A Turkish bath; a white woman, nude apart from a cloth around her legs, seats on low steps in a bath-house with a high ceiling perforated by numerous round holes; a black woman servant standing behind her and assisting her. On the wall to the right is a fountain with a shell-shaped basin
Description:
Title, printmaker, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., "T. 1"--Upper left corner., "X"--Upper right corner., Sheet trimmed within plate mark., and On page 15 in volume 1.
Publisher:
A. de La Mottraye
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Public baths, Therapeutic baths, Servants, and Women
A full-length portrait of a Turkish lady wearing robes and a headdress. Her clothing is depicted using a tiny pinprick design that pierces entirely through the paper. A secondary sheet with attached gold foil appliqué is positioned beneath the pinprick design to allow the gold to shine through the pinpricks imparting an appearance of gold flecked clothing
Description:
Title devised by cataloger., Place and date of publication from unverified data in local card catalog record., and For further information, consult library staff.
SH Contents W218 no. 3 Boxed separately, shelved at end of class
Image Count:
1
Abstract:
A drawing by Horace Walpole, after Antoine Watteau's painting "Pour nous prouver que cette belle"; a woman sits in a chair perusing the open sheet music in her hands as two young children look on. One man leans on the back of her chair, looking over her shoulder at the sheet music, as another man sits before her tuning his lute. 1774 Description: A man and woman in water-colours, after Watteau; by Mr. Walpole. Formerly hung in Mr. Walpole's Bedchamber
Description:
Title assigned by cataloger., Signed and dated in the image, on the side of the chair: Hor. Walpole 1736., Inscription, on the back of the frame, in Horace Walpole's hand: by Horace Walpole., and Place of creation based on the known residence of the artist in 1736.
In Smyrna with a city in the distance, a group of women and girls perform a folk dance in a wooded landscape. The figure labelled '1' is identified in the text as 'one of the Chief Woman in Smyrna'' and '7' is her daughter; both wear Turkish headdresses. The country girl (3) wears the costume of Scio, and the woman (4) wears a typical dress from Constantinople. See v. 1, p. 159-60.
Description:
Title, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., "Tom. 1, No. XIII."--Upper right corner., and Sheet trimmed to plate mark.
In Smyrna with a city in the distance, a group of women and girls perform a folk dance in a wooded landscape. The figure labelled '1' is identified in the text as 'one of the Chief Woman in Smyrna'' and '7' is her daughter; both wear Turkish headdresses. The country girl (3) wears the costume of Scio, and the woman (4) wears a typical dress from Constantinople. See v. 1, p. 159-60.
Description:
Title, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., "T. 1."--Upper left corner., "XI."--Upper right corner., Sheet trimmed within plate mark., and On page 4 in volume 1.
A dustman bends over a large woman who has fallen and lifts her by placing his hands under her arms. She looks up angerly and shakes her fist at the dustman's young assistant in an apron who looks on (left) with a smile and hand raised. Two dogs jump around the group
Description:
Title and artist attribution from dealer's description. and Date based on watermark: 1804.
Subject (Topic):
Accidents, Chimney sweeps, Dogs, Obesity, and Women
Plate 27. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., Companion print to Hogarth's Before, published on the same date., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Plate 27. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., Companion print to Hogarth's Before, published on the same date., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and engraving on laid paper ; plate mark 40.9 x 32.9 cm, on sheet 59 x 46 cm., and Plate 27 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
