Surrendred March 22, 1770 and Surrendered March 22, 1770
Description:
Two designs within one plate, each titled separately., Description based on imperfect impression; sheet trimmed within plate mark resulting in loss of statement of responsibility., Publication place, date and statement of responsibility from British Museum catalogue., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 6 (1770), p. 309., Temporary local subject terms: Magna Charta -- Petitions: City Petition, March 14, 1770 -- Cross -- Male costume: king's robes., and Mounted to 20 x 14 cm.
Publisher:
publisher not identified
Subject (Name):
John, King of England, 1167-1216 and George III, King of Great Britain, 1738-1820
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April 1829]
Call Number:
829.04.00.17+
Image Count:
1
Resource Type:
still image
Abstract:
"George IV, seated on the throne, watches a display of jovial fraternization between John Bull and Pat, who dance, holding hands, each holding up a hat decorated respectively by rose and shamrock. A lanky garland of (thornless) roses and giant shamrocks drapes the crown on the back of the throne; one end is held up by Wellington (right), on the King's left, the other by Peel on his right, so that the King is framed by it. John Bull is an obese and drink-blotched "cit", with a snuff-box inscribed 'Irish' in his waistcoat pocket. Pat is a ragged Irish peasant, his bare legs swathed by twisted straw; his shillelagh lies on the ground; he looks with a broad but appraising grin at J. B., who sings: "Together reared together grown, Oh! let us now unite in one, Let friendship rivet the decree, Nor bigots sever Pat and Me!!!" Two discomfited 'bigots' depart on the left; one is a gouty parson using a crutch, with a 'Petition against Concession' hanging from his pocket, cf. British Museum Satires No. 15661, &c. The other is a Catholic bishop in robe and mitre. They say: 'It's time for us to be off.' Above their heads flies a figure of Discord, her hair consisting of snakes which spit flame towards J. B. The King, with extended arm, says: 'No more let Bigotry distract the Nation, Nor Priestcraft nurture lawless passion, Henceforth let rage and tumult cease, As brothers live and die in peace!!!'"--British Museum online catalogue
Alternative Title:
Glorious march of intellect
Description:
Title etched below image. and Watermark: J. Budgen 1823.
Publisher:
Pubd. April 1829 by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Subject (Topic):
John Bull (Symbolic character), Anti-Catholicism, National characteristics, Irish, Irish question, Gout, Ethnic stereotypes, Thrones, Crowns, Dance, Obesity, Roses, Shamrocks, Crutches, Clergy, Petitions, Bishops, and Miters
"The King, plainly dressed in black, tries to hide, ostrich-like, from the two Sheriffs of London, who kneel before him, holding their wands of office. The foremost, on both knees, his hand on his heart, says: We are deputed by the Corporation to wait upon your M----ty most humbly to know when it will be convenient to receive the dutiful address of your M----tys ancient and loyal City of London. The second sheriff, less obsequious, says: The Citizens are suprised at yr M----tys Backwardness, the Corporation looks blue, and the Lord Mayor is in a Brown Study. The King, poised on his toes, stoops over the throne, a plain arm-chair, as if to take cover, looking behind him from the corners of his averted eyes. He says: I'm not at home. An elderly Lord Chamberlain, also in black, leans forward on tiptoe, supporting himself on the back of the throne, one arm held out above the King's bent back with a gesture of negation to the Sheriffs and protection to the King, saying, He say's "he's not at home! The title is centred by two heraldic turtles and the City's motto: Domini Direge Nos [sic].."--British Museum online catalogue
Description:
Title etched below image., Publisher Thomas McLean was located at 26 Haymarket in 1827. See British Museum online catalogue., Sheet trimmed within plate mark., and Matted to: 31 x 46.4 cm.
