"Title page to catalogue of John Bowles, printer and printseller, at the Black Horse, Cornhill, London; text in rectangle at the centre, with naval scene showing two ships on the sea below; behind the text a map, a letter to Mr John Bowles, a landscape and a study of eyes."--British Museum online catalogue
Description:
Title from item., "This title page was used for Bowles's catalogues from at least 1731, when his shop was at Mercer's Hall, Cheapside; the address was altered when he moved to Cornhill."--Curator's comments, British Museum online catalogue, registration no.: Heal,100.19., Date of publication based on publisher's street address; John Bowles started trading at the sign of the Black Horse, Cornhill, by 1733. See British Museum online catalogue., and For further information, consult library staff.
Publisher:
John Bowles
Subject (Topic):
Warships, Maps, Landscapes (Representations), and Eyes
Eleven views in three rows, arranged around a larger central image of "A view of the island of St. Helena"; the ten smaller views, four in the top row, two in the middle row, and four in the third row, show images of various boats, ships and other sailing vessels on the sea
Alternative Title:
View of the island of Saint Helena
Description:
Titles etched below images., Publication date based on date assigned by Isaac to other Davison prints., Plate numbered "45" in upper right corner., and Not in: Isaac, P. Some Alnwick caricatures.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Geographic):
Saint Helena
Subject (Topic):
Boats, Sailing ships, Warships, British, and French
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A strapping young courtesan holds against her neck a ladder up which an elderly naval officer, less than half her height, begins to climb, looking up avidly. He holds a telescope, and wears a ribbon inscribed 'Death or Victory'. From her feathered hat streams a ribbon inscribed 'England expects every Man To do his Duty.' She wears a belt inscribed 'Belly Rough One' [Bellerophon] above the figure '74'. The scene is the quay-side between large cannon. A ship's boat rows out to a man-of-war at anchor."--British Museum online catalogue, description of an earlier state
Alternative Title:
Accommodation ladder
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 1st, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "85" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 210., Temporary local subject terms: Bellerophon., 1 print : etching on wove paper, hand-colored ; plate mark 35.2 x 25.1 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 83 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A strapping young courtesan holds against her neck a ladder up which an elderly naval officer, less than half her height, begins to climb, looking up avidly. He holds a telescope, and wears a ribbon inscribed 'Death or Victory'. From her feathered hat streams a ribbon inscribed 'England expects every Man To do his Duty.' She wears a belt inscribed 'Belly Rough One' [Bellerophon] above the figure '74'. The scene is the quay-side between large cannon. A ship's boat rows out to a man-of-war at anchor."--British Museum online catalogue, description of an earlier state
Alternative Title:
Accommodation ladder
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 1st, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "85" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 210., Temporary local subject terms: Bellerophon., and Watermark: Basted Mill.
"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"Britannia, tall and powerful, holds Napoleon across her knee, and raises a birch rod to thrash his bleeding posterior. She wears Roman draperies, with corslet and plumed helmet. The rod is tied with a ribbon inscribed: 'United Kingdoms'. She says: "There take that and that and that, and be carefull not to provoke my Anger more." He exclaims: "oh forgive me this time and I never will do so again, oh dear! oh dear! you'll entirely spoil the Honors of the Sitting." Beside Britannia (left) are her spear and sword; beside Napoleon (right) his huge cocked hat and sabre. The scene is by the sea (left), with a fleet of retreating vessels flying the tricolour flag. On the right is a cliff on which a small British lion lies on a scroll inscribed: 'Qui uti scit ei bona' [good things to him who knows how to use them]."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., With watermark: A. Stace., and Matted to 49 x 38 cm.
Publisher:
Pubd. June 13th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Napoleonic Wars, 1800-1815, Britannia (Symbolic character), Spanking, Warships, and French
Title etched below image., Place and date of publication extrapolated from that of book; see British Museum catalogue., One of 14 plates from: Something concerning nobody / edited by Somebody. London : R. Scholey, 1814., Sheet trimmed within plate mark., and Numbered "12".
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint and possibly song text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Boats, Cannons, Musical instruments, Sailors, Uniforms, Violins, and Warships
Date of publication from ESTC., Verse begins: "Beautiful virgins of birth and breeding,"., In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 16. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
"A frigate with a life-like bust of Queen Caroline as figurehead runs down a similar vessel with a huge and grotesque head of George IV. The latter heels over and is about to be swamped; the King's head looks up in terror at the complacent features of his wife bearing down upon it. The head is further threatened by the jaws, bristling with teeth, of two whales in the foreground. On the level deck of the 'Queen Caroline' stand Brougham, holding a broom, and Denman, both in wig and gown and holding a document inscribed 'Defence'. Behind them is (?) Lushington (not characterized); more prominent is Wood, in a court-suit, holding a pole supporting a block of wood inscribed 'A Chump' [cf. British Museum Satires No. 13899]. The other two are Burdett, holding out a paper inscribed 'Westminster', and his fellow member Hobhouse. The crew of the 'Royal George' are either in the water or falling from the mast-head among spars and ribbons of sails. Castlereagh and Wellington are in the sea; one says: "My fall has been Triangular" [cf. British Museum Satires No. 14135], the other: "Oh! this is worse then the Grape Shot at Waterloo." On top of them falls Sidmouth with his clyster-pipe; he vomits, &c., saying: "this will a cooling Draughts [sic] and purge our foul stomachs." Two green bags (see British Museum Satires No. 13735), inscribed 'Bag', fall into the water; just above them is Eldon, dropping the mace and the Purse of the Great Seal; he exclaims: "O my Wool sack." Liverpool falls head first, dropping a large purse and coins; he says: "This Pool goes against my Liver." By his toe is a paper: 'Tresury'. Sir John Leach, with a paper inscribed 'Milan' [see British Museum Satires No. 13755, &c.], also falls. Nearest the masthead is the Archbishop of Canterbury. Beside him, sirloin, bottle, plates, knife, &c., are falling. On a smaller scale is Majocchi, dandified, and exclaiming "Non mi recordo" [see British Museum Satires No. 13827]."--British Museum online catalogue
Description:
Title etched below image., Printmaker and year of publication from the British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Mounted to 39 x 58 cm., Mounted on leaf 2 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Leach," "Liverpool," "Sidmouth," "Wellington," "Londondery [sic]," and "Eldon" identified in ink below image; date "25 Oct. 1820" written in lower right. Typed extract of twenty-four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pub. Oct. 25 by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Broughton, John Cam Hobhouse, Baron, 1786-1869, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Leach, John, 1760-1834, Manners-Sutton, Charles, 1755-1828, and Majocchi, Theodore, active 1820
Subject (Topic):
Politicians, Warships, Shipwrecks, Whales, Bags, Medical equipment & supplies, Ceremonial maces, and Bishops
