The image in the center of the plate shows a fox seated on a throne placed in an outdoor setting, with a city and a river in the background. Behind the fox, a lion holding a flag decorated with the fleur-de-lis, removes the crown from fox's head. In front of the throne lie a few dead sheep while another one is being devoured by a fox. The text added above the image explains that "The following exact copy of a print published in the year 1628 is offered for the amusement of the public with Sir Richard Hill's verses delivered in the House of Commons on Monday the 8th of March 1784, entitling them His Majesty's most gracious answer to the mover [i.e., Fox] of the late humble (...) address."
Description:
Title from item., Impression without the publication statement., Sheet trimmed partially within plate mark., "Price 6d.", Copy of the title page to Gommersall's The tragedie of Lodovick Sforza (...) with contemporary text added., and Mounted to 33 x 28 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806. and Hill, Richard, Sir, 1733-1808.
Subject (Topic):
Politics and government, Foxes, Lions, Sheep, Thrones, Scepters, Crowns, and Cities & towns
The image in the center of the plate shows a fox seated on a throne placed in an outdoor setting, with a city and a river in the background. Behind the fox, a lion holding a flag decorated with the fleur-de-lis, removes the crown from fox's head. In front of the throne lie a few dead sheep while another one is being devoured by a fox. The text added above the image explains that "The following exact copy of a print published in the year 1628 is offered for the amusement of the public with Sir Richard Hill's verses delivered in the House of Commons on Monday the 8th of March 1784, entitling them His Majesty's most gracious answer to the mover [i.e., Fox] of the late humble (...) address." and "A copy of the title-page by T. Cecill to Gomersall's 'The Tragedie of Ludovick Sforza Duke of Millan'. It decorates the centre of a plate engraved with words attacking Fox. A fox seated on a throne holding a sceptre, apparently unconscious of a lion (France) which stands behind him on its hind-legs and removes his crown. The lion (right) holds a fleur-de-lis flag. In the foreground a fox (Sforza) is worrying a sheep; behind is a group of dead sheep. The fox is seated on rising ground beside a river, on the farther shore of which is a closely built town. At the bottom of the design is engraved, 'London. Printed, for John Marriott. 1628. Tho: Cecill. sculp.' Above the design is engraved: 'The following exact Copy of a Print published in the Year 1628 is offered for the Amusement of the Public With Sir Richard Hill's Verses delivered in the House of Commons on Monday the 8th of March 1784, entitling them His Majesty's most gracious Answer to the Mover of the late humble, loyal, dutiful and respectful Address.' Hill's verses are engraved on the left side of the print, with annotations on the right; they are printed in 'Parl. Hist.' xxiv. 743-4. They profess to be George III's answer to the Address to the king to remove his Ministers, moved by Fox on 1 Mar., which the king answered on 4 Mar. Ibid., pp. 699 ff. and 717-18. Hill's line, "All hail to thee Great Carlo Khan!" is annotated: Alluding to the print of Mr Fox riding upon an Elephant in the character of Carlo Khan (see BMSat 6276). North answered Hill saying, "it was exactly that kind of idle nonsense about Carlo Khan, &c, that had misled the weak part of the country so strangely". Ibid., p. 744. Cf. BMSat 6449. In the centre, beneath the print of Sforza, is engraved: 'A Fox thus mounted on a Throne, Would give the People cause to moan, But Freemen will by Englands Laws, Support their King & Pitts great cause.'"--British Museum online catalogue
Description:
Title from item., Sheet trimmed partially within plate mark., "Price 6d.", Copy of the title page to Gommersall's The tragedie of Ludovick Sforza (...) with contemporary text added., and Mounted to 28 x 31 cm.
Publisher:
Publish'd 29th March, 1784, by Wm. Leak, 76 Wood Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and Hill, Richard, Sir, 1733-1808
Subject (Topic):
Politics and government, Foxes, Lions, Sheep, Thrones, Scepters, Crowns, and Cities & towns
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Huge scroll representing the Whig amendment on the point of swallowing another smaller roll symbolizing the King's speech."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "77" in brown ink in lower left corner of design., and No. 77.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Surrendred March 22, 1770 and Surrendered March 22, 1770
Description:
Two designs within one plate, each titled separately., Description based on imperfect impression; sheet trimmed within plate mark resulting in loss of statement of responsibility., Publication place, date and statement of responsibility from British Museum catalogue., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 6 (1770), p. 309., Temporary local subject terms: Magna Charta -- Petitions: City Petition, March 14, 1770 -- Cross -- Male costume: king's robes., and Mounted to 20 x 14 cm.
