publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", Sheet trimmed within plate mark to: 26.3 x 34.5 cm., and Formerly on page 135 in volume 2. Removed in 2013 by LWL conservator.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Kinnaird 47K(a) Box 100
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", and Imperfect impression; sheet trimmed within plate mark to 264 x 346 mm.
In a country setting with cows and a windmill in the background, a young milkmaid sits on a bench under an oak tree, receiving a ribbon from a young sailor seated beside her. Another young girl looks on from behind, while the milkmaid's country suitor stands behind sulkily scratching his head. A dog paws at the milkmaid's lap while another drinks from the milking pail
Alternative Title:
Jealous clown
Description:
Date surmised from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", Numbered in lower left of plate 385., Publication date erased from print., and Torn and repaired.
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Clothing & dress, Sailors, Hats, Couples, Windmills, Dairy farming, Cows, and Dogs
Titles engraved below image, in English and French., Later state of a plate published by Henry Overton. Cf. Yale Center for British Art, accession no.: B1977.14.15258., Date of publication inferred from publisher's statement; Laurie & Whittle took over the business of Robert Sayer in 1794. See British Museum online catalogue., Imperfect; sheet trimmed within plate mark with complete loss of imprint from bottom edge and partial loss of plate number from upper right. Missing text and numbering supplied from impression at the Yale Center for British Art, accession no.: B1977.14.15259., Plate numbered "83" in upper right corner., Folded to 24.5 x 38.3 cm., and Leaf 58 in an album of views of London and its vicinity.
Publisher:
Published by Laurie & Whittle, 53, Fleet Street, London
Perched atop the uppermost windmill sail are Charles Fox and Lord North, the latter prevented from falling down by Fox's helping hand. Holding on to their legs in front of the sail hangs Burke. To the left, Lord Thurlow, in judge's robes, is about to loose his grip on the descending sail and thus follow Lord Shelburne who is about to hit the ground with his head. The rising sail on the right is occupied by several pro-coalition politicians. Others are trying to climb the sail currently at the ground level. Dundas, Sheridan and Pitt inspect the condition of the beams supporting the windmill. Pitt concludes that it "is rotten & half the corn is devoured by lurking vermin."
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Published 10 June 1783 by J. Wallis No. 16 Ludgate Street
Subject (Geographic):
Great Britain and England
Subject (Name):
North, Frederick, Lord, 1732-1792., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., and Pitt, William, 1759-1806.
Subject (Topic):
Politics and government, Windmills, and Clothing & dress
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Sir Watkin Williams-Wynn (1749-1789), politician and patron of the arts, held summer performances at his estate at Wynnstay, in North Wales. Bunbury incorporates into the design of this admission ticket the titles for the 1785 season: The Confederacy, As You Like It, The Agreeable Surprise, Venice Preserved, and Harlequin's Invasion. The titles are shown on banners held by the figures of Tragedy, Comedy, Pantomime, and Farce or draped over the branches of the tree. Bunbury uses Farce dressed as a harlequin holding a club labelled "invasion" to form a rebus of Garrick's play. In the background, the four figures are identified on the sails of a windmill. In the banner at the top of the oval is the name of the theatre and the year "1785"; at the top and bottom of the oval are the masks of comedy and tragedy
Description:
Title from item., Sheet trimmed to plate mark., Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving and etching on laid paper ; sheet 20.8 x 15.5 cm., and Imperfect; printmaker's signature has been mostly erased from sheet.
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Sir Watkin Williams-Wynn (1749-1789), politician and patron of the arts, held summer performances at his estate at Wynnstay, in North Wales. Bunbury incorporates into the design of this admission ticket the titles for the 1785 season: The Confederacy, As You Like It, The Agreeable Surprise, Venice Preserved, and Harlequin's Invasion. The titles are shown on banners held by the figures of Tragedy, Comedy, Pantomime, and Farce or draped over the branches of the tree. Bunbury uses Farce dressed as a harlequin holding a club labelled "invasion" to form a rebus of Garrick's play. In the background, the four figures are identified on the sails of a windmill. In the banner at the top of the oval is the name of the theatre and the year "1785"; at the top and bottom of the oval are the masks of comedy and tragedy
Description:
Title from item., Sheet trimmed to plate mark., and For further information, consult library staff.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Country view with a church at center, its grounds enclosed by a fence with a gate. A tree is seen in the foreground on the right; smaller bushes surround the church on the left. A windmill and a small building sit atop a hill in the distance
Description:
Title and date from local card catalog record., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
"A curiously carved chest, or seat, representing "The English Bank of Exchange" (Wisselbank) is suspended like a pair of scales by chains from the horn of a unicorn whose head emerges from clouds. It tilts down on the right, where a stout Englishman, "an English lord", sits precariously, exclaiming in alarm as a Frenchman (right), standing on the ground beneath, pulls him by the leg. The Frenchman's right hand is on the hilt of his sword. The balance is further depressed by America, a naked child crowned with feathers, who is seated on the "Bank" beside the Englishman and holding his arm, admonishing him with an upraised finger. A Spaniard holding a crutch crouches on the ground beside the Frenchman. A "Dutch skipper" (left) holds one leg of the "Bank" to prevent its being dragged down by France. He turns to speak to a "merchant of Amsterdam" seated on a chest and writing in a ledger. Round the chest are "sacks of gold", bales of goods, cheeses (one stamped with crossed keys), and rolls of textiles. In the background (centre) is a Dutch landscape; a group of six windmills flying a flag with three stripes, and four cows, two of which are being milked. Beneath the design, verses are engraved in two columns, English (left) and Dutch (right)."--British Museum catalogue
Alternative Title:
Europe in her present disordered state
Description:
Titles from British Museum catalogue., Publication date from British Museum catalogue., Verses beneath image in English and Dutch: "Bold Jack! pray, what's the business to-day? ..." and "Hoezee! tienduizendmaal! van dikhuot zaagt men deelen...", and Sheet trimmed within plate mark.