"A toilet scene. The Regent stands in profile to the right at his dressing-table, rouging his cheek with a small brush. An attendant, resembling McMahon, laces the stays which in front resemble a waistcoat; he tugs at the lace, standing on a low stool, using one foot as a fulcrum against his master's posterior (cf. British Museum Satires No. 8287), a small buffer ornamented with goats' heads being attached to this foot. On the oval mirror which reflects the Prince's face sits a monkey, holding on its head a wig with a pyramid of curls above the forehead with large side-whiskers attached. The Prince's hair is similarly arranged. The Prince's tail-coat, in back view, is spreadeagled on a stand. On an ornate wall-bracket inscribed 'Bills' and 'Recetts' are two ornamental files, one filled with bills: 'hatters Bill', 'Poulterers Bill', 'Fishmongers B', 'Hair Dresser', 'Taylors Bill', 'Butchers Bill', 'Docters Bill', 'Silve smiths Bill'; the other empty. A bracket-clock, surmounted by a figure of Time shearing a triple ostrich plume, points to two o'clock (reversed). A round wall-mirror and candle-sconce is surmounted by a figure of Bacchus bestriding a cask. On the dressing-table are pots and jars of 'Tooth Powder', 'Rouge', 'Otto of Roses', and 'Secilian Wash for the Skin'. On the floor is a book, 'The Stripes Poem', which a small dog shaved like a poodle is befouling."--British Museum online catalogue
Alternative Title:
Regency a la mode
Description:
Title etched below image., Imprint statement burnished from plate and mostly illegible; it appears to begin "Pub. Feb. 1st [...?]"., Sheet trimmed within plate mark., and Laid down on modern laid blue-grey THS Kent paper. Mounted to 49 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, and Dionysus (Greek deity),
"An exciseman stands in profile to the left, his lower lip protruding grotesquely; his chest is much thrown out, right hand thrust under his coat, left arm behind his back. From his pocket protrudes an 'Excise Book'. His ink-bottle is attached to his coat; in it is a pen; another pen projects from his cocked hat. A dog (right) befouls his leg."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Excisemen -- Excise books -- Ink bottles., Leaf 59 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 19.8 x 14.9 cm, on sheet 31.1 x 25.5 cm., and Watermark, trimmed: [Ed]meads 1808.
"An exciseman stands in profile to the left, his lower lip protruding grotesquely; his chest is much thrown out, right hand thrust under his coat, left arm behind his back. From his pocket protrudes an 'Excise Book'. His ink-bottle is attached to his coat; in it is a pen; another pen projects from his cocked hat. A dog (right) befouls his leg."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Excisemen -- Excise books -- Ink bottles., and Watermark: 1814.
A scene in an artist's studio lit from an attic window (left). Four connoisseurs are grouped round a large canvas on an easel: an Apollo with a sheaf of arrows, head turned in profile to the left. The model is a tall black man in the pose of the Apollo but with very different features, the left hand holding the stick of a broom which supports the pose. A fifth connoisseur reaches up to alter the position of the model's head. The artist stands beside his canvas facing the invaders, the left hand, holding palette and brushes, rests on the canvas; he sucks his mahl-stick with a gloomy scowl. On the extreme right a cat sits in a cradle, behind which an alarmed little boy hides. The artist's wife, with an infant in her arms, faces the fire with her back to the visitors whose unwelcome intrusion is apparent. Behind is a bed with drawn curtains. Three casts from the antique decorate the bare room. The model's coat and hat lie on the ground (right). On the far left in the foreground a dog urinates against two canvases leaning against the wall
Alternative Title:
Assemblée des connisseurs
Description:
Titles in English and French etched below image. and Imperfect; sheet trimmed within plate mark with loss of all text from bottom edge. Missing text supplied from impression in the British Museum.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[before 1809]
Call Number:
Print00887
Image Count:
1
Resource Type:
still image
Description:
Title inscribed below image., Signed by the artist in ink at lower left., Date based on artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Topic):
Gout, Nannies (Children's nurses), Grandparents, Urination, Grandparent and child, and Child care
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., and Dedication etched below image: To His Majesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", 1 print : etching and engraving on laid paper ; sheet 43.2 x 55.2 cm., Sheet trimmed within plate mark; mounted on leaf 46 x 59 cm., and Plate 37 in the album: Queen Charlotte's collection of Hogarth works.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., Ms. note in pencil in Steevens's hand below print: First impression., A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia"., and On page 151 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., 1 print : etching and engraving on laid paper ; plate mark 43 x 55.4 cm, on sheet 45 x 56 cm., and Leaf 37 in: Album of William Hogarth prints.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
