through and replaced with 'e']." Prince Leopold: "I have performed my Duty as a Husband to the satisfaction of the Country-- & I hope to do the same as a Son, & a Man;." Others at the levée register astonishment. Behind (left) a man in court-dress kneels facing the King, but is dragged away by three courtiers. He says: "Is this the answer to my Petition." One of the three replies: "Yes this is the Way we answer." Below the design: 'We've heard of the rump Parliment, Rump Chickens & rump't Dames [British Museum Satires No. 6716]. But of all the boasted rumps we've heard, This one most notice claims. A Pugilist he rumps his man, The Dustman rumps his Brother, But here observe the R--l plan , A Prince must rump his mother Rather than thus forego the Man, And virtuous feelings smother 'Gainst Persecution boldly stand, To save an Injured Mother.'"--British Museum online catalogue
Alternative Title:
Royal rumping
Description:
Title etched above image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 43 of: George Humphrey shop album.
Publisher:
Pub. Jany. 31, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Interiors, Honor guards, Podiums, Thrones, Bowing, Hats, and Petitions
The image in the center of the plate shows a fox seated on a throne placed in an outdoor setting, with a city and a river in the background. Behind the fox, a lion holding a flag decorated with the fleur-de-lis, removes the crown from fox's head. In front of the throne lie a few dead sheep while another one is being devoured by a fox. The text added above the image explains that "The following exact copy of a print published in the year 1628 is offered for the amusement of the public with Sir Richard Hill's verses delivered in the House of Commons on Monday the 8th of March 1784, entitling them His Majesty's most gracious answer to the mover [i.e., Fox] of the late humble (...) address."
Description:
Title from item., Impression without the publication statement., Sheet trimmed partially within plate mark., "Price 6d.", Copy of the title page to Gommersall's The tragedie of Lodovick Sforza (...) with contemporary text added., and Mounted to 33 x 28 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806. and Hill, Richard, Sir, 1733-1808.
Subject (Topic):
Politics and government, Foxes, Lions, Sheep, Thrones, Scepters, Crowns, and Cities & towns
The image in the center of the plate shows a fox seated on a throne placed in an outdoor setting, with a city and a river in the background. Behind the fox, a lion holding a flag decorated with the fleur-de-lis, removes the crown from fox's head. In front of the throne lie a few dead sheep while another one is being devoured by a fox. The text added above the image explains that "The following exact copy of a print published in the year 1628 is offered for the amusement of the public with Sir Richard Hill's verses delivered in the House of Commons on Monday the 8th of March 1784, entitling them His Majesty's most gracious answer to the mover [i.e., Fox] of the late humble (...) address." and "A copy of the title-page by T. Cecill to Gomersall's 'The Tragedie of Ludovick Sforza Duke of Millan'. It decorates the centre of a plate engraved with words attacking Fox. A fox seated on a throne holding a sceptre, apparently unconscious of a lion (France) which stands behind him on its hind-legs and removes his crown. The lion (right) holds a fleur-de-lis flag. In the foreground a fox (Sforza) is worrying a sheep; behind is a group of dead sheep. The fox is seated on rising ground beside a river, on the farther shore of which is a closely built town. At the bottom of the design is engraved, 'London. Printed, for John Marriott. 1628. Tho: Cecill. sculp.' Above the design is engraved: 'The following exact Copy of a Print published in the Year 1628 is offered for the Amusement of the Public With Sir Richard Hill's Verses delivered in the House of Commons on Monday the 8th of March 1784, entitling them His Majesty's most gracious Answer to the Mover of the late humble, loyal, dutiful and respectful Address.' Hill's verses are engraved on the left side of the print, with annotations on the right; they are printed in 'Parl. Hist.' xxiv. 743-4. They profess to be George III's answer to the Address to the king to remove his Ministers, moved by Fox on 1 Mar., which the king answered on 4 Mar. Ibid., pp. 699 ff. and 717-18. Hill's line, "All hail to thee Great Carlo Khan!" is annotated: Alluding to the print of Mr Fox riding upon an Elephant in the character of Carlo Khan (see BMSat 6276). North answered Hill saying, "it was exactly that kind of idle nonsense about Carlo Khan, &c, that had misled the weak part of the country so strangely". Ibid., p. 744. Cf. BMSat 6449. In the centre, beneath the print of Sforza, is engraved: 'A Fox thus mounted on a Throne, Would give the People cause to moan, But Freemen will by Englands Laws, Support their King & Pitts great cause.'"--British Museum online catalogue
Description:
Title from item., Sheet trimmed partially within plate mark., "Price 6d.", Copy of the title page to Gommersall's The tragedie of Ludovick Sforza (...) with contemporary text added., and Mounted to 28 x 31 cm.
Publisher:
Publish'd 29th March, 1784, by Wm. Leak, 76 Wood Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and Hill, Richard, Sir, 1733-1808
Subject (Topic):
Politics and government, Foxes, Lions, Sheep, Thrones, Scepters, Crowns, and Cities & towns
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Huge scroll representing the Whig amendment on the point of swallowing another smaller roll symbolizing the King's speech."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "77" in brown ink in lower left corner of design., and No. 77.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
