"John Bull, an ungainly yokel, short and stout, stands between Melville (left) and Pitt (right). Melville, wearing Highland dress, sits full face, vomiting a shower of guineas (as in British Museum Satires Nos. 10392, 10400) into a tub. Pitt, rather behind and in profile to the right, rests his elbow on a table and supports his head; a similar tub is before him on the ground. On the table are two large books, 'Debates' and 'Interest Tables'. In the foreground lies a large tankard inscribed 'Whtbr[ead]'. John holds a decanter of 'Conscience Emetic'; he grins, saying, "It do work em rarely to be zure it be better zo than having a continual load on the Stomach tho!" Melville says: "Mercy on me now sick I am! curse this Whitbreads Porter oh Billy, Billy, how is it we you Mon I shall disgorge every thing to the last Baubee!" Pitt, who is desperately thin, looks far more ill and miserable but is not vomiting; he answers: "O Lord afraid I shall reach my heart up by and bye! I never was so sick in all my life.""--British Museum online catalogue
Alternative Title:
John Bulls recipe
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Temporary local Medical Library subject terms: Politics, British -- Emetics.
Publisher:
Pubd. by R. Rapine, Great Knaves Acre, Golden Square
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, and Whitbread, Samuel, 1764-1815
Subject (Topic):
John Bull (Symbolic character), Vomiting, Coins, Sick persons, Books, Wash tubs, and Drinking vessels
"Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
Leaf 69. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A comely young woman, the centre figure, stands bare-legged in a wash-tub, holding her petticoats high, and smiling coyly. Behind (left), another woman with kilted petticoats steps into a tub, looking over her shoulder. In the foreground (right) a man in Highland dress sits on the ground, taking snuff. Water gushes into a rectangular tank of masonry from a satyr's head set in a wall. Behind is a tree and in the distance (?) Edinburgh Castle."--British Museum online catalogue
Description:
Title etched below image., Signed by the printmaker in lower left corner of image., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Krumbhaar, E.B. Isaac Cruikshank: a catalogue raisonné, no. 1069., and On leaf 69 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
Scotland.
Subject (Name):
Restrike, with remnants of a burnished imprint statement above image. For original issue of the plate, published ca. 1809, see no. 11476 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
"A balloon about to rise from the ground encircled by three tiers of galleries or narrow platforms, protected by railings. Behind the railings sit the passengers. In the highest tier are three ladies notorious at that time for their amours ...: Grace Elliott or Eliot, née Dalrymple, known as 'Dally the tall', she holds a fan, turning her head in profile to the left, towards Perdita (Mary Robinson), who clasps her hands ecstatically; Lady Worsley sits on the right. In the centre gallery sit ex-ministers: North (left) and Fox (right) in the centre, North's arm on Fox's shoulder; Fox turns his head to North with an expression of satisfaction. Each rests his right hand on the railing in front of him, and these hands hold an inconspicuous thread which is attached to the nose of the Duke of Portland (left), who turns in profile to the right. On the right, a little apart, sits Burke dressed as a Jesuit (see British Museum Satires No. 6205) looking in profile to the right towards the Pope, who stands on the gallery, emerging from behind the curve of the balloon. He wears furred robes and his triple crown; as a pendant to him on the extreme left is the Devil looking towards the ministers with a pleased expression; over his arm he holds a net. In the lowest gallery sit celebrated quacks and other London characters. These are (left to right) "Vestina', the goddess of Health who advertised the virtues of the celestial bed (incorrectly said to have been Lady Hamilton), sits next her employer, Dr. Graham; they look at each other; she holds a sceptre wreathed with a garland. Jeffery Dunstan, Mayor of Garrat, stands, knock-kneed, with his sack over his shoulder in his accustomed attitude when calling 'old wigs'. Sam House sits resting a foaming tankard of porter on the railing in front of him, the tankard inscribed "House Ward[our] Stre[eet]". Katerfelto, turned in profile to the right, gazes up at the moon through his telescope; in his left hand is a paper, "Wonders, Wonders Most Wonderfull Wonders", the usual heading of his advertisements, cf. British Museum Satires No. 6162. His black cat sits on the railing facing him, saying, "are there Mice in the Moon Master". In the upper right corner of the design is the moon, a crescent-shaped profile inset in a circle, looking down at the balloon. The balloon is encircled longitudinally by eight ropes which meet in a knot beneath it and are there attached to four stouter ropes attached to the four corners of a platform which rests on the ground, from which the balloon appears about to ascend. On this platform is a tub inscribed "Vanity", bubbling over with soapsuds inscribed "Froth". Beside the platform (right) stands a Frenchman capering on one leg and flourishing a knife. He says, "Oh Begar dis be von fine Cargo." ... In the background are the roofs and spires of London, St. Paul's being prominent on the left, the Monument on the right. ..."--British Museum online catalogue
Description:
Title etched below image., "Hanibal Scratch" might be a pseudonym of John Nixon; see Catalogue of prints and drawings in the British Museum, v. 5, page 842., Text beneath title: Setts out from Swan with two Necks Lad Lane every Monday morg., Sheet trimmed within plate mark., and Twenty lines of verse in four columns below image, etched above and on either side of title: Who choose a journey to the Moon, may take it in our Stage Balloon ...
Publisher:
Pubd. Decr. 23, 1783, by Wm. Wells, No. 132 Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Elliott, Grace Dalrymple, -1823, Robinson, Mary, 1758-1800, Worsley, Seymour Dorothy, Lady, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Burke, Edmund, 1729-1797, Pius VI, Pope, 1717-1799, Graham, James, 1745-1794, Dunstan, Jeffery, 1759?-1797, House, Samuel, -1785, Katterfelto, Gustavus, -1799, and St. Paul's Cathedral (London, England),
Leaf 30. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Robinson, wearing his Chancellor of the Exchequer's gown, leans forward from the right to place an extinguisher on the head of Fortune who sits in profile to the left, on a small globe, regardless of her fate. He says: Come Madam put on your Night Cap. She is a comely young woman with feathered wings, and a high-waisted dress with classical sandals. Her Wheel of Fortune serves as back to her seat. She holds out a Ticket £20 000 to an eager and indignant crowd; in her left hand is a full purse. At her feet is a box of jewels, behind her a cornucopia from which pour gold coins, with a bag of Filings. At her feet four little blue-coat boys from Christ's Hospital kneel imploringly. Behind them are a brawny washer-woman and a gaily dressed young woman. The former points to tub, Soap, linen, and brush at her feet, and shouts to Robinson: Let her alone take off the Soap Tax. The latter screams Stop let Me get a Prize first. A burly bare-legged cobbler holds up an old shoe, shouting, give us a Lottery and no Leather Tax. A man next him shouts Shut up the Subscription Houses [clubs such as Brooks's]. The two on the extreme left shout No Tax on Tallow and No Horse Racing. A hideous man grovels on the ground behind Robinson to grab coins and two bags, Filings and Gold Dust, and a Prize Bag. He looks up, saying, Persevere and the Saints shall Praise you. Three men stand behind Robinson, watching; two say, with cynical smiles: Hear Hear I knew they'd Grumble and He's only a Young Chancsellor. The third says with a frown: Little Van knew [better] than to Abolish a Voluntary Tax. On Fortune's right is a pillar on which bills are pasted: Races Kings Cup, over which is a playbill: Fudge a Farce; above both is Reform . . . Parliament . . . Public Morals."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 14525 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 374-5., and On leaf 30 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publd. September 18, 1823, by John Fairburn, Broadway, Ludgate Hill and Field & Tuer
Subject (Name):
Ripon, Frederick John Robinson, Earl of, 1782-1859
Subject (Topic):
Fire extinguishers, Gems, Coins, Purses, Cornucopias, Children, Wash tubs, Soaps, Brooms & brushes, Shoemakers, Lotteries, and Taxes
