Hudibras and Ralpho encounter a mob armed with sticks; in the foreground to right, a one-legged fiddler, a butcher and a dancing bear with his leader. On the left, a woman reaches out her arms
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "3" in upper right corner., Caption below, on either sige of title beginning: The catalogue and character of th' enemies best men of war; whome ina bold harangue [the] knight defies, and challenges to fight. H' encounters Talgol, routs the bear, and takes the fidler prisoner; conveys him to enchanted castle, there shuts him fast in wooden bastile., Sheet trimmed within plate mark., and On page 30 in volume 1. Plate trimmed to: 26.7 x 34 cm.
Publisher:
Sold by Phil. Overton near St. Dunstans Church Fleetstreet and Ino. Cooper in Iames Street, Convent Garden
Subject (Geographic):
Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Bears, Crowds, Butchers, Musicians, People with disabilities, Puritans, Riots, and Trained animals
Hudibras and Ralpho encounter a mob armed with sticks; in the foreground to right, a one-legged fiddler, a butcher and a dancing bear with his leader. On the left, a woman reaches out her arms
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption below, on either sige of title beginning: "The catalogue and character of th' enemies best men of war; whome ina bold harangue [the] knight defies, and challenges to fight. H' encounters Talgol, routs the bear, and takes the fidler prisoner; conveys him to enchanted castle, there shuts him fast in wooden bastile.", Numbered "3" in upper right corner., and On page 30 in volume 1. Plate trimmed to: 27 x 33.9 cm.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Bears, Crowds, Butchers, Musicians, People with disabilities, Puritans, Riots, and Trained animals
Hudibras and Ralpho encounter a mob armed with sticks; in the foreground to right, a one-legged fiddler, a butcher and a dancing bear with his leader. On the left, a woman reaches out her arms
Description:
Title engraved below image., Copy of the Hogarth print., Caption below, on either sige of title beginning: "The catalogue and character of th' enemies best men of war; whome ina bold harangue [the] knight defies, and challenges to fight. H' encounters Talgol, routs the bear, and takes the fidler prisoner; conveys him to enchanted castle, there shuts him fast in wooden bastile.", Copy in reverse of no. 506 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 84.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Bears, Crowds, Butchers, Musicians, People with disabilities, Puritans, Riots, and Trained animals
"Eight groups or couples display different dances, the names of which are in the lower margin. On the extreme left stands [1] a 'Dancing Master', thin, dandified, stooping, arms dropped, fiddle and bow in left hand, feet turned out. [2] 'Country Dance'. Three couples, 'hands across'. [3] 'Scots Reel' A man in Highland dress dances between two women in a six-hand reel. [4] 'Irish Jig'. Three bandy-legged peasants jig: man (holding up a 'Whiskey' bottle), woman, and small boy who drinks from a glass and holds a large shillelagh. [5] The centre-piece: 'La Minuet'. A very slim man in court-dress, with powdered queue, dances with a lady who holds up the train of a limp gown. Behind them is the musicians' gallery supported on two palm-tree pillars, round which serpents are twined from whose mouths gas-flames issue. A life-like 'Terpsichore' supports the drapery of the box, which is inscribed 'On the light fantastic toe'. The front of the box is decorated with fantastic dancing figures, including a Red Indian, a Harlequin, a Punch; some are in lines and dots (cf. No. 12955). The instruments are flutes, bagpipes, harp, violins, 'cello, oboe, French horn. On the right: [6] 'German Waltz', an ugly couple, her hands on his shoulders, his on her waist. [7] 'French Quadrille'. One man and three ladies face three men and one lady. [8] 'Spanish Boliero'. A couple dance, clicking castanets, the man wears slashed doublet with knee-breeches. [9] 'Ballet Italienne'. Two dancers, each poised on a toe, leg extended, holding between them a long garland of roses. Beside them dances a little Italian greyhound. The wall which forms a background is covered with pictures, flanking the gallery. 'Dancing Dogs': a man with a whip directs five dressed-up dogs on their hind-legs. 'Dancing Bear'. A man holds the muzzled bear on a chain; a dressed-up monkey capers on the bear's head; a boy plays pipe and tabor. 'Dancing Horse'. On the stage of an equestrian theatre a man in light horse uniform, a clown behind him, directs the movements of a horse. 'Rope Dancing'. A woman ascends a slanting tight-rope, while rockets explode around her. 'St Vitus's Dance'. A fat doctor, smelling his cane, holds the pulse of a capering and emaciated invalid. 'Dancing Mad'. Two men leap or prance frantically in rage or despair, while a third capers at the end of a rope by which he hangs from a gibbet."--British Museum online catalogue
Alternative Title:
Sketches of characteristic dancing
Description:
Title from caption below image. and Watermark: John Hall 1814.
Publisher:
Pubd. August 31st, 1817, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Balls (Parties), Couples, Dance, Musical instruments, Orchestras, and Trained animals
The collision of several coaches results in a scene of mayhem on a city street as the coachmen brandish their whips, much to the horror of their well-dressed passengers. As a result of the collisions, two vendors and their wares are thrown on a third vendor, all tumbling onto the sidewalk in front of the corner shop "Peter Thump Gold Beater". A workman carrying bricks up a ladder is also in peril. Gold beaters in the corner shop look on while continuing their work. On the right two dancing dogs continue their performance
Description:
Sheet trimmed within plate mark., Four lines of text below title: In going out to dinner (already too late) your carriage delayed by a jam of coaches ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman., and Mounted to 31 x 40 cm.
