Manuscript, in a single hand, of a collection of about 390 entries in verse and prose, which present satirical as well as sentimental and elegiac perspectives on the subjects of love, women, religion, and death. Titles include A reflection on death; On the death of a mother; Written in consequence of the execution of a young man for forgery, by Mrs. Taylor; Hymn by Miss Scott; To a lady who sung in too low a voice; On kissing; On female neatness after marriage; Advice to a young lady lately married; Unbeliever's creed; Sir Isaac Newton's creed; and numerous humorous epigrams and epitaphs. Several anonymous poems are labeled "Forton Prison" and dated 1795; the collection also includes poems by Tobias Smollett, Samuel Bishop, Samuel Rogers, Samuel Butler, and William Cowper
Description:
In English., 16-page index at beginning of manuscript., Title from title page. Also on title page: Vol 1., Laid in: newspaper clipping from the Daily Telegraph dated April 16, 1974., and Binding: half calf over paper-covered board; back cover missing. In gilt on spine: Gleanings.
Elegiac poetry, English, English wit and humor, Epigrams, Epitaphs, Occasional verse, English, Sentimentalism in literature, Verse satire, English, Women authors, Women, Conduct of life, and Religious life and customs
Manuscript, on parchment, incomplete, of the text of Peter Abelard's Historia calamitatum, followed by the seven epistolae exchanged between him and Héloïse.
Description:
In Latin., Script: compressed gothic book script., Decoration: 2-line initials in red or blue with penwork flourishing in red or purple. Medieval marginalia includes manicules and grotesques., Manuscript is incomplete (circa 50 leaves missing?). Text opens: id secreto fieret (Historia calamitatum). Text concludes: orationum instantiam confessio[ne]m lau[dis?] (Letter 7)., and Binding: modern blind-stamped white leather.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Abelard, Peter, 1079-1142. and Héloïse, approximately 1095-1163 or 1164.
Subject (Topic):
Autobiography, Women authors, Latin letters, Medieval and modern, Love-letters, and Manuscripts, Medieval
Holograph diary of a stay in Brussels and France after the Battle of Waterloo. Many of the author's observations reflect the recent battle; she reports, for example, on the celebrations in Brussels when its inhabitants receive news of Napoleon's surrender; provides news about various acquaintances in the military as well as other military news after the Battle of Waterloo; and describes Paris as "a military camp for all the nations of Europe." She also makes numerous comparisons between French and English culture, as when she views a play at the Theatre Francaise and comments on the lighting techniques in French playhouses as compared to those in England. Elsewhere, she views as statue of King Henri IV and comments on his reign; vists the porcelain manufactory at Sevres; and describes acquaintances she makes in Brussels. The diary concludes with her road journey from Boulogne to Calais, where she meets several friends, and then to Dover, At the end of the volume is a table of inns in which the author stayed, and The work is the second volume of a set; see Osborn d186 for the first volume in the set. The author's diary was published in 1817
Description:
In English., Title from title page., Autograph on flyleaf: Jane Waldie., Written inside front cover: No. 118., and Binding: quarter red morocco.
Subject (Geographic):
France, Great Britain, and Belgium
Subject (Name):
Eaton, Charlotte Ann (Waldie), 1788-1859., Henry IV, King of France, 1553-1610., Napoleon I, Emperor of the French, 1769-1821., Waldie, John, 1781-1862., and Watts, Jane (Waldie), 1793-1826.
Subject (Topic):
Theater, Travelers' writings, English, Waterloo, Battle of, Waterloo, Belgium, 1815, Women authors, Description and travel, and Social life and customs
The diary is concerned mostly with fashionable life in London, containing many lists of guests, descriptions of parties, masques, and "revels," details of evening dress and costumes, and sometimes sharp commentary on incidents such as waiting for her carriage for half an hour because her servants had been given "tickets for beer" by her hostess. De Crespigny sometimes quotes conversation extensively. The diary also details a trip to Brighton, where the writer was deeply offended at not being asked to dine at the Pavilion
Description:
Mary Champion de Crespigny (1750-1812) was married to the Admiralty official (later baronet) Claude William Champion de Crespigny. She entertained a fashionable Naval and court circle that included the Prince of Wales, and also published at least one novel, as well as a poem in tribute to Lord Collingwood (1810)., Phillipps MS 11956., Annotated on inside front cover: Journals in continuation of the year 1809., and Binding: marbled paper over cardboard, with title: Journals 1809 and 1810.
Subject (Geographic):
Great Britain
Subject (Name):
De Crespigny, Claude Champion, Sir, d.1818. and De Crespigny, Mary.
Subject (Topic):
Upper class, Social life and customs, Women authors, and Brighton (England)
Roll Number VI hh. Print erroneously marked IV hh. Also known as Marie-Laure de Noailles, Vicomtesse de Noailles.
Description:
Embossed: "Photograph by Carl Van Vechten". and Stamped verso: "Photograph by Carl Van Vechten / 101 Central Park West / Cannot be reproduced without permission".
Nine manuscript letters to Fanny Burney, dictated and signed by Mary Delany. Subjects include the health of the two women and of friends; plans for visits and holidays; the publication of Charles Burney's Musical Catalogue; and Burney's appointment as Second Keeper of the Queen's Robes
Description:
Mary Granville Delany (1700-1788) was an English Bluestocking, best-known today for her flower collages and other paper artworks. and In English.
Autograph narrative, extensively illustrated by Mrs. Kenah, of two journeys in Europe taken by the Kenah couple with friends in 1821-24 and in 1827-29. On the first tour, accompanied by Walter Burrell, MP for Sussex, and "Mrs. Crutchley of Sunning Hill Park....and a Blenheim spaniel," the Kenahs traveled through France, Switzerland, Italy, and Bavaria; they were present in Naples for the 1822 eruption of Mount Vesuvius, and spent time in Rome and Lucca as well. In the later tour, they visited the Low Countries, Germany, and Trieste. The text is clearly drawn from diaries kept by Mrs. Kenah during the tours, and contains her often humorous responses, as an "Inexperienced Traveller," to tourist sights, local customs and manners, "foreign" food, and travel difficulties, Mrs. Kenah describes herself as "a woman in quest of the Picturesque," and over 80 of her watercolors and pen and ink sketches are mounted in her travel album. Subjects include "Eruption of Vesuvius, October 22, 1822 as it appeared at midday;" several portraits of Lucchese, Swiss and German figures in local costume; a portrait of Tommaso Sgricci, the famous improvvisatore; a memorial Mass in Caudenberg; the "table d'hote" at the Baths of Ems; the Salon at the Palazzo Ricasoli in 1824; and a variety of "picturesque" landscapes, including a view of the Bay of Naples, of a canal in Venice, and of several castles and mountain scenes in Germany. Also included are several printed views of German scenes which have been hand-colored, and In addition, there are watercolors of English subjects at the end of the volume: cottage scenes, rural landscapes, "view of Box Hill," "Grimsthorpe, 1826," and "Dunkeld from Dr. Fisher's garden. Sept. 9 1826."
Description:
Spine title reads: "Journal. Vol. I.", Annotated on front endpaper: "Mary Leigh Best, 1878.", and Binding: Contemporary calf, red gilt morocco spine label, gilt decoration.
Subject (Geographic):
Italy, Switzerland, Belgium, France, Lucca (Italy), Naples (Italy), and Vesuvius (Italy)
Ethnic costume, Grand tours (Education), Landscape drawing, Travelers' writings, English, Views, Women authors, Women travelers, Description and travel, Social life and customs, and Eruption, 1822