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
"Satire on the Duke of Newcastle and Lord Barrington suggesting that their conduct of the war is influenced by, respectively, corruption and incompetence, with reference here to the disgrace of General Fowke and Admiral Byng."--British Museum online catalogue
Alternative Title:
Discard
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Four columns of verse below image: I've heard of times (pray God defend us, we're not so good but he may mend us) ..., Temporary local subject terms: Naval uniforms: officers' uniforms -- Literature: Shakespeare., and Watermark: Strasburg lily with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Anson, George Anson, Baron, 1697-1762, Barrington, William Wildman Barrington, Viscount, 1717-1793, Byng, John, 1704-1757, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Thrones, and Eagles
"Pitt stands in front of the throne to which he points with a hand holding a number of threads attached to the noses of his supporters, who advance through a doorway, the foremost kneeling or prostrating themselves. Across his forehead is a placard inscribed 'Interest'; he says, "Approach & Salute the Broad Bottom of Royalty!!" He holds a large flag inscribed 'Standard of venality' on which are a large earl's coronet indicating Lonsdale (see British Museum Satires No. 6579), two duke's coronets, a mitre, a baron's and a viscount's coronet, and three money-bags, each inscribed 'Cole' (cf. British Museum Satires No. 6213), followed by the words 'to be Given Away'. On the ground at Pitt's feet are the words, 'Road to Preferment'. The king kneels on the throne exposing his 'broad bottom' to the Pittites; it is irradiated and to it are attached a pair of small wings; it is further adorned with Garter star and ribbon inscribed 'Honi Soit qui mal...'. He bends forward, his body in a horizontal position, so that his head and shoulders are hidden by a curtain (left) inscribed 'Secret Influence Drying Clouts! Nursing Making toast [cf. British Museum Satires No. 7923] Rocking the Cradle, &c. &c. &c.' The crowd of Pittites advances through a doorway surmounted by a large royal crown flanked by a birch-rod and a sword. Across the doorway is inscribed 'Hall of Prerogative 1784', and over the heads of the members, 'Majority of ye New P------T We are your Devoted Slaves'. Their heads are crudely drawn and few can be identified: a man in the forefront in tartan is evidently Dundas. A man full-face in the centre of the crowd who is inscribed 'Rat Catcher' and has a rat on his forehead is John (or Jack) Robinson, see British Museum Satires No. 6427, &c. Thurlow in wig and gown kneels in profile to the left, and a man on the extreme right resembles Barré. A parson in the foreground is probably Mason, cf. British Museum Satires No. 6485."--British Museum online catalogue
Alternative Title:
First levee of the new Parliament
Description:
Title from item., Temporary local subject terms: Parliamentary levees -- Secret influence -- Members of Parliament as slaves -- Royal prerogative -- Homage -- 'Broad Bottom'., Watermark in center of sheet: J Whatman., and Mounted to 29 x 46 cm.
Publisher:
Pubd. as the act directs, May 29, 1784, by T. Hardy, Strand
Subject (Name):
George III, King of Great Britain, 1738-1820, Lonsdale, James Lowther, Earl of, 1736-1802, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Robinson, John, 1727-1802, Barré, Isaac, 1726-1802, and Mason, William, 1725-1797
Subject (Topic):
Thrones, Buttocks, Legislators, Kneeling, Crowns, Flags, and Bribery
George III, shown as a lion holding a sceptre and seated under a canopy, receives a deputation of ganders led by a fox (Charles Fox) and a muzzled bear (Lord North). The first of the ganders reads a petition requesting the dismissal of the elephant (William Pitt) who stands to the lion's left. On the right side of the throne, a bull (John Bull) with its head lowered, appears ready to attack the deputation. The text of "The ganders address" is etched below the image, together with the text of "The lion's answer" in which the King rejects the petition
Description:
Title from item., Publication date from British Museum catalogue., The text of "The ganders address" has the same manuscript corrections as listed in George., and Mounted to 45 x 32 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., and Pitt, William, 1759-1806.