Publisher:
Pubd. Feby. 1st, 1807 by R. Ackeman [sic], No. 101 Strand
Subject (Topic):
Coach drivers, Carriages & coaches, City & town life, Dogs, Passengers, Street vendors, Trained animals, Traffic accidents, and Metalworkers
"George IV, seated in an armchair, plays a 'cello. Bloomfield stands behind, playing a flute; in his pocket is a paper: 'Farmer's Boy' [for this identification cf. (e.g.) that of Orger in British Museum Satires No. 11940]. Lady Conyngham stands beside the King, saying blandly: "Play Here we go Up Up Up." On the right is a dancing bear, facing a stout jovial man (identified, A. de R. xviii. 4 as Sir L. Neagle, i.e. Sir E. Nagle, appointed Groom of the Bedchamber on George IV's accession). No one notices John Bull (wearing top-hat and top-boots) who enters, shouting: "Rome's on fire, Haste Haste Help Help the People 's Roused, Perjurys allowed Conspirators are suffered to Escape, the Directors are impeached-- the World's in Arms." Behind the King hangs a large placard: Estimate of Expenses at the Chinese Temple One Million--Building Repairing & Furnishing Mark Anthonys State Barges Building two New ones . . . £150,000 Cottage seat Como [Countess Cowper (25 Sept. 1820): 'They say the story is really true of blundering Sir E. Nagel saying in the boat on the Lake near the New Cottage, "We have also got our little Lake of Como"--the King and Ly C present.' Airlie, 'Lady Palmerston', 1922, i. 67; 'The King laughed very much...' 'Journal of H. E. Fox', 1923, p. 38; cf. British Museum Satires No. 13857] formerly called V-g-o [sic] Water . . . 40,000 New Cottage at O-P Q . . . 20,000. Presents to Cleopatra. Horse 150 Diamond Necklace . . . 30,000. Pearl Ditto . . . to Cleo's Daughter 15000. Sinecure to Cleo's Boy Pr Anm 3000.' Above Lady Conyngham's head is a painting of a nude woman in bed; below this is an unframed print, a bust portrait of 'Caroline' with the head torn off."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: 1820., Watermark: J. Whatman 1820., and Manuscript "265" in upper center of plate.
Publisher:
Pub. Oct. 11th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Nagle, Edmund, Sir, 1757-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Nero, Emperor of Rome, 37-68.
Subject (Topic):
John Bull (Symbolic character), Adultery, Musical instruments, Violoncellos, Flutes, Trained animals, and Bears
Caption title., Publication date from Foxon., Verse begins: 'Tis well we live in such a fickle place, Where Novelty was ever follow'd more than Grace ... One Foll makes many, if't be really so, Monkies and Monsters are the best to show., "Price 2 d."--Following imprint., "Beware of wretched halfpenny wooden cuts."--Below imprint., and With a large woodcut below the title and preceding the letterpress text: Madamoiselle Javellot is shown on stage flanked on either side by chandeliers wtih her performing dogs in costumes in front and a musician in the background, left, behind the curtain.
Publisher:
Printed and sold by J. Morphew, near Stationers Hall
Subject (Name):
Pinkethman, William, -1725 and Bartholomew Fair.
Subject (Topic):
Opera, Theater, Animals in human situations, Dogs, Fairs, Musicians, Theater curtains, and Trained animals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st April 1774.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 87. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A soldier with a long stick in his left hand stands in front of wall baiting a muzzled and chained brown bear that stands upright and facing him, paws curled. Off to the right, a second soldier stands behind the first and plays a horn; he also holds a stick in the crock of his left arm. On the far left, a third man, with his back to the viewer, observes the bear, his right arm bent suggesting that he is addressing a comment to the soldier?
Description:
Title from British Museum online catalogue, registration no.: J,6.5., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 87 of: Bunbury album.
Publisher:
publisher not identified
Subject (Topic):
Trained animals, Chains, Wind instruments, and Staffs (Sticks)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
A soldier with a long stick in his left hand stands in front of wall baiting a muzzled and chained brown bear that stands upright and facing him, paws curled. Off to the right, a second soldier stands behind the first and plays a horn; he also holds a stick in the crock of his left arm. On the far left, a third man, with his back to the viewer, observes the bear, his right arm bent suggesting that he is addressing a comment to the soldier?
Description:
Title from description of earlier state in the British Museum online catalogue., Reissue, with different imprint statement, of a print originally published 1 April 1774. Cf. British Museum online catalogue, registration no.: J,6.5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark, partially trimmed: A. Stace 1801.
Publisher:
Pubd. July 21, 1801, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Trained animals, Chains, Wind instruments, and Staffs (Sticks)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.01 Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
A soldier with a long stick in his left hand stands in front of wall baiting a muzzled and chained brown bear that stands upright and facing him, paws curled. Off to the right, a second soldier stands behind the first and plays a horn; he also holds a stick in the crock of his left arm. On the far left, a third man, with his back to the viewer, observes the bear, his right arm bent suggesting that he is addressing a comment to the soldier?
Description:
Title from description of earlier state in the British Museum online catalogue., Reissue, with different imprint statement, of a print originally published 1 April 1774. Cf. British Museum online catalogue, registration no.: J,6.5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print on laid paper : etching and drypoint, hand-colored ; plate mark 21.3 x 26.9 cm, on sheet 25 x 32 cm., Imperfect; artist and printmaker signatures mostly erased from sheet., Watermark: J. Whatman 179[...?]., and Publisher's stamp (partially trimmed) in lower right corner of sheet: S.W.[F.].
Publisher:
Pubd. July 21, 1801, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Trained animals, Chains, Wind instruments, and Staffs (Sticks)
