A double portrait depicting the daughters of John Crewe, Esq., M.P. for Cheshire. The identity of each sitter is uncertain, but it has been suggested that Elizabeth is on the right and Emma is on the left
Description:
Title devised by cataloger., State from British mezzotinto portraits., After Joshua Reynolds's painting, ca. 1766., and Numbered in manuscript upper left: 75. Printed on gilt-edged paper.
Publisher:
Published Septr. 30th, 1782, by John Boydell, engraver in Cheapside
LWL Ptg. 155 Framed, on view in Administration Area
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait of Theodosia Burr Alston, depicting a young woman in a white empire dress with lace trim, her hair up in a cap, curls in front. In a 19th century gilt frame with rope twist inner molding, bearing a plaque with artist and subject, verso with a William Macbeth Gallery label, hand written note reads: From Mrs. J.P. Overman, and another label: Yale University Art Gallery, envelope on the back with another William Macbeth label; ss: 17 1/2" h., 14' W., some inpainting where the panel has checked and some crackling, frame reinforced with mahogany. Theodosia, the daughter of Aaron Burr, was married to the Governor of South Carolina Joseph Alston, she died off the coast of Cape Hatteras in January of 1813 having been kidnapped (according to information accompanying the work).
Description:
Title from 2005 Christie's appraisal., Also known as the 'Nags Head Portrait.', and Formerly wrongly attributed to John Vanderlyn.
A portrait of a woman in the rondel frame; in profile, head and shoulders only, looking down and to the right, wearing an extravagant hat; possibly a performer
Description:
Title from dealer's description. and Possibly one of small set of theatrical portraits; for similar prints, see British Museum online catalogue, registration nos.: 2010,7081.2621-2630.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street
Manuscript, in a multiple hands, of a collection of newspaper articles, prints, drawings, letters, and autobiographical text, primarily relating to Grimstone's published writing. The volume includes "my first prose [which] was the following letter inserted in the Polemical Inquirer. The Editors letter to me is on the oppposite side," numerous pieces of prose and verse which appeared in "The Ladies Monthly Museum" and "The Theatrical Inquisitor," and printed musical scores, of which she notes, "Part of my engagement with the proprietors of the Ladies Monthly museum, was to supply new words to the Irish melodies and other airs," as well as numerous business correspondence with editors and personal letters. The volume is prefaced by an introduction in which Grimstone gives an account of her recent "nervous disorder" during which she destroyed much of her writing. She declares, "My Own Scrap Book in which i mean to be as egotistical as I can and talk of nothing but myself, or what relates to myself. If I live to see the hundred and odd years, I am promised; I & this book shall like to converse together when perhaps few others will care to give me companionship. If I die early, then this book will be still a part of me remaining and speaking to those that loved me."
Description:
In English., Laid in at end: letters and scraps of paper with printed poems., Laid in at beginning: typed list of works attributed to Grimstone in the British Museum Catalogue., and Binding: half calf.
Subject (Geographic):
England and Great Britain
Subject (Name):
Grimstone, Mary Leman (Rede)
Subject (Topic):
English literature, English poetry, Letters, Music, Women authors, Women, Conduct of life, Periodicals, and Social life and customs
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1792]
Call Number:
Drawings W87 no. 34 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
Two rows of women quarter-length and in profile, some cradling cats in their arms, with captions inscribed in ink near each figure: This is my Queensbury the finest Tom Cat in England; I'm going to see Arabella's catery she had two charming sitters yesterday morning; God bless me these Irish captains are terrible men; Eighteen delightful little creatures I'm told what a sweet ...
Description:
Title and date supplied by cataloger., Attributed to Woodward., and Sheet possibly trimmed from a larger design for a border.
In two rows of three, from top left: a young man, his right knee resting against a rock, pulls back his short cape to reveal a small bouquet of flowers; a young couple embrace and toasting with wine glasses; a young couple seated and in conversation; a young woman in a headdress with feathers and touches to her face a folded fan; a couple dance; an older, short woman stands in profile to the right, her head slightly turned towards the viewer
Description:
Title devised by cataloger., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Watermark: royal cipher with initials GR inside a cirle.
Sophia Matilda, Princess of Gloucester (1773-1844), was the daughter of Maria Walpole (1736-1807), Duchess of Gloucester, and her second husband William Hanover, Duke of Gloucester and Edinburgh (1743-1805). She was a great granddaughter of King George II and niece of King George III., Princess Sophia Duchess of Gloucester inscribed on verso in unknown hand., Eglomise mount and rectangular gilt-wood and gesso frame., and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Subject (Name):
Sophia Matilda, Princess of Gloucester, 1773-1844,
A drawing of six heads mostly in profile, three men, two ladies, and one child, all wearing hats. One lady in the upper right is a view from the back with only a hit of her check shown while the man in the foreground is shown full-face. A drawing in the lower left has been heavily scored through. From the left margin mid-sheet is a drawing of a sleeved-wrist and hand hold a stick(?).
Alternative Title:
Miscellaneous heads
Description:
Title from dealer's description; alternative title from Draper Hill., Signed by the artist in lower right corner., Date from Draper Hill., and A drawing from a sketchbook given by Gillray to the Rev. John Sneyd in the late 1790s.
Title and date from item., From: Album - Exhibition Set, Venereal Diseases and the Fight Against Them. Published in Moscow by the People's Committee on Health, 1928., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Narkomzdrav, RSFSR
Subject (Topic):
Sexually transmitted diseases, Prevention, Prostitution, Socialism, Women, Employment, and Women's rights
Title supplied by curator., Place of origin derived from printmaker's place of residence in 1541., Date from item., In image top: Omnem in homine venustatem mors abolet., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification)., Mortality, Women, Skeletons, Hourglasses, and Lilies