Opposite page 214. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A courtesan stands at a wash-tub, washing her last shift. She wears a cap over ringlets in curl-papers and a tattered petticoat, a shawl covers her naked shoulders. The room is squalid, with plaster falling from the bricks. Across the fireplace stockings hang on a string to dry. The corner of a bed appears on the right. On the table by the wash-tub is a small gin tankard. Under it is a pair of stays. A cat tries to reach a (broken) plate of cheese on a chair. On the floor, beside a fashionable high-crowned hat, lies a ballad: 'How happy were my days till now...'. Papers are thrust under the vertical bar of the casement window, one inscribed 'Admit Two to the Boxes'. Probably an imitation of Gillray's 'The Whores Last Shift', see British Museum Satires No. 5604."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on left edge., Plate numbered "626" in lower left corner., Folded to 31.3 x 25.5 cm., and Bound in opposite page 214 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Courtesans, Interiors, Wash tubs, Fireplaces, Hosiery, Corsets, and Cats
Four ugly old women try to scrub a black man white with brushes, a kettle of boiling water, as steam billows around the room. A fifth woman brings buckets of hot water. A sixth, in the center background, drinks gin. The black man squats in a big tub, with a pained expression on his face
Description:
Title inscribed beneath central image., Attributed to George Cruikshank., Date inferred from the 1827 publication date of George Cruikshank's Illustrations of time, plate 3 of which includes a smaller version of the central image. Cf. No. 15472 in the Catalogue of prints and drawings in the British Museum, v. 10., Image also used in Plate 3 of Cruikshank's 'Illustrations of Time'; the attempt to 'wash a black man white' was a traditional example of an impossible task., and On paper watermarked "J. Whatman 1821".
Subject (Topic):
Black people, Ethnic stereotypes, Racism, Wash tubs, and Brooms & brushes
"A man in hat, long coat, and boots (and wearing spectacles),, grasps his friend's hand with a smile. The host, ugly and angry, says: "Ah! my old Friend I wish you had called at some more convenient time but this is washing day - I have nothing to give you but cold Fish, cold tripe & cold potatoes - you may smell soap suds a mile! Ah Jack - Jack you dont know these Comforts! you are a Bachelor!" Behind (left), two women stand at a wash-tub"--British Museum online catalogue
Description:
Title etched below image., Series title and number etched above image., Publication date from British Museum catalogue and Grego., and Later state with altered publication line and original date of publication removed: Pub. 1 Oct. 1799, by R. Ackermann, 101 Strand.
Publisher:
Pubd by R. Ackermann, 101 Strand
Subject (Topic):
Spouses, Bachelors, Eyeglasses, Laundresses, and Wash tubs
"A man in hat, long coat, and boots (and wearing spectacles), grasps his friend's hand with a smile. The host, ugly and angry, says: "Ah! my old Friend I wish you had called at some more convenient time but this is washing day - I have nothing to give you but cold Fish, cold tripe & cold potatoes - you may smell soap suds a mile! Ah Jack - Jack you dont know these Comforts! you are a Bachelor!" Behind (left), two women stand at a wash-tub"--British Museum online catalogue
Description:
Title etched below image., Series title and number etched above image., Earlier state with date in imprint. Cf. No. 9626 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state of the print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 16.
Publisher:
Pub. 1 Oct. 1799, by R. Ackermann, 101 Strand
Subject (Topic):
Spouses, Bachelors, Eyeglasses, Laundresses, and Wash tubs
"A version of British Museum Satires No. 1231 with the additon of, to left behind the pulpit, a table on which lies a bag from which fall a bishop's mitre, papal tiara, cross, orb, broken sceptre and a divided crown, and at the foot of the pulpit, an open copy of the Book of Common Prayer."--British Museum online catalogue
Description:
Title and publication date from British Museum catalogue., Six lines of verse below image: A true blew priest a Lincey Woolsey brother ..., and Subject identified in pencil below plate line.
Publisher:
publisher not identified
Subject (Name):
Burnet, Gilbert, 1643-1715
Subject (Topic):
Clergy, Bags, Pulpits, Miters, Scepters, Crowns, and Wash tubs
