V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 34.7 cm, on sheet 25.6 x 41.8 cm., and Leaf 16 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and Imperfect; "sc." following the name "Bunbury" in lower right corner has been mostly erased from sheet.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and 1 print : etching, hand-colored ; plate mark 24.0 x 34.5 cm.
"The Uncle, who is a sufferer from gout, is evidently a well-to-do personage; and the attentions of his relatives, who are favouring the sufferer with a visit of condolence, are, it appears, suggested by self-interest. One of the highly considerate relations seems good-naturedly assisting the invalid by making his will, while a pretty young damsel is embarrassing their interesting connection with a tender embrace, and altogether the members of the party are evidently set upon promoting their own prospects with a view to a division of the estate."--Grego, J. Rowlandson the caricaturist
Description:
Title etched below image., Plate first published by E. Jackson in 1786; see: Grego, J. Rowlandson the caricaturist, v. 1, page 192., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Decemr. 20, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Gout, Family members, Sick persons, Wills, and Servants
Manuscript, in a single hand, of a collection of about 85 copies of primarily political documents pertaining to events between 1592 and 1632. The volume includes speeches and letters relating to the murder of Thomas Overbury and the trial of Walter Raleigh; a description of voyage to France to aid the Huguenot cause in 1626-7 and seige of La Rochelle; a factual account, with figures, of fighting in Thirty Years' War; "The examinations of the counterfett ghost that came into St James on fryday night the 13 of 9br 1612, beeing that day sennight after Prince Harries death," whose testimony was taken by Sir Thomas Chaloner and Sir John Holles; and the confession of Anne Lady Ross to the Star Chamber declaring that she had perjured herself by "accusing the said Right Honorable Countess of Exeter with an intent & purpose to poison" her. The volume also contains a copy of the will of Holles' father, Thomas Holles of Haughton, dated 17 March 1592 and "written in his owne hand"; and "A prayer wch my deere sister Wentworth did use, coppied from her owne hand, wch I had of my mother 24th Jan. 1631."
Description:
In English, French, and Italian., Arms of the 4th Duke of Newcastle stamped in gold on front cover., and Binding: full parchment. Printed on spine: "Copies of State Papers Etc. 1592 - 1632.
Subject (Geographic):
England., France, Great Britain., Great Britain, and France.
Subject (Name):
Chaloner, Thomas, 1595-1661., Holles, John, Earl of Clare, ca. 1565-1637., Overbury, Thomas, Sir, 1581-1613., and Raleigh, Walter, Sir, 1552?-1618
Subject (Topic):
Huguenots, History, Nobility, Thirty Years' War, 1618-1648, Treason, Trials, Wills, Foreign relations, Politics and government, and Social life and customs
Manuscript on paper of 1) Will of Guglielmo di Montiglio, councillor of Guglielmo X (VIII) Palaeologus, Margrave of Montferrato, 1464-1483, dated Casale Montferrato, 8 Febr. 1469. 2) Aeneas Silvius Piccolomini (afterwards Pope Pius II, 1458-1464), De miseriis curialium, a letter addressed to the German courtier Iohannes von Eich, written 1444
Description:
In Latin., Watermark: flower (?)., Art. 1 is copied in a rapid Humanistica Cursiva Libraria. Art. 2, by another hand, is in Humanistica Textualis Formata., Art. 1 is undecorated. Art. 2 opens with a 3-line plain initial in red and blue, followed by a line in Capitals. In the lower margin of f. 5r a coat of arms gules, with a head (?) azure and a heart-shield gold. Initial and coat of arms, of mediocre execution, are by the same hand., and Binding: Nineteenth century. De luxe binding by Chambolle-Duru. Brown morocco over pasteboard, the turn-ins gold-tooled; marbled endpapers. Spine with five raised bands and gold-tooled inscription: "AENEAS / SYLVIUS / DE / MISERIIS / CURIALIUM". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pius II, Pope, 1405-1464.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Letters, Papal, Manuscripts, Medieval, and Wills
Title from caption below image., One line of text above image: A legacy forgotten., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Legacy -- Mourning -- Grief -- Wall map: Cape of Good Hope., and Watermark.
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. A dying and aged man reclines in an arm-chair, facing his lawyer who is writing at a table, evidently on the will; beside him is a treasure-chest. A pretty young woman leans over the scarcely conscious man, taking his chin, while her lover, a young military officer wearing a cocked hat, watches her through an eye-glass from behind the curtains of a bed."--British Museum online catalogue
Alternative Title:
Will of her own
Description:
Title etched below image., Temporary local Medical Library subject terms: Bonaparte, Napoleon (1761-1821) -- Jaffa., and Probably a later impression from a worn plate, with some areas of aquatint lightly printed.
"The Knave of Clubs, 'Pam', sits in state in a ramshackle attic, one foot resting regally on a footstool. He is faint-hearted and melancholy and turns to a dapper little man (Sir Walter Stirling) at his right hand, who is supported by the Devil. He says: "I'm going to Hastings give me some Sterling No Tokens." Stirling, who holds an open book and is prompted by the Devil, says: "Let Us Pray," with a cynical smile. The Devil says: "Honestly if you Can?!!--but get Money." A hideous old woman, grotesque and ragged, offers him a glass, saying, "Try if Brandy won't save you." Behind the Devil, and on the extreme left, stands a burlesqued, knock-kneed lawyer, closing one eye in a cynical grimace; he holds a large pen and a paper headed 'The Last Will & Testement [sic] of Pam'. The room has the signs of squalor characteristic of the period: bricks showing through broken plaster, raftered roof, check bed-curtains, a broken chair, with broken jug and plate on the floor. Ragged stockings and a night-cap, &c. hang from a string across the fireplace (right), and on the mantelshelf are a candle in a bottle, a saucepan, medicine-bottle, teapot, and cup. Above it are a gallows broadside, and a print of a seated demon holding a small pair of scales."--British Museum online catalogue
Alternative Title:
Pam be civil
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local Medical Library subject terms: British politics -- Law -- Games.
Publisher:
Published September 1812 by Y.Z. & sold by Clinch, Princes Street, Soho
Subject (Name):
Stirling, Walter, 1758-1832 and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
Subject (Topic):
Devil, Interiors, Attics, Fireplaces, Medicines, Alcoholic beverages, Bottles, Lawyers, Wills, and Law & legal affairs
"Death (left) poises his javelin, about to strike an old man in bed, reading a book by the light of a candle held in his left hand. The room is heaped with his treasures (armour, &c.). Rats scamper, chased by a cat."--British Museum online catalogue
Description:
Title from description of a later state in the British Museum catalogue; the assigned title for each plate from The English dance of death is the heading to the opposite printed page., Early (proof?) state, before aquatint added. For a later state, see no. 12412 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from imprint on later state: London, Pub. 1 April 1814, at R. Ackermann's, 101 Strand., Sheet trimmed within plate mark, with possible loss of text below image., Later state issued in: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 320., Temporary local Medical Library subject terms: Skeleton as Death., and Ink verse notation on verso, perhaps in Rowlandson's hand; additional pencil notation on verso.
Publisher:
publisher not identified
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Wills, Skeletons, Spears, Beds, Sleeping, Cats, Rats, Armor, Musical instruments, Books, Candles, Artists' materials, Urns, and Sculpture
