Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 4th April 1795 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Black people, Punch and Judy, Falstaff, John, Turks, Devil, and Masquerades
Manuscript on paper of Epistolae Magni Turci, texts on the winds, and other texts
Description:
In Latin., Watermark: Hand topped by Star, similar to Briquet 10706., Script: Hand A is copied in Humanistica Cursiva; Hand B is copied in Gothico-Humanistica Libraria., Art. 4 is not decorated. In artt. 2-3 there are 2-or 3-line initials, in black ink and in outline; they have generally not been executed on the first pages. Guide letters do not seem to have been written consistently. The schematic drawing of art. 1 is traced in lead and consists of two concentric circles inscribed in a square and crosswise divided with double lines., The manuscript contains: 1) Circular diagram of the world with the four main directions of the winds and the Latin names of 12 winds. 2) Laudivius Zacchia (Laudivio da Vezzano, ca. 1435-after 1475, Ps.-Mahomet II), Epistolae Magni Turci. 3) De Hermaphrodito, ascribed to Hildebertus Cenomannensis (Hildebert of Le Mans,1065-1133) and others, here ascribed to Antonius Panormitanus (Antonio Beccadelli,1394-1471). 4) Note on the winds and their Latin names, according to the title based on Papias, Isidore of Seville and Boccaccio., and Binding: modern paper binding; on the front cover a printed label with the title “EPISTOLAE / MAGNI TURCI / MANUSCRIT”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Latin letters, Medieval and modern, Latin poetry, Medieval and modern, Manuscripts, Medieval, Turks, and Winds
"An archaic iron-studded door, with posts and lintel of solid but ancient oak, represents the door of the 'COMMONS' [inscription on lintel]. Above: '"They of Rome are enter'd in our Counsels Sh.' ['Coriolanus', I. ii]. An old-clothes' man stands at the door in profile to the left gazing up at the inscription; he raises the knocker, a ring in the mouth of an angry lion's head. He is bearded, with an ultra-Jewish profile, and has three hats piled on his own, the topmost being a flaunting feminine erection. He wears a ragged and patched gaberdine, old-fashioned buckled shoes, and carries across his shoulder a large bag, from a hole in which projects a pig's foot (a pig in his poke). On his back is an open box of trinkets, containing watches. Close behind him stands a turbaned Turk, watching him with eager anxiety. The Jew: 'Come I sha--Open the door vill ye--I vants to come in--and heres a shentlemans a friend of mines--vants to come in too--dont be afeard--I dont vant a sheat for nothing--I can pay for it So help me Got.' Three men (safely inside) look down at the applicants from a small open window beside the door (right): a dissenter, holding his hat, and characterized by lank hair and plebeian features (resembling Liston as Maw-Worm, cf. British Museum Satires No. 16943); a Jesuit wearing a biretta, and putting a thumb to his nose, and a fat elderly monk; the last two frown. The left door-post (somewhat cracked) is inscribed: 'OAK Suppose to be sound Put up 1688 only latly discovered to be full of Skakes[?peare].'"--British Museum online catalogue and "Catholic Emancipation, following the repeal of the Test and Corporation Acts (see British Museum satires no. 15530), raised hopes of Jewish emancipation, see British Museum satires no. 15770, &c. For the (baptized) Jew as seat-purchaser cf. Sir M. M. Lopes (to whom an allusion is probably intended, see British Museum satires no. 15683); for Jews and pigs cf. British Museum satires no. 12146, &c; for "1688" see British Museum satires no. 15707, &c. The design resembles and may be based on British Museum satires bo. 8981 (1797) by Gillray."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., Imprint continues: ... political & other caricatuers daily pub., Publisher's announcement at top of sheet: All Paul Prys works have T. McLeans name attach'd as the publisher, those without are pirated copies [image of a man with an umbrella]., and Slight loss of sheet on right and lower edges.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Topic):
Freedom of religion, Catholic emancipation, Jews, Emancipation, Jesuits, Turks, Doors & doorways, Ethnic stereotypes, Knocking, and Monks
"Prince Leopold (right), in uniform, puts his head through a glassless aperture in a window in the door of his 'Grecian Establish[ment]--Co[burg]', to look intently at a fat Turk who stands in profile to the right, elaborately dressed and holding a long pipe with smoking bowl. The door, partly cut off by the right margin, is flanked by a Corinthian pillar and set in a wall on which are placards: 'This . Shop!!! will shortly open under entire new Management--Vivant [sic] Rex'; a Union Jack poster (partly covered); the Russian eagle, and a fleur-de-lis, the two last inscribed 'Loan'. The Turk: 'What have you taken the Shop? well if you take my advice you will not give Your Customers too much Credit for I can tell you they are a queer set to deal with by the bye they nearly ruined me--and mind that you look sharp after your Shopmen'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Window mounted to 50 x 36 cm.
Publisher:
Pub. April 10, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Léopold I, King of the Belgians, 1790-1865
Subject (Topic):
Turks, Ethnic stereotypes, Doors & doorways, National emblems, and Signs (Notices)
A shop bill for John Barker Goldsmith, at the Morocco Ambassadsor's Head in Lombard Street
Description:
Title from Paulson., Formerly attributed to Hogarth., Description from a note in Steevens's hand., Sheet trimmed to plate mark., and On page 3 in volume 1.
A copy of a shop bill for John Barker Goldsmith, at the Morocco Ambassadsor's Head in Lombard Street
Description:
Title from Paulson., Formerly erroneously attributed to Hogarth., Engraved for: Nichols, J. B. Genuine works of William Hogarth, following p. 102, v. 3, no. 6., Sheet trimmed to plate mark., Copy after: Paulson, R. Hogarth's graphic works (2nd ed.), no. 275., and On page 3 in volume 1.