Publisher:
publisher not identified
Subject (Name):
John, King of England, 1167-1216 and George III, King of Great Britain, 1738-1820
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April 1829]
Call Number:
829.04.00.17+
Image Count:
1
Resource Type:
still image
Abstract:
"George IV, seated on the throne, watches a display of jovial fraternization between John Bull and Pat, who dance, holding hands, each holding up a hat decorated respectively by rose and shamrock. A lanky garland of (thornless) roses and giant shamrocks drapes the crown on the back of the throne; one end is held up by Wellington (right), on the King's left, the other by Peel on his right, so that the King is framed by it. John Bull is an obese and drink-blotched "cit", with a snuff-box inscribed 'Irish' in his waistcoat pocket. Pat is a ragged Irish peasant, his bare legs swathed by twisted straw; his shillelagh lies on the ground; he looks with a broad but appraising grin at J. B., who sings: "Together reared together grown, Oh! let us now unite in one, Let friendship rivet the decree, Nor bigots sever Pat and Me!!!" Two discomfited 'bigots' depart on the left; one is a gouty parson using a crutch, with a 'Petition against Concession' hanging from his pocket, cf. British Museum Satires No. 15661, &c. The other is a Catholic bishop in robe and mitre. They say: 'It's time for us to be off.' Above their heads flies a figure of Discord, her hair consisting of snakes which spit flame towards J. B. The King, with extended arm, says: 'No more let Bigotry distract the Nation, Nor Priestcraft nurture lawless passion, Henceforth let rage and tumult cease, As brothers live and die in peace!!!'"--British Museum online catalogue
Alternative Title:
Glorious march of intellect
Description:
Title etched below image. and Watermark: J. Budgen 1823.
Publisher:
Pubd. April 1829 by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Subject (Topic):
John Bull (Symbolic character), Anti-Catholicism, National characteristics, Irish, Irish question, Gout, Ethnic stereotypes, Thrones, Crowns, Dance, Obesity, Roses, Shamrocks, Crutches, Clergy, Petitions, Bishops, and Miters
"The King, plainly dressed in black, tries to hide, ostrich-like, from the two Sheriffs of London, who kneel before him, holding their wands of office. The foremost, on both knees, his hand on his heart, says: We are deputed by the Corporation to wait upon your M----ty most humbly to know when it will be convenient to receive the dutiful address of your M----tys ancient and loyal City of London. The second sheriff, less obsequious, says: The Citizens are suprised at yr M----tys Backwardness, the Corporation looks blue, and the Lord Mayor is in a Brown Study. The King, poised on his toes, stoops over the throne, a plain arm-chair, as if to take cover, looking behind him from the corners of his averted eyes. He says: I'm not at home. An elderly Lord Chamberlain, also in black, leans forward on tiptoe, supporting himself on the back of the throne, one arm held out above the King's bent back with a gesture of negation to the Sheriffs and protection to the King, saying, He say's "he's not at home! The title is centred by two heraldic turtles and the City's motto: Domini Direge Nos [sic].."--British Museum online catalogue
Description:
Title etched below image., Publisher Thomas McLean was located at 26 Haymarket in 1827. See British Museum online catalogue., Sheet trimmed within plate mark., and Matted to: 31 x 46.4 cm.
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
"Satire on the Duke of Newcastle and Lord Barrington suggesting that their conduct of the war is influenced by, respectively, corruption and incompetence, with reference here to the disgrace of General Fowke and Admiral Byng."--British Museum online catalogue
Alternative Title:
Discard
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Four columns of verse below image: I've heard of times (pray God defend us, we're not so good but he may mend us) ..., Temporary local subject terms: Naval uniforms: officers' uniforms -- Literature: Shakespeare., and Watermark: Strasburg lily with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Anson, George Anson, Baron, 1697-1762, Barrington, William Wildman Barrington, Viscount, 1717-1793, Byng, John, 1704-1757, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Thrones, and Eagles
