"Illustration to Pierce Egan's Life in London, page 232. A night scene on the east side of Temple Bar, which frames the Strand and St. Clements in the background, lit by a full moon. Tom (rigjht) overturns a watchman's box from which a poor terrified old man leans out shrieking. A fellow-watchman (left) springs his rattle and shouts. Behind Tom is Jerry, much amused, between two gaily dressed prostitutes who cling to him."--British Museum online catalogue
Description:
Title from caption below image. and Imprint from later state in the British Museum catalogue.
Publisher:
Sherwood & Co.,?
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, City & town life, Prostitutes, and Watchmen
"Interior view; watchmen assembling for their nocturnal rounds, wearing heay brown coats, black caps, holding lanterns."--British Museum online catalogue
Alternative Title:
Watch House, St. Marylebone
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 91., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 217., and Watermark: J. Whatman 1808.
Publisher:
Pub. Sept. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Marylebone (London, England), London (England), England, and London.
A watchman stands full-length in his great coat and hat, carrying a lantern and a stick
Description:
Title engraved below image., Printmaker and imprint from title page of book in which this plate was published., Sheet trimmed within plate mark., Plate from: Costume of the lower orders of the metropolis / T.L.B., and Watermark: partially cut off name.
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[not after 1760]
Call Number:
760.00.00.111+
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on prostitution set in a brothel in which all the men have been given the heads of apes and the women those of cats. In the centre of the room a prostitute sits on the knee of an old man who fondles her, her legs splayed; she holds a glass in one hand and a flask in the other. A magistrate wearing a lace edged hat and holding a large candle stands over them. Constables with staves stand in the open door, behind which the prostitute's pimp (referred to as her bully in the verse beneath) is hiding; he is dressed as a grenadier. On the right, the brothel-keeper holds up a tally-board pointing out one of the symbols to three men who are startled at the entry of the constables; one is seated at a table holding a glass, another holds a large candle. On the table is a large flask, another rests on the floor beside a big jug, and another lies broken in pieces. In the background on the right a couple peer from being the curtains of a large bed. Hanging from the ceiling is a large birdcage on which a bird is perched."--British Museum online catalogue, description of an earlier state
Description:
Title supplied from description of an earlier state in the British Museum catalogue., Reissue by Sayer of a print published anonymously around 1730. See no. 1860 in the Catalogue of prints and drawings in the British Museum, v. 2., Terminal date of publication based on publisher's street address; according to the British Museum online catalogue, Sayer moved from his "opposite Fetter Lane, Fleet Street" premises in 1760. A later date is also possible, as the series that included this print was advertised in Robert Sayer's catalogue for 1766; see no. 1858 in the Catalogue of prints and drawings in the British Museum, v. 2., Sheet trimmed within plate mark., and Eight lines of verse in two columns below image: Alas! poor whore, thourt fairly trap'd, Tho' by thy spark so sweetly lap'd; And for thy midnight vice and folly, Your fate is now to mill your dolly ...
Publisher:
Printed for Robt. Sayer, opposite Fetter Lane, Fleet Street
Subject (Topic):
Animals in human situations, Interiors, Prostitutes, Military uniforms, Judges, Watchmen, Canopy beds, Birdcages, Doves, Wine, and Bottles
Title from description in the British Museum catalogue for the original version of the print., Date of publication based on publisher's street address. John Bowles began operating out of No. 13 Cornhill in 1768; see British Museum online catalogue., Copy in reverse of a print originally published ca. 1730. Cf. No. 1860 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Original print was etched by W.H. Toms after a design by Egbert van Heemskerck II., Eight lines of verse in two columns below image: While thus the revelling debauchee, Dandles his mistrees on his knee, Th'old bawd is reckoning up the score, Of all that has been spent and more ..., Plate numbered '1' in lower left corner., and Temporary local subject terms: Tavern -- Trades: Tavern-keepers -- Tallies: Tavern-keeper's score board -- Magistrates -- Furniture: Bed with curtains -- Pets -- Containers: Jug -- Glass: Wine bottles.
Publisher:
Printed for Iohn Bowles at No. 13 in Cornhill
Subject (Topic):
Interiors, Prostitutes, Military uniforms, Judges, Watchmen, Canopy beds, Birdcages, Doves, Wine, and Bottles
A large crowd of theatregoers file out of a theater and onto the street in a pouring rainfall and high winds that turns umbrellas inside out. One man has fallen and broken his lantern as a woman falls back over him as her shoes are being changed. The audience is a mix of classes, couples, old women, young boys, some carrying laterns, one with a cane
Description:
Title from published print based on this drawing. See Lewis Walpole Library call no.: Drawer 802.11.01.05., Signed and dated by the artist in lower right., "The artist is said to have based the theatre in this image on the Orchard Street Theatre in Bath, opened in October 1750 near the South Gate, outside the medieval walls of Bath ... The theatre was the first country theatre to be granted a Royal patent and became known as the Theatre Royal, Bath. .... The theatre was closed in 1805."--Dealer's description., and With Joel Spitz's collector's label on verso of mount.
Subject (Topic):
Couples, Lanterns, Rain, Theater audiences, Theaters, Umbrellas, Watchmen, and Winds
Plate lettered in the top center 'E': Reverse copies of the upper bodies of six figures in the fifth plate of Hogarth's Marriage a la Mode. Each of the figures is numbered: 1. The dying earl; 2. The countess; 3. Silvertongue, escaping through the window; 4. and 5. The watchmen; 6. The head of Solomon, from the tapestry
Description:
Title and from British Museum catalogue., Illustrations to: Lichtenberg's Göttinger Taschen Kalender., and Numbered '5' in upper left corner above border.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Adultery, Couples, Death, Escapes, Homicides, Singers, Marriage, and Watchmen
Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding up a lantern, illuminating the pillory behind
Description:
Title and date from Paulson, Questionable attribution to Hogarth, but Paulson is inclined to accept as an early work by Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., According to Samuel Ireland in his Graphic illustrations of Hogarth (v.1 , p. 9-10) Hogarth executed this design when he was under twenty on the lid of a tobacco box for a Captain Johnson., A copy by Ireland. Plate from: Ireland, S. Graphic illustrations of Hogarth, v. 1, p. 8., Trimmed sheet., Ms. note I in Steevens's hand in pencil above image: Copy., and On page 180 in volume 2.
Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding up a lantern, illuminating the pillory behind
Description:
Title and date from Paulson, Questionable attribution to Hogarth, but Paulson is inclined to accept as an early work by Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., According to Samuel Ireland in his Graphic illustrations of Hogarth (v.1 , p. 9-10) Hogarth executed this design when he was under twenty on the lid of a tobacco box for a Captain Johnson., Trimmed sheet., Ms. note in pencil in Steevens's hand above print: Original., Ms. note in pencil in Steevens's hand at top of print: Impression from the top of Captain Johnson's tobacco., Ms. note at bottom: Given me by the Right Honble William Windham., and On page 180 in volume 2.
A scene in the Abbey Cloisters. Westminster schoolboys in cap and gown terrify a poor woman and a watchman by turnip-headed ghosts, and by one of their number on stilts who is masked and smoking a flaming pipe. Another, seated on a lamp-bracket, discharges a squirt at the frightened woman who falls, clutching at the fleeing watchman. See British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15204 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Ms. note in pencil on front: Page 76, Vol. 2. Watermark 1825., and Watermarked: J. Whatman Turkey Mill 1825.
Publisher:
Sherwood, Jones & Co.
Subject (Topic):
Boys, Fear, Couples, School children, and Watchmen