Subject (Topic):
John Bull (Symbolic character), Petitions, Bears, Elephants, Foxes, Geese, and Thrones
"The Duke of York leads his bride to the King and Queen, who are seated side by side on the throne (right), much caricatured, making gestures of eager greed. The King looks through a glass, the Queen holds out her apron to catch the coins which the Duchess holds in her apron. Behind the pair on the extreme left walks a gigantic Prussian soldier with extravagantly long moustaches, carrying a large money-bag under each arm, inscribed '£100000' and '£100 ...'"--British Museum online catalogue
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., With Horace Walpole's manuscript annotations: Duchess of York / Duke of York / Queen / King., and Mounted to 28 x 38 cm.
Publisher:
Pubd. Novr. 22d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
Subject (Topic):
Avarice, Coins, Dowry, Military uniforms, Prussian, Reception rooms, Royal weddings, Skull & crossbones, Telescopes, and Thrones
"The Duke of York leads his bride to the King and Queen, who are seated side by side on the throne (right), much caricatured, making gestures of eager greed. The King looks through a glass, the Queen holds out her apron to catch the coins which the Duchess holds in her apron. Behind the pair on the extreme left walks a gigantic Prussian soldier with extravagantly long moustaches, carrying a large money-bag under each arm, inscribed '£100000' and '£100 ...'"--British Museum online catalogue
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., 1 print : etching plate mark 25 x 35.2 cm., on sheet 26 x 36 cm., and On wove paper, hand-colored.
Publisher:
Pubd. Novr. 22d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
Subject (Topic):
Avarice, Coins, Dowry, Military uniforms, Prussian, Reception rooms, Royal weddings, Skull & crossbones, Telescopes, and Thrones
"Catherine II places in its niche the bust of Fox which is being hauled into position by a rope over a pulley held by a Russian bear, who crouches (right) beside the steps on which the Empress stands. She is in back view, very stout, wearing ermine-trimmed robes with a laurel wreath in place of the usual crown. On each side of the bust is a larger alcove for whole length statues of 'ΔΕΜΟΣΘΕΝΗΣ' and 'M.T. CICERO'. These statues are stepping down from their niches, looking apprehensively at Fox. Their eyes have the blankness of sculpture, but their faces express indignant alarm. Cicero holds a scroll: 'In Cata[linam]'. Fox's head is that of life rather than of sculpture. Above it is an oval picture or bas-relief inscribed 'Regulus'; a number of men are imprisoning a victim in a large cask lined with spikes. Demosthenes (left) steps down from his niche on to one of two large packing-cases inscribed 'Houghton Collection For The Emp[ress of] Russia' and 'Hough . . .' (Catherine having bought pictures from the collection of Sir Robert Walpole). Beside them stands a bust of Paul Jones, wearing a cocked hat and looking up at Fox with a sinister glare. Cicero steps down on to the arm of the Imperial throne, which is formed by the neck of a vulture; the legs of the throne are those of a bird of prey. On its seat lies a scroll inscribed: 'Memorial Ambassador extraordinary Sheweth That your Memorialists are attached to your Majesty and have opposed the Armament, divided against the Minister [ ? leaving him in a] small Majority, rai[led] against the Balance [of] Power, chalked up [on] the Walls in capital [letters] No Russian War.' (The right edge of the document is cut off by the margin of the design, leaving some of the words to be supplied by the reader.) Under the chair lies a dog. The vulture's claw which forms a leg of the throne is planted on a large map across the word 'Oczak[ow]'; 'The Bog', 'The Neister', and 'Black Sea' are also shown. The Russian bear is crouching on this map."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Symbols: Russian bear -- Birds -- Furnishings: Throne with vulture's heads and legs -- Statues -- Busts -- Maps: Russia's expansions westward -- Pictures amplifying subject: Regulus tortured by Carthaginians -- Art collections: allusion to Catherine II's purchase of Sir Robert Walpole's collection., and Mounted on page 73.
Publisher:
Published 15th March 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, Catherine II, Empress of Russia, 1729-1796, Jones, John Paul, 1747-1792, Cicero, Marcus Tullius., Regulus, Marcus Atilius, -250 B.C.?, and Demosthenes.
Subject (Topic):
Bears, Vultures, Thrones, Sculpture, Pulleys, and Maps